Results for "Saxophone"

Dave Liebman

Born: September 4, 1946

David Liebman was born in Brooklyn, New York on September 4, 1946. He began classical piano lessons at the age of nine and saxophone by twelve. His “epiphany” was hearing John Coltrane perform live in New York City clubs such as Birdland, Village Vanguard and Half Note as a teenager. Throughout high school and college, Liebman pursued his jazz interest by studying with saxophone guru Joe Allard as well as jazz musicians Lennie Tristano and Charles Lloyd. Upon graduation from New York University (with a degree in American History), he began to seriously devote himself to the full time pursuit of being a jazz artist. In the early 1970s, Liebman took the leading organizational role as Founder and President of Free Life Communication, a cooperative of several dozen young cutting edge musicians intent on performing around New York in venues outside the traditional jazz club situation

Ronnie Laws

Born: October 3, 1950

The younger brother of Hubert Laws, Ronnie Laws has a nice soulful sound on tenor, but has never seriously pursued playing jazz. Throughout his career, which includes early-'70s gigs with Quincy Jones, his brother, Ramsey Lewis, and Earth, Wind & Fire, Laws has essentially been an R&B player. He has led his own albums since 1975, but recorded very little of interest to the jazz world, although he is often listed on Billboard's contemporary jazz chart. In 1970 he moved to Los Angeles, where he found work under the tutelage of such legendary talents as The Jazz Crusaders and Hugh Masakela

Azar Lawrence

Born: November 3, 1952

Azar Lawrence led a very musical childhood and began playing drums at the age of five and moved onto violin and piano under the direction of his mother Ima Lawrence. Ima, a gifted musician and teacher from whom Azar received his acute flair for all things music has shaped many successful musicians. Azar began playing with the USC JR Orchestra at the age of five. He played violin until the age of 8. He performed vocals accompanied by his mother during elementary school where she taught sixth grade and music At age eleven he began hearing a different musical voice. He was an accomplished pianist, violinist and vocalist in his own right at the time. He thought it was time to learn viola

Don Lanphere

Born: June 26, 1928

Don Lanphere came to New York when he was 19 and made some impressive recordings with Fats Navarro in 1949, keeping up with the fiery trumpeter. Lanphere played Carnegie Hall with Woody Herman's Second Herd, moved on to Artie Shaw's Gramercy Five, and gigged with the bands of Claude Thornhill, Charlie Barnet and Billy May. Lanphere also made friends with Charlie Parker and recorded the altoist at home with some friends. Those legendary tapes became known as "The Basement Sessions". Lanphere played a second stint with Woody Herman during 1959-1961.

Byard Lancaster

Born: August 6, 1942

Born William Byard Lancaster, 6 August 1942, Philadelphia, Pennsylvania, USA, multi-instrumentalist Lancaster (alto, tenor and soprano saxophones, flutes, clarinets, piano) was, with Sonny Sharrock, Dave Burrell and Eric Gravatt, part of a second generation of African-American "new jazz" players who viewed themselves as John Coltrane's spiritual heirs or "John's Children" as the title of an early Lancaster band song (written by Sharrock) insisted, committed to the same "healing" energies inherent in the jubilant scream. Lancaster identified with secular screams, hence the motto on his business cards: From A Love Supreme To The Sex Machine And All In Between

Oliver Lake

Born: September 14, 1942

Born in Marianna, Arkansas in 1942, Oliver moved to St. Louis at the age of two. He began drawing at the age of thirteen (and paints daily, using oil, acrylics, wood, canvas, and mixed media), and soon after began playing cymbals and bass drum in various drum and bugle corps. At 17, he began to take a serious interest in jazz. Like many other members of BAG and its Chicago-based sister organization, the Association for the Advancement of Creative Musicians (AACM), Lake moved to New York in the mid-'70s, working the fertile ground of the downtown loft scene and quickly establishing himself as one of its most adventurous and multi-faceted artists. A co-founder of the internationally acclaimed World Saxophone Quartet with Hemphill, Hamiet Bluiett and David Murray in 1977 (and recently celebrating its 26th anniversary with an album of Jimi Hendrix pieces for Justin Time Records), Oliver continued to work with the WSQ and his own various groups - including the groundbreaking roots/reggae ensemble Jump Up - and collaborating with many notable choreographers, poets and a veritable Who's Who of the progressive jazz scene of the late 20th century, performing all over the U.S

Ralph Lalama

Born: January 30, 1951

Ralph Lalama grew up in West Aliquippa, Pennsylvania, graduated from The Dana School of Music of Youngstown State University (Ohio) and was recognized there for his remarkable talent by the legendary Thad Jones, who encouraged him to come to New York. Since that time, Lalama has reached a dignified status as a widely respected master of the tenor through his achievements in the big bands of Woody Herman, Buddy Rich, Carla Bley and the Thad Jones/Mel Lewis Orchestra - now the Vanguard Jazz Orchestra - with whom he is a featured soloist on Monday nights at New York's Village Vanguard. His experience is vast and varied and includes appearances with Barry Harris, Harold Danko, Mel Torme, Carmen McRae, Tom Harrell and Joe Morello

Pat La Barbera

Born: April 7, 1944

Pat (Pascel Emmanuel) LaBarbera. Saxophonist, teacher, composer, b Mt Morris, NY, 7 Apr 1944. His first teacher was his father, Joseph, a clarinetist. His brothers are also noted jazz musicians: Joe, a drummer, and John, an arranger and composer. LaBarbera's other teachers included Joe Viola, Don Menza, and Joe Allard (saxophone), Joe Henderson, Lee Konitz, and Warne Marsh (improvisation), and Bernie Piltch (flute). LaBarbera also studied arranging and composition 1964-7 at the Berklee College of Music, Boston. After travelling 1967-74 as a featured soloist (tenor saxophone) with the Buddy Rich Big Band, he made his home in 1974 in Toronto, where he has worked in local jazz clubs, big bands, and studio orchestras

Briggan Krauss

Saxophonist and composer Briggan Krauss connects the extreme edges of saxophone technique with the unexplored tonal possibilities of the instrument, making his work as much about shape as it is about a signature sound. In June 2014, Krauss led a weeklong residency at John Zorn’s The Stone, highlighting over twenty years as a key player in New York’s downtown and creative music scene and the intense musical relationships he has built with colleagues including Ikue Mori, Jim Black, Wayne Horvitz, Nels Cline and Elliot Sharp. He continues the tradition of bringing together the raw conceptual energy of a rotating cast of improvisers in a monthly series at Brooklyn’s Firehouse Space. As a leader, Krauss has recorded multiple albums for Knitting Factory records, including the critically acclaimed 300 with Wayne Horvitz on keyboards and Kenny Wollesen on drums

Dave Koz

In a recording career that spans nearly three decades, saxophonist Dave Koz has racked up an astoundingly impressive array of honors and achievements: nine GRAMMY® nominations, 11 No. 1 albums on Billboard’s Current Contemporary Jazz Albums chart, numerous world tours, 13 sold-out Dave Koz & Friends At Sea cruises, performances for multiple U.S. presidents, a Star on the Hollywood Walk of Fame and appearances on a multitude of television shows, including “Good Morning America,” “The View,” “The Tonight Show,” “Entertainment Tonight” and more. A Platinum-selling artist, Koz is also known as a humanitarian, entrepreneur, radio host and instrumental music advocate.