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50

Article: Live Review

Copenhagen Jazz Festival 2014

Read "Copenhagen Jazz Festival 2014" reviewed by Henning Bolte


Copenhagen Jazz Festival Copenhagen July, 8-10, 2014 The ten-day Copenhagen Jazz Festival, with its 1,200 concerts, is maybe the largest of its kind in Europe. This number of concerts is the consequence of a unique concept. The core of the festival, with some international headliners, is a relatively small scale ...

20

Article: Album Review

Sylvie Courvoisier – Mark Feldman Quartet with Scott Colley and Billy Mintz: Birdies For Lulu

Read "Birdies For Lulu" reviewed by Glenn Astarita


Pianist Sylvie Courvoisier and violinist Mark Feldman are a dynamic duo within the neoteric strategies of modern jazz, coupled with their substantial artistic output. They intersperse classical inferences with shades of folk, avant-garde schemas, and bristling improvisational segments into the big picture. This incarnation of the quartet now features upper-echelon session bassist Scott Colley and venerable ...

6

Article: Album Review

Thomas Maintz / Scott Colley / Johnathan Blake: Present

Read "Present" reviewed by Jakob Baekgaard


There's a certain trend that has developed on the Danish jazz scene and it keeps growing stronger. In recent years, many Danish jazz musicians have travelled to New York to make a record with some of the top musicians in the city. Danish guitarist Jakob Bro has done it several times, recently with his record December ...

14

Article: Live Review

JazzNorway in a Nutshell 2014

Read "JazzNorway in a Nutshell 2014" reviewed by Henning Bolte


JazzNorway in a Nutshell 2014 Bergen, Norway May 21-25, 2014 Bergen, the second largest city of Norway along the northwestern coast of the North Sea, is situated along an impressive mountainous bay. Protected against and open to the sea, to the world it is an illustrious place of a centuries-old merchant tradition, ...

7

Article: Album Review

Matija Dedić: Sentiana

Read "Sentiana" reviewed by Dan Bilawsky


Croatian pianist Matija Dedić demonstrates exquisite taste in selecting trio mates for his projects. His debut--From The Beginning (Dallas Records, 2009)--brought him into contact with bassist Larry Grenadier and drummer Jeff Ballard, best known for their work in pianist Brad Mehldau's acclaimed trio. The follow-up record--M.D. In N.Y.C. (Origin Records, 2011)--found him working with bassist Vicente ...

Album

Southern Exposure

Label: Resonance Records
Released: 2013
Track listing: Ta Boa, Santa? (Are You OK, My Dear?); Aparecida; Oblivion; Cubano Chant; Sanfona; Canción de Amor (Love Song); Heavy Tango; Choro das Águas (The Water’s Cry); Tango Doblado (Bent Tango); Spleen; Gracias For Ilustramos (Thank You For Teaching Us).

Album

Bridges

Label: Posi-Tone Records
Released: 2013
Track listing: Bridges; Sonomads; Waterfront; Story Table; We Do?; Boats (exit); Year In Review; Open/Balance; Dodge; Grand Colonial; Light Bright.

17

Article: Interview

Jim Hall: Live, Now and Then

Read "Jim Hall: Live, Now and Then" reviewed by Bob Kenselaar


[ This interview was originally published on July 16, 2013. ] Widely acknowledged as one of the most influential guitarists in modern jazz, Jim Hall has had an extraordinary musical career that spans more than half a century. His style is marked not by soaring speed or virtuoso technique but by his explorative artistry ...

11

Article: Record Label Profile

ArtistShare: A Record Label for the Digital Age

Read "ArtistShare: A Record Label for the Digital Age" reviewed by Paul Naser


In the information age, as technology is transforming the way we share ideas, the creative artist seems to be in a dangerous situation. Peer-to-peer file sharing and free-streaming content are direct threats to an artists' livelihood. Combining this insight with a love for music and an appreciation for artists and the value of their work, Brian ...

14

Article: Album Review

Ralph Alessi: Baida

Read "Baida" reviewed by John Kelman


With 2013 heading into fall, it's a good time to take stock of a label that has all too often been (falsely) accused of minimizing the country where jazz began. Excluding reissues, this year's ECM regular series releases represent about thirty percent American leadership; given jazz's increasingly global nature, hardly a bad number--and better still, when ...


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