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Blue Note 50th Anniversaries: October 1968 & More
by Marc Cohn
The first show of the month means it's time for a dive into the Blue Note vault for our monthly celebration of Blue Note 50th anniversaries. Before that, the doctor presents a selection of recent music that caught his ear. As a bonus, you will find Albert Ammons, from the second Blue Note release, which was ...
Jelly Roll Morton Front and (Lincoln) Center
by Nick Catalano
With a three-night gala celebrating the music of Jelly Roll Morton, the Jazz at Lincoln Center orchestra marked its 30th season at Rose Hall. Focusing on Morton's pioneer arranging achievements with amplifications of them from Jazz at Lincoln Center performers, the evening offered a penetrating exploration of the Creole legend's multifarious compositional musings and featured a ...
Jazz for President - Le suite di Delfeayo Marsalis e Ted Nash
by Angelo Leonardi
Gli anni sessanta sono lontani e con essi la controversia su jazz e politica. Com'è noto, la musica è un'arte asemantica e i musicisti non possono trasmettere significati (in questo caso politici) con il linguaggio delle note. Però gli artisti esprimono eventuali scelte ideologiche iscrivendo la loro musica in un quadro semantico più generale, fatto di ...
Grammy Nominated Vocalist René Marie's First All-Original LP "Sound of Red" Out Via Motema Music May 13
René Marie, the “outrageous” (Wall Street Journal) vocalist has taken the recording process one giant step further with the release of her most personal album on May 13. As the follow-up to 2013’s Grammy award-nominated album I Wanna Be Evil (With Love to Eartha Kitt), Sound of Red is her first album of all-original songs written ...
Blue Engine Records Celebrates the Holidays with BIG BAND HOLIDAYS: New release from the Jazz at Lincoln Center Orchestra with Wynton Marsalis features guest vocalists René Marie, Cécile McLorin Salvant and Gregory Porter
CD streets October 30, 2015; limited edition 180g vinyl coming soon Jazz at Lincoln Center’s Blue Engine Records celebrates the most wonderful time of the year with the release of Big Band Holidays, a compilation of holiday classics performed live by the world-renowned Jazz at Lincoln Center Orchestra with Wynton Marsalis. Special guests on Big Band ...
The Don Braden Organix Quartet: Luminosity
by Dan Bilawsky
Saxophonist Don Braden is all about positivity and sharing the joys of jazz. His ebullient music speaks to his intelligence yet he never falls prey to the jazz-as-intellectual-exercise trap that seems to snare younger musicians and a good amount of his peers. Over the course of his previous albums, Braden's managed to create accessible music built ...
Blue Engine Records' Debut Album Release: Jazz at Lincoln Center Orchestra with Wynton Marsalis' " Live in Cuba" streets on August 21, 2015
Available now for pre-order on iTunes and Amazon Blue Engine Records, Jazz at Lincoln Center’s new platform that makes its vast archive of recorded concerts available to jazz audiences everywhere, releases its debut title, Jazz at Lincoln Center Orchestra with Wynton Marsalis' Live in Cuba, on August 21, 2015. The album featuring the world-renowned big band ...
Take Five With Tracy Mothershed
by AAJ Staff
Meet Tracy Mothershed: I use to listen to my mother play the piano and try to follow her... I would listen to my Grandmother sing and Grandparents dance. My uncle Douglas and I would sing and sing... play records and I would pretend to have a microphone and be a famous jazz singer.
Jazz at Lincoln Center Orchestra with Wynton Marsalis, Mesa, AZ, March 8, 2013
by Patricia Myers
Jazz at Lincoln Center Orchestra with Wynton MarsalisMesa Arts CenterMesa, AZMarch 8, 2013The 25th anniversary concert by the Jazz at Lincoln Center Orchestra with Wynton Marsalis was an homage to the past, sparked by elements of modernism with a mix of standards by Duke Ellington, Gerry Mulligan and Chick Corea, plus ...
John Coltrane's Music Gets New Life at Lincoln Center
by Nick Catalano
In jazz history, the often ignored contributions of the great arranger/orchestrators can never be overestimated. It was Jelly Roll Morton's orchestral writing that enabled “Black Bottom Stomp" to soar. In trumpeter Miles Davis' Sketches of Spain (Columbia, 1960), it was Gil Evans' pen that created the magic. At Town Hall, it was Hall Overton's arrangements that ...
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