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TJI Ellington Big Band at Musical Instrument Museum
by Patricia Myers
TJI Ellington Big Band Musical Instrument Museum Phoenix, ArizonaJanuary 14, 2014 The Ellington Big Band of the Tucson Jazz Institute delivered an ambitious repertoire that ranged from Wynton Marsalis's complex “The Tree of Freedom" to a Pat Metheny chart, with plenty of Ellingtonia in between. This high school band was a ...
Shorty Rogers: 'Jazz Scene USA'
If you're a YouTube hound, then you're certainly familiar with a clip or two from 1962 featuring flugelhornist Shorty Rogers and His Giants. Those clips—in relatively poor audio and visual condition—make up part of Rogers' appearance on Jazz Scene USA, a nationally syndicated show produced by Steve Allen. Last week, Jimi Mentis in Athens provided a ...
L.A. Six: Frame of Mind
by Jack Bowers
Once upon a time ('way back in the 1970s-80s) there was the peerless L.A. Four (Bud Shank, Laurindo Almeida, Ray Brown, Shelly Manne) and now we have the L.A. Six, another hard-swinging post-bop ensemble that has chosen to walk in some rather large shoes by recording a splendid debut album, Frame of Mind. With Tom Peterson ...
Doug Mettome: A Brief Life in Bop
by Richard J Salvucci
Douglas (Doug) Voll Mettome, the son of Nels P Mettome and Leafy Dawn Mettome was born into a prosperous family on March 19, 1925 in Salt Lake City, Utah, where he died on February 17, 1964. He was one of two children (a younger sister attended Northwestern University). Doug's musical career began early. His ...
Shorty Rogers: Rock Sessions
Shorty Rogers led a double life in the 1950s. By day, he was one of West Coast jazz's founding fathers—standing out as a dynamic bandleader and prolific big-band and small-group arranger. On his off hours, he had an alter-ego—Boots Brown, an early rock-and-roller who recorded about a dozen jump-boogie singles. Why Rogers bothered and went incognito ...
Hush Point: Hush Point
by Mark Corroto
The quartet Hush Point conjures the possibilities of small group hipness. One that quips instead of guffaws, and prefers covertness to the obvious. Led by John McNeil, this quartet of saxophonist Jeremy Udden, bassist Aryeh Kobrinksy, and drummer Vinnie Sperrazza may be new, but McNeil's sage coolness isn't. The sixty-something trumpeter has been delivering ...
Shelly Manne: The Three & The Two
by David A. Orthmann
"When I'm playing, I think along melodic lines. For instance, I can go up as the notes go up. I may not hit them on the head, but the drums are a very sympathetic instrument and I can sometimes sound like I'm playing the melody without being right in tune. Naturally, I don't have the whole ...
In Tune or Not in Tune... That Is the Question
by Jack Bowers
Suppose a month goes by, you have a column to publish, but nothing has happened that's worth writing about. What do you do then? Read on, as the question is about to be answered. A while back there was a discussion at a Stan Kenton web site (Kentonia) about musicians or groups of ...
Dave Pell: Four Classic Albums
by David Rickert
If you were to wander up and down the West Coast in the fifties you were more likely to find Dave Pell playing dances on college campuses than in clubs. Despite filling his octet with seasoned musicians who could really cut loose when given the chance, Pell's studio recordings always have a hint of ...
Buddy Rich: In a Zone of His Own
by Jack Bowers
One of the channels that came with my Dish Network package is Classic Arts Showcase, which is a treasure trove of film clips documenting classical, ballet, folk, pop and other forms of music that one is unlikely to see anywhere else (although some footage is presumably available on YouTube, which more and more seems to encompass ...
