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Don Friedman: Waltz for Marilyn
by Samuel Chell
The impressive vita and discography of Don Friedman are but touchstones to the musicianship of this pianist who, like Kenny Barron and Hank Jones, navigates the jazz mainstream while remaining perpetually fresh if not cutting edge. On Waltz for Marilyn the seasoned veteran is joined by three like-minded, proven young musicians who bring the leader's conceptions ...
Dick Haymes: A Major Player for Whom Luck Was No Lady
by Samuel Chell
Dick Haymes Complete Capitol Collection EMI Gold 2006 If you've read this far, it's either because you don't know who Dick Haymes is and wonder whether you should, or you recall some passing mention of him by a grandparent but little else. No offense intended to retros and ...
The Prodigious and Prolific Sonny Stitt: 16 New Releases for 2007 (and still counting!)
by Samuel Chell
“You can't do no more than has already been done. Remember a man named Art Tatum; now, who can play any more than that? ...You ain't supposed to play over people's heads. You're trying to give a message to people, and make it as simple as possible for the average man." The quote is ...
Sonny Stitt: Quadromania/One O'Clock Jump
by Samuel Chell
Sonny Stitt Quadromania: One O'Clock Jump Membran Records 2006 Regarded by many musicians as the prototypal, or “most perfect," saxophonist, Sonny Stitt recorded some 150 sessions under his own name. These four discs in German company Membran's Quadromania series will, with the possible exception of some recorded tenor battles 1950-52 ...
Cannonball Adderley: The Cannonball Adderley Quintet In San Francisco
by Samuel Chell
In the late 1950s and early 1960s, alto saxophonist Cannonball Adderley enjoyed his greatest popularity as measured by the commercial success of Riverside releases featuring his own group with his brother Nathaniel on cornet. The sessions were frequently recorded live, including spoken introductions by the ebullient leader, presenting some “accessible" tunes, and spotlighting at least one ...
Jackie Allen: Tangled
by Samuel Chell
It's certainly a highly-competitive field, but among female jazz vocalists, Jackie Allen rises to the top in the Midwest/Chicago area. Her move to a major label on this, her debut for Blue Note, is well-deserved, assuring her of top-notch production values as well as assistance with promotion and distribution. And apparently she remains free to choose ...
Michael Brecker: Pilgrimage
by Samuel Chell
If there's any solace to be gained from the dramatic, heart-rending final months of Michael Brecker's life, it's that perhaps some of the attention bestowed upon this towering musician and exemplary human being will be directed to the vital African-American art form that he influenced and contributed to. As recently as 1990, the average life span ...
Kurt Elling: Nightmoves
by Samuel Chell
If the verbiage generated by a release is proportionate to its profitability, Kurt Elling must be firmly ensconced in the black. Nightmoves has already garnered volumes of ink (All Music Guide devotes three times more space to it than Miles Davis' Kind of Blue). Perhaps equally impressive testimony to Elling's eminence is that he can afford ...
Marian McPartland's Piano Jazz: Brad Mehldau
by Samuel Chell
Brad Mehldau Marian McPartland's Piano Jazz: Brad Mehldau Concord Records 2007 The pianist Marian McPartland gave an outdoor concert in my small Midwest community several summers ago, and attending the event led me to a realization about the appeal of Piano Jazz, her syndicated, international jazz show that has been ...
Curtis Counce: Curtis Counce/Jack Sheldon/Harold Land/Carl Perkins/Frank Butler Quintet: Complete Studio Recordings
by Samuel Chell
The beauty of this music is so much greater than the sum of its parts that a listener hardly knows where to begin. The two-disc package comprises the main recordings on the Contemporary label 1956-1958 by the short-lived Curtis Counce Group, whose expressed purpose was to develop a West Coast answer to the soulful, hard-boppish East ...
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