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Chris Taylor: Nocturnal
by Glenn Astarita
New York-based virtuoso Chris Taylor spent 30 years behind the scenes as a session guitarist amid works for TV and various electronics-centered persuasions. Here, the artist steps out of the pocket for his freshman solo stint, supported by a distinguished roster of jazz-fusion artists performing on select tracks. Taylor's influences seem varied, and his ...
The New Universe Music Festival 2010 - Abstract Logix Live!
by John Kelman
For those who like their jazz hard, loud, filled with killer chops and intricate writing, the 2010 New Universe Music Festival was like manna from heaven. Amidst seven groups including two fusion deities, guitarist John McLaughlin and drummer Lenny White, it was an exhilarating experience for the few hundred people in attendance--some coming from hundreds of ...
Arto Tuncboyacıyan: Mr. Avant-Garde Folk
by Ian Patterson
Though a good number of notable jazz fusion bands and musicians have sprung up over the course of the last 40 years, the same few names from the '70s continue to serve as references--and sources of inspiration--in this, the second decade of the 21st century. Most notable are Weather Report, Mahavishnu Orchestra, Tony Williams' Lifetime, Herbie ...
Chris Taylor: Never Make Your Move Too Soon
by Ian Patterson
It's taken 30 years, but you can't rush something if it's not there. Chris Taylor's debut recording as leader, Nocturnal (Abstract Logix, 2011), is the result of the direction his composing has led him these last two or three years, but it could be seen in a wider context as the accumulated experience of three decades ...
Chris Taylor: Nocturnal
by Ian Patterson
Necessity, they say, is the mother of invention, and for guitarist Chris Taylor--whose financial dire straits forced him to abandon Berklee and return to gigging after three semesters-- this has proven to be an undeniable truth. That was thirty years ago, and Taylor's never looked back, gigging in every imaginable situation, and exploiting his natural bent ...
Human Element: Human Element
by Ian Patterson
The supergroup sobriquet that label Abstract Logix has placed on Human Element is quite a billing to live up to, but keyboardist Scott Kinsey, bassist Matt Garrison, percussionist/vocalist Arto Tunçboyaciyan and drummer Gary Novak pool their individual talents and rise spectacularly to the challenge. Years of collective experience in the bands of keyboardists Joe Zawinul, Herbie ...
Human Element: Human Element
by John Kelman
Things may not always work out the way they're planned, but that doesn't mean that can't actually work out better. When keyboardist Scott Kinsey began work on the overdue follow-up to his well-received (and equally overdue) debut as a leader, Kinesthetics (Abstract Logix, 2006), the plan was to focus on a small, consistent line-up, as opposed ...
Animation: Asiento
by C. Michael Bailey
Jam bands Phish and Gov't Mule have been making a cottage industry of covering a famous LP for their respective Halloween concerts (the bands' “costumes," so to speak). In 2010, we were treated to Little Feat's Waiting for Columbus (Warner Brothers, 1978) and The Who's Who's Next (MCA, 1975), respectively. It is not ...
Animation: Asiento
by Mark Corroto
1969 was perhaps a watershed year for jazz in America. Trumpeter Miles Davis, the anointed pied piper, recorded Bitches Brew (Columbia, 1970). It was to be the beginning of jazz/rock fusion. Maybe better described as jazz/rock/soul/funk fusion. Miles wasn't one to miss out on trends. He saw the popularity of Jimi Hendrix and Sly Stone, with ...
Robert Hurst: Bob Ya Head
by Mark F. Turner
With a spirit of optimism and new direction, veteran bassist Robert Hurst returns with two simultaneous releases on his Bebob recording label, that further expound on his leadership. The first, Unrehurst Vol. 2 , is an all-acoustic date with drummer Chris Dave and firebrand pianist Robert Glasper, recorded live in 2007 at the Smoke in New ...
