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Ben Jansson

Ben Jansson is quickly becoming a highly sought after tenor saxophonist on the national and international jazz scene. As well as having played in numerous jazz festivals such as the North Sea Jazz Festival in the Hague, Netherlands and the Toronto Downtown Jazz Festival Mr. Jansson has played gigs opening up for the Count Basie Orchestra, Eartha Kitt, Dave Brubeck and the late Ray Charles. At the 2006 Detroit International Jazz Festival Ben played the first tenor book with jazz great Diane Schuur and was featured as a soloist throughout the performance. As a leader, Ben fronts his own Quintet featuring stellar New York guitarist and longtime band mate Randy Napoleon
About Seth 'Shesh' Jorgensen
Instrument: Saxophone, tenor
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About Richard Maegraith
Instrument: Saxophone, tenor
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Richard Maegraith

Born:
by Matt McMahon
Richard Maegraith, like the musicians he has assembled for this recording, is one of the most respected musicians in the city in which he spends most of his time in Sydney. It is always tempting to list the great achievements of a musicians career and the great players with whom he has worked over years of performances and recordings. But improvising is always about being in the moment, making real time decisions and looking ahead - which is something all of the musicians on this recording manifest again and again throughout these series of pieces.
Richard and I played together a lot when we first met as students at the Sydney Conservatorium in 1993
Results for pages tagged "saxophone, tenor"...
Buyu Ambroise

Buyu Ambroise was born in Haiti. After a brief stay in the Republic of Congo as a child, Buyu has been residing in the United States for over 35 years. Buyu was drawn to the saxophone at a young age, experimenting with the instrument as a high school student in Brooklyn, New York during the 1970s, a fertile period for both Haitian music and American Jazz. His passion for Jazz music led him to study with Jazz legends such as Frank Foster, Jimmy Owens, and John Lewis. Buyu then performed in New York City with various small groups for more than 20 years, playing usually Haitian Konpa music or Jazz
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James L. Guter
Born:
Retired Fine Arts Department Chair and Director of Bands, Jim has been active in music education in Illinois, Massachusetts, California, New Jersey, and Connecticut as a Band Director and Supervisor. He belongs to many state and national music educators professional associations. He is a Sinfonian and was a charter member of Lamda Mu Chapter. He was selected as an Outstanding Young Man in America, Outstanding Jazz Educator from NBA, and received a Citation of Excellence for Outstanding Contribution to Bands and Band Music from the National Band Association. He was named to the Who's Who among American Teachers in 2002 & 2003, and Who's Who in America 2002 & 2004
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Irv Gordon
Born:
Originally from Philadelphia, Gordon's career spans back to the bebop era, having come up alongside other jazz greats like the Heath brothers, Stan Getz, and John Coltrane, to name a few. Gordon began performing at the age of 16. At 18, he played the same chair as Lester Young behind Billie Holiday for the first interracial jazz concert in Philadelphia in the summer of 1952 Credits include performances with Philly Joe Jones, Sarah Vaughn, The Four Freshman, Vido Musso, Frances Fayes, Frank Sinatra, Tony Bennett, Abby Lincoln, Tommy Vig, Steve & Edie, Ike & Tina Turner, Elvis, Johnny Mathis, and several others. In the '60s Irv Gordon wrote and conducted Minsky's Burlesque at the old Thunderbird Hotel, isomg severa; up can coming musicians at the time like trumpeters Chuck Findlay and Bobby Shew, and bassist Bob Magnusson, who were barely in their '20s at the time.. Gordon later wrote arrangments for several celebrities, including the very first show for infamous illusionists Siegfried & Roy. As a tenor saxophonist, Gordon's sound and approach represented a strong influence from the Lester Young school of playing, placing him in the same arena as other great tenor players like Stan Getz, Zoot Sims, and Al Cohn as a lyrical improvisationalist. Following retirement from playing production shows up until the early '90S, Gordon performed in small group jazz settings only with other jazz notables like trombonist Carl Fontana, saxophonist Bill Trujillo, and drummer Irv Kluger.
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YolanDa Brown

Born:
Think saxophones, and most of us will immediately start thinking of jazz, specifically trad jazz. No bad thing, maybe, as there are few instruments as beautiful as the saxophone, and few sounds as effortlessly beautiful as jazz, but YolanDa Brown is someone who has made the instrument truly her own, a miraculously gifted saxophonist fluent in a whole lot more than just that one genre. As her two EPs to date, July 2007's Finding My Voice and August 2008's A Step Closer, so volubly attest, here is an artist who takes jazz and introduces it to all sorts: to soul, to R&B and gospel, to loping reggae and infectious Latin
About Karel Ruzicka Jr.
Instrument: Saxophone, tenor
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Karel Ruzicka Jr.

Born:
Award winning saxophonist, composer and producer Karel Ruzicka Jr. has a way to captivate the audience in practically any musical context. It was already evident back in 1992 when his group "The Four" was awarded the first prize at the International Jazz Festival in Karlovy Vary, Czech Republic in 1992. Their appearance at the prestigious Jazz a Vienne in France that summer was received with standing ovation. The group released their album "Space and Rhythm in 1994 to a great critical acclaim. Karel Ruzicka Jr. then briefly visited his future home of New York and met many great jazz artists including trumpeter Roy Hargrove
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Adam Diller
Born:
Influenced by Sri Aurobindo as much as J Dilla, Thomas Pynchon as much as Edgar Varese, Charles Bronson as much as Sun Ra, Adam Diiler occupies an enigmatic position in the realm between jazz, hip-hop, and electronic music.
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Tim Ballard

Born:
TIM BALLARD (1948-2009) was a multi-faceted, master entertainer (vocal, saxophone, trumpet) whose career spanned over four decades and delighted audiences on a countless volume of music in many genres, including classic jazz, smooth jazz, soul, R&B (including Motown), rock, and standards. In 2008, Tim was inducted into the Kansas Music Hall of Fame as a member of the former Capitol Records group, Garry Mac and the Mac Truque ("Truqued Up! Alive in Concert" Capitol Records, 1969). A 15-year veteran of the Las Vegas music scene, and a music entrepreneur for 46 years, Tim's name graced many major hotel and casino billboards as a headliner, such as Bally's, Mandalay Bay, Caesar's Palace, the Bellagio, Flamingo Hilton, the historic Desert Inn, and the MGM Grand