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Results for "Sergio Mendes"
On Second Thought: Sergio Mendes and Brasil '66 - Fool on the Hill (1968)
Like a Wayback Machine, certain sights, sounds, smells and tastes transports us to certain times and places in our lives. Listening to Sergio Mendes and Brasil '66 from their hitmaking days from four and half decades ago puts me right back into preschool. Fool On The Hill was probably Mendes' most popular album in the U.S., ...
Hendrik Meurkens: Live at Bird's Eye
by Edward Blanco
Considered, by many, to be the most important jazz harmonicist since Toots Thielmans, German-born/New York-based Hendrik Meurkens has long been a connoisseur of Brazilian jazz, with an impressive discography of bossa nova and samba-infused music. Live at Bird's Eye is an assemblage of Brazilian, American and Italian jazz standards recorded live on several sessions from 2008 ...
BossaBrasil Festival: New York City, NY, May 20, 2011
by Ernest Barteldes
Marcos Valle, featuring Wanda SaBossa Brazil FestivalBirdland, New York, NYMay 19, 2011 The 2011 edition of the BossaBrasil festival at New York's Birdland featured bossa nova-era alum Marcos Valle, a keyboardist/vocalist who appeared in the 2010 edition as the guest of singer Emilio Santiago. Backed by a solid band, featuring ...
Steve Khan: The Making of "Parting Shot"
by Steve Khan
The term, “parting shot" can certainly be interpreted in any number of ways. Perhaps for most of us, it would be best defined like this: “a threat, insult, condemnation, sarcastic retort, or, gesture delivered while departing." I choose to view it as the latter, thinking of a light punch to the shoulder as the final gesture! ...
Audrey Silver: Dream Awhile
by Wilbert Sostre
to tell, by the pure joy of Audrey Silver's voice on Dream Awhile, that this 2009 collection is the singer's favorite jazz standards. Silver amazing, glimmering tone shines all throughout, especially on the up-tempo, swinging tracks “I Will Wait For You," “Exactly Like You" and Irving Berlin's “The Song Is Ended." She even adds some Ella ...
Herb Alpert: On The Record
by Telly Davidson
It was no less than Miles Davis who once opined, “You don't have to hear but three notes before you know it's Herb Alpert." True enough, while Alpert's name isn't often mentioned in the same sentence as the other icons of West Coast jazz (many of whom appeared on records produced by his and Jerry Moss' ...
Marcus Miller: The Perfect Balance
by Esther Berlanga-Ryan
Marcus Miller is a master musician of calm wisdom and impeccable taste, whose talent has been exposed to the elements under different kinds of light through the years, only to magnify the evident supremacy he so gently seems to hold over the bass guitar in recent years. As a multi-instrumentalist of deep musical curiosity, he has ...
The Unexpected Grammy Contender
GRAMMY Nomination Shines Light on an Untold Story: Chandrika Krishnamurthy Tandon's Soul Call Creates a Community “Totally Lost" in Song When the GRAMMY nominations were announced earlier this month, a light shined on the untold story of a singer little-known in the music scene. This is the tale of a woman who scoured every corner of ...
Ray Brown’s Great Big Band: Kayak
by Robert J. Robbins
Not to be confused with the late, legendary bassist of the same name, San Francisco-based bandleader/arranger Ray Brown, an ex-trumpeter with the Stan Kenton and Full Faith and Credit big bands, drives his own nineteen-piece ensemble populated by the Bay Area's A-list musicians. Brown, whose percussionist father pioneered jazz education in the public schools of Long ...
