Home » Search Center » Results: shabaka hutchings
Results for "shabaka hutchings"
Shabaka & the Ancestors: We Are Sent Here by History
by Serena Antinucci
Siamo stati spediti qui dalla Storia inconsapevoli di ciò che sarebbe accaduto. Avevamo un compito, l'abbiamo disatteso. Avevamo uno scopo, l'abbiamo dimenticato. Abbiamo disimparato la lingua della natura, sopraffatti dal potere e dall'egemonia capitalista. Oggi siamo stati chiamati ad afferrare la mano degli spiriti antenati, che tentano di soccorrerci, indicandoci una nuova strada della creazione, originata ...
Yilian Cañizares, Wildflower, Shabaka Hutchings, Vincent Courtois & New Releases
by Ludovico Granvassu
Second part of our weekly exploration of new releases [for the first part click here], showcasing new and upcoming gems with a special focus on musical forces of nature like Cuban violinist and singer Yilian Cañizares, and prolific British reedist Shabaka Hutchings (check out his South African forays with his Shabaka and the Ancestors and with ...
Yazz Ahmed: The Inclusive Saboteuse
by Ludovico Granvassu
Pretty much from the beginning of her career, trumpet and flugelhorn player Yazz Ahmed has been intent on sabotaging the walls and fences that divide the jazz world, championing an inclusive vision in which Arabic traditions blend seamlessly with loops and electronics, and rock and pop can offer jazz plenty of inspiration. Two years ...
Shabaka & the Ancestors: We Are Sent Here By History
by Chris May
Reed player Shabaka Hutchings became the first British musician to sign to the iconic (for once the word is justified) Impulse! label when his band Sons of Kemet did so in 2018. It was a deal for which his management could rightly be proud. It was also an affirmation which Hutchings felt deeply, for in the ...
Wildflower: Season 2
by Karl Ackermann
On paper, the UK trios Wildflower and Ill Considered bear an obvious resemblance. Each features the outstanding reed player Idris Rahman and bassist Leon Brichard, and both groups are groove-oriented progressive jazz. Wildflower is the slightly more melody-driven and the less raw of the two bands, with intricate improvisations interwoven throughout. Season 2 sees Rahman altering ...
Gil Scott-Heron / Makaya McCraven: We're New Again
by Karl Ackermann
"All the dreams you show up in are not your own." With those words to an interviewer at The New Yorker, Gil Scott-Heron tried to explain a degree of detachment from I'm New Here (XL Recordings, 2011), his “comeback" and the final studio album before his death that year. The project was initiated by the head ...
Nick Walters: Active Imagination
by Chris May
A rugged modal-based spiritual-jazz blowing session from the trumpeter Nick Walters, who has one foot in the underground London scene which is shaking up British jazz, and another in his home city, Manchester. Walters is a member of two Manchester bands, Riot Jazz Brass Band and Beats & Pieces Big Band, and leads the London-based Paradox ...
Pulled By Magnets: Rose Golden Doorways
by Chris May
After a momentous start in the mid 2000s with saxophonist Pete Wareham's Acoustic Ladyland and his own band, Polar Bear, drummer Sebastian Rochford's path through British jazz has been distinguished, though not without the odd glitch. The highs have been Himalayan. Perhaps most notably, he played a key role in reeds player Shabaka Hutchings' Sons Of ...
Byron Wallen: Portrait
by Chris May
An all too rare event, an album from Byron Wallen. The British trumpeter is part of that cohort of musicians who immediately preceded, and continue to inspire, the young London rebels who have been renewing British jazz since around 2015. So, too, is this album's drummer, Rod Youngs. Youngs was born and raised in the US, ...
Results for pages tagged "shabaka hutchings"...
Shabaka Hutchings
Shabaka Hutchings, a saxophonist, band leader and composer, part of London’s community of younger jazz musicians as well as the city’s thriving improvised music scene. For Hutchings, composition is a chronicle of the zeitgeist inhabited by a composer; an exposition of his or her search for meaning and the structuring of experiences in aid of recognising this meaning when it appears. As part of the Caribbean diaspora, he sees his role as that of pushing the boundaries of what musical elements are considered to be Caribbean. Constantly evaluating the nature of his relationship with musical material and tradition, he describes his attempts at composition as wrestling matches with questions of where and how the Caribbean can be encoded, and what happens when it is exposed to the western classical music cannon. Hutchings was born in 1984 in London
