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Duke Ellington: Copenhagen 1958
by Jack Kenny
Duke Ellington hated flying so, in 1958, Ellington and Co sailed into Southampton UK to prepare for a tour of Europe. Before going on to Copenhagen, Ellington completed a tour of the UK, taking in Leeds where he met Queen Elizabeth, an event which eventually resulted in the “Queen's Suite." Earlier in the year, his strange ...
About Sam Woodyard
Results for pages tagged "Sam Woodyard"...
Sam Woodyard
Born:
Sam Woodyard gained his recognition and popularity behind the drum throne of the Duke Ellington Orchestra from 1955 to 1966. Woodyard born on Jan. 7, 1925, hailed from Newark, was self taught, and by the '40s, he was playing with local bands . He played R&B in Paul Gayten's band around 1950.By the early '50s, Woodyard had played with tenor saxophonist Joe Holiday, trumpeter Roy Eldridge, and pianist Milt Buckner. His most productive and defining period of course were the ’55-’66 years with the Duke. After his time with Ellington, Woodyard played drums for Ella Fitzgerald, and then moved to Los Angeles, after which he settled in Paris
Take Five with Chuck Redd
by AAJ Staff
About Chuck Redd Chuck Redd is an internationally well-known performer on both drums and vibraphone. He began his career when he joined the Charlie Byrd Trio at the age of 21. He also became a member of the Great Guitars (Barney Kessel, Byrd, and Herb Ellis.) To his credit are 25 European tours and six ...
Victor Lewis: The Drummer's Spirit
by Victor L. Schermer
For several decades, Victor Lewis has been one of the most in-demand drummers of the post-bop era and beyond. He has performed with Stan Getz, Dexter Gordon, J.J. Johnson, Chet Baker, George Cables, Woody Shaw, Kenny Barron, Bobby Watson, and others of similar stature. On account of his exceptional ability to push the envelope of musical ...
Barcelona Voll-Damm Jazz Festival 2013
by Bruce Lindsay
Barcelona Voll-Damm Jazz Festival Various Venues Barcelona October 29-November 3, 2013 A short quote, repeated to me more than once over the course of a few days in Barcelona, proved to be at the heart and soul of the 45th Barcelona Voll-Damm Internacional Jazz Festival. It goes something like this--"On the ...
After 15 Years, a "Caravan" Ends Its Journey
by Jack Bowers
For nearly fifteen years now, I've been writing two monthly columns here at All About Jazz: this one (Big Band Report) and Big Band Caravan. That is about to change. Starting next month, the two will be pared down to one inclusive column using as its title Big Band Report. So rather than searching the AAJ ...
Storyville Records: A Treasure Trove of Swinging Jazz
by Chris May
Since its foundation during the European revivalist movement of the early 1950s, Copenhagen-based Storyville Records has grown into a major repository of New Orleans, big band and mainstream recordings. With something approaching 600 releases in its back catalogue, the label is a treasure trove of jazz that swings. Founded in 1952 by Danish jazz ...
John Gilbreath: Within Earshot
by Lloyd N. Peterson Jr.
Over the past 90 years, a music scene has been developing in the northwest corner of the US that has provided a fertile imprint on jazz. It may not be as critically important within a historical context as that of New York and New Orleans, but Seattle has a landscape that has been developed and nurtured ...
Duke Ellington Tames The Savage Beasts: Lions and Tigers and Bears (and Gazelles!)
by Dan Bilawsky
I begin this edition of Old, New, Borrowed and Blue with a confession. I have an unabashed love for the music of Duke Ellington. From his brilliantly scored compositions, to the singular instrumental personalities in his band(s)--with Ellington, Jimmy Hamilton and Johnny Hodges ranking at the top of my list--Ellington seems to transcend the “big band" ...
Flat Earth Society: Cheer Me, Perverts!
by Ian Patterson
Fifteen-piece Belgian big band Flat Earth Society is the sonic equivalent of a freak show--weird, wonderful and like nothing you've come across before. Cheer Me, Perverts! is bursting with the energy of punk--sharing some of the anarchy, too--yet the CD exhibits intricate section harmonies and wonderful contrapuntal melodies. The soloists revel in their freedom, and the ...
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