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Sidney Bechet & Mezz Mezzrow: The King Jazz Records Story
by Chris Mosey
Three decades before Norman Mailer in 1957 drew attention to the social phenomenon of the “white negro," Mezz Mezzrow claimed to be just that. To use his own terminology, he was “a voluntary negro." Actually an American Jew, he played clarinet in the 1930s and 40s, often, as here, alongside Sidney Bechet. He ...
Clarinet Marmalade This Week On Riverwalk Jazz
This week on Riverwalk Jazz The Jim Cullum Jazz Band offers an exploration of great pre-WWII voices of jazz clarinet with the help of prominent contemporary exponents of the “old school." Evan Christopher, Bob Wilber, Kenny Davern and Ken Peplowski (pictured at right) perform with the Band and talk about their mentors and influences. The program ...
Eli Yamin and Evan Christopher: Louie's Dream: For Our Jazz Heroes
by Dan Bilawsky
Hero worship has long been a magnetic force that helps to draw in the next generation of musicians, yet this very concept is often pooh-poohed by a segment of the musical and artistic community. These people feel that new is always better, and that originality can't thrive if artists acknowledge their forefathers and wear their influences ...
Buster Bailey: All About Memphis
by Andrew J. Sammut
Buster Bailey's skill as both an improviser and section man made him a shoo-in for some of the best gigs in jazz history. Starting, from his teenage years, with W.C. Handy, steady employment under King Oliver, Fletcher Henderson, John Kirby and Louis Armstrong also left the clarinetist little time (perhaps need) to record as a leader. ...
The Memories Of Danny Barker This Week On Riverwalk Jazz
This week's Riverwalk Jazz features interviews with New Orleans jazz pioneer Danny Barker. The Smithsonian Institution opened the vaults of the Archives Center at the National Museum of American History so that we could present Danny Barker’s authentic New Orleans vernacular as he recollects life in the Crescent City in the early 1900s. The program is ...
Horn Soliloquy: Mort Weiss & Sam Newsome
by C. Michael Bailey
Solo horn recitals are nothing new. Both Anthony Braxton and Steve Lacy produced several each. Tenor saxophonist Sonny Rollins released a sparking The Solo Album (Milestone, 1985), while Bobby Watson's alto wailed solo on This Little Light of Mine (Red Records, 1993). No other format allows the horn player more freedom than playing solo. Here are ...
Triple Crown Of Tunesmiths This Week On Riverwalk Jazz
This week on Riverwalk Jazz, it’s the music of songwriters Vincent Youmans, Johnny Green and Harry Barris. Special guests Shelly Berg and Dick Hyman join The Jim Cullum Jazz Band on piano and Topsy Chapman, Marty Grosz and Carol Woods handle the vocals. The program is distributed in the US by Public Radio International, on Sirius/XM ...
Courtney Pine: House of Legends
by Ian Patterson
Though multi-reedist Courtney Pine has been playing soprano for almost 30 years, this is the first occasion he's recorded an entire album with the instrument. Following his bass clarinet adventures on the European roots album Europa (Destin-E, 2011) it's clear that the modern British jazz legend doesn't tire of setting himself new challenges. Taking as his ...
This Week On Riverwalk Jazz: The Saxophone In Early New Orleans Jazz
This week on Riverwalk Jazz, The Jim Cullum Jazz Band joins forces with saxophonists Kim Cusack, Vince Giordano, Brian Ogilvie and others to explore the music of early jazz saxophone masters. Our own Ron Hockett shows off his saxophone chops while his clarinet duties are covered by Allan Vaché and Evan Christopher. Bass saxophonist Vince Giordano ...
Jazz In The Ivy League This Week On Riverwalk Jazz
This week on Riverwalk Jazz, piano legend Dick Hyman joins The Jim Cullum Jazz Band to celebrate the legacy of classic jazz in the Ivy League. Host David Holt talks with Jim Hayne, a founding member of the Spring Street Stompers at Williams College and who was a a key figure behind the launch of The ...
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