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Results for "Satoshi Takeishi"
Tomas Fujiwara: The More the Better
by Troy Dostert
Drummer Tomas Fujiwara is a man on a mission. With recent and upcoming projects too many to list, he's one of the most widely recorded and in-demand drummers in contemporary creative jazz. Somehow he found the time to talk with All About Jazz right after a sound check in preparation for his Triple Double sextet's headlining ...
A Sense of Place
by Geno Thackara
Music itself may be universal, but the circumstances of its birthplace (or places) so often aren't. Overt or otherwise, it can be fascinating how those factors don't just shape a recording, but become vital elements in themselves. Yukari Synchronic QFTF 2017 There's no place like home ...
Stefano Pastor
by Vincenzo Roggero
1. Ludwig van Beethoven, Concerto per violino e orchestra op. 61 in RE maggiore, David Oistrakh, André Cluytens, French National Radio Orchestra (EMI, 1959). Da tempo sono tornato a frequentare il repertorio violinistico di matrice euro-colta dopo anni di indagine sull'improvvisazione. L'occasione è resa maggiormente suggestiva dal fatto di avvalermi di un violino di ...
Miya Masaoka: Triangle Of Resistance
by Neri Pollastri
Ben nota sperimentatrice nei più diversi generi musicali, esperta interprete del koto, Miya Masaoka presenta in questo CD due lavori abbastanza diversi per organico e colore, ma omogenei stilisticamente, entrambi infatti collocabili tra la contemporanea da camera. Il primo, più complesso lavoro è quello che dà il titolo al disco -"Triangle of Resistance" -ed ...
Erik Friedlander: Rings
by Enrico Bettinello
In questo disco dai tratti ciclici e suadenti, il violoncello di Erik Friedlander incontra sotto la sigla “Black Phebe" le percussioni di Satoshi Takeishi e la fisarmonica/piano/elettronica di Shoko Nagai. Con grande varietà di approcci e contando su una sensibilità in grado di infondere anche al gesto sonoro più semplice un'angolazione più profonda, i ...
Leslie Pintchik: True North
by Luigi Sforza
Nella musica della pianista Leslie Pintchik non vi è alcuna traccia di rottura con la tradizione classica del jazz, tutt'altro. La presenza marcata di paradigmi noti privilegia l'interesse per un modello espressivo che nelle forme chiuse, siano esse blues o A-A-B-A ("Falling in Love Again"), trova il principio originario, la cornice all'interno della quale prendono corpo--sotto ...
Erik Friedlander: Rings
by Jakob Baekgaard
Repetition is sometimes seen as a bad thing. The mundane cycle of everyday life involving the same actions. However, it is only through repetition that differences can occur. A weekend is only special because it stands out as a difference from the ordinary week. But repetition is not only useful as a way of appreciating difference, ...
Renku: Live In Greenwich Village
by John Sharpe
Born in Israel, raised in Paris and the American Midwest, saxophonist Michael Attias has lived in NYC since 1994. But in spite of that lengthy sojourn, only relatively recently has Attias come to the fore. He might just have found his ideal vehicle in Renku. That's the name of the co-operative threesome rounded out by in ...
Leslie Pintchik: True North
by Dan Bilawsky
Leslie Pintchik's music has a magical draw to it. Perhaps it has to do with her pearly and softly pronounced piano work, at once circuitous and direct in the way it shapes and navigates expressive pathways. Or maybe it has to do with her compositional acumen. Her pieces, after all, have a way of registering and ...
Richard Nant / Alan Plachta: Un Viaje
by Jakob Baekgaard
Things are happening right now in Argentina. There is a jazz scene that just seems to keep on growing and growing. Fortunately, international collaboration has also started to happen and Argentinian musicians are travelling around the world to share their special take on the jazz tradition. For instance, cutting edge pianist Paula Shocron has recently been ...
