Results for "Shorty Rogers"
Shorty Rogers
Born:
One of the leading figures of West Coast jazz, Shorty Rogers' decision to stop performing and switch to full-time studio work in 1962 marked the end of its golden era. Rogers played with a number of big bands in the late 1940s, and began to attract attention as an arranger while working with Woody Herman. Stan Kenton then hired him away from Herman and Rogers' compositions and arrangements for Kenton made him as much of a star as any of Kenton's soloists. Rogers left Kenton and pulled together a small group that included Art Pepper, Shelley Manne, Jimmy Giuffre, and Hampton Hawes to record Modern Sounds for Capitol
Billy Eckstine's Ballads 1947-1951
In 1947, vocalist Billy Eckstine became a solo performer, much the way Frank Sinatra had in 1942. Signing with MGM, Eckstine played to the young female market that dreamed of love. At first marketed to the Black urban market, Eckstine on MGM crossed over to the pop charts, racking up 18 hits between 1947 and '51. ...
Toldam, Riedel, Berg, Wiklund, Christensen: Tak for dit brev
by Alberto Bazzurro
Quarantadue anni, danese, il pianista (qui anche occasionalmente clarinettista) Simon Toldam dirige in questo ragguardevole album un quintetto dalla struttura eminentemente cameristica che non può non rimandare a più o meno remoti lavori di Jimmy Giuffre e di un certo cenacolo (Shorty Rogers, Shelly Manne, Ralph Peña, Buddy Collette, Bud Shank, ecc.) che a partire dalla ...
Modern Sounds From California
West Coast jazz was the music of migrants. After World War II, work opportunities for skilled jazz musicians skyrocketed in Los Angeles, attracting gifted artists from different parts of the country. Two principal architects of the West Coast jazz sound in the early 1950s were Gerry Mulligan and Shorty Rogers—transplants from the East Coast. Many other ...
Marvin Stamm: Team Player
by R.J. DeLuke
Trumpeter Marvin Stamm is known for being part of a gazillion albums, having that ability to go into a studio and play exactly what's required, whether it's for a records by pop singers, jazz artists, Paul McCartney, Donny Hathaway or touring with Frank Sinatra. It's a reputation the highly skilled player earned with hard work.
The Stan Kenton Orchestra / Trinity College: Concert Impressions
by Jack Bowers
Here's another splendid two-disc anthology from Tantara Productions showcasing music from the capacious Stan Kenton library, performed on Disc 1 by the Kenton Orchestra circa 1972-76 and on Disc 2 by the Trinity College Big Band, Alumni Band and Symphony Orchestra in 2004 and 2007. Tantara has now released more than twenty albums, all devoted to ...
Franz Koglmann Septet: Fruits Of Solitude
by Mark Corroto
Franz Koglmann must be a connoisseur of vinification, i.e. winemaking, because his Fruits Of Solitude has the feel of a master vintner at work. Specifically, wine blends like Super Tuscans or Côtes du Rhônes mark his amalgam of European chamber music and American jazz. Koglmann is a true polymath in that he hears all and rejects ...
Mark Masters: Our Metier
by Angelo Leonardi
Splendido arrangiatore di scuola mainstream, Mark Masters guida formazioni orchestrali fin dai primi anni ottanta e gran parte della sua produzione discografica l'ha incisa per l'etichetta Capri di Thomas Burns. I suoi dischi recenti--compreso l'ultimo Blue Skylight -erano concept album dedicati a grandi nomi del jazz, come Clifford Brown, Duke Ellington, Lee Konitz o ...
Jim Cutler Jazz Orchestra: The Wolf Awakens
by Jack Bowers
The Wolf Awakens, Seattle-based saxophonist Jim Cutler's third album as leader of his Jazz Orchestra, consists entirely of original compositions including four of his own, half a dozen by trumpeter Daniel Barry and one ("Haze Gray") by Matso Limtiaco. Before appraising them, a word about the ensemble, and that word is exemplary. These are without a ...
The Alto After Bird - Pepper, Woods, McLean, Adderley (1957 - 1960)
by Russell Perry
When Charlie Parker died at 34 in 1955, it was as if an ancient tree fell in the forest with the resulting sunlight promoting the growth of numerous alto saxophone progeny. Art Pepper appeared in Stan Kenton's Orchestra in 1950 and by 1953 was recording as a leader while still collaborating with West Coast colleagues like ...
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