Results for "Sam Minaie"

Sunset in the Blue - The Deluxe Version

By Melody Gardot

Label: Verve Records
Released: 2021
Track listing: If You Love Me; C'est Magnifique; There Where He Lives in Me; Love Song; You Won't Forget Me; Sunset in the Blue; Um Beijo; Ninguem, Ninguem; From Paris With Love; Ave Maria; Moon River; I Fall in Love Too Easily; Little Something; From Paris with Love(acoustic); Love Song (Ibrahim Maalouf); Trav'lin' Light; What Is This Thing Called Love; C'est Magnifique - Live in Namouche Studios - Antonio Zambujo

Still Time to Quit

By Chris McCarthy

Label: Ropeadope
Released: 2020
Track listing: That's All You Get; Ready, Steady, Here You Go!; Shockingly Effective; Toasty; Valedictorian Driver; Happy Tired; The Nightmares; Bury Me In Times Square.

Chris McCarthy: Still Time to Quit

by Paul Rauch
April 21, 2020

From 2017 to 2020, composer and pianist Chris McCarthy charted a path as a noted sideman for such notables as Jerry Bergonzi, Ben Allison and Jason Palmer. He was often seen performing with vibraphonist Sasha Berliner and in duet with vocalist Clotilde Rullaud. In short, he has gained a reputation for imaginative and supportive playing.

Spring 2020

by Doug Collette
April 15, 2020

Jazz Journal is a regular column comprised of pithy takes on recent jazz releases of note, spotlighting titles that might otherwise go unnoticed. Jaromír Honzák Hard To Understand Animal Music 2020 The airy warm tones of “Francoise Truffaut" constitute an apt commencement for Czech double bassist Jaromír Honzák ...

Sam Minaie

Iranian-American bassist, Sam Minaie, was born in Reno, Nevada and started piano lessons at age 8. At age 14, he switched to electric and upright bass and was granted numerous command performances in classical bass performance while beginning to also work professionally in all styles of music around the Reno/Tahoe area. Sam was granted a full scholarship and received a Bachelor of Arts in Classical and Jazz Performance at the University of Nevada, Reno. He then moved to Los Angeles where, under scholarship, he received a Masters of Fine Arts in Jazz Studies at California Institute of the Arts. At CalArts, Sam studied with Charlie Haden and African Ewe master, Alfred Ladzekpo as well as a broad range of other world music masters.While in Los Angeles, Sam quickly made a name for himself as one of the most sought-after bassists on the scene and moved to New York in May of 2009. He has toured extensively throughout several countries around the world and has been recorded on dozens of albums with artists including Peter Epstein, Ralph Alessi, Ravi Coltrane, Tigran Hamasyan, Peter Apfelbaum, John Ellis, David Ake, Mark Ferber, Gary Versace, Joe LaBarbera, Roy McCurdy, Bob Sheppard, Brian Lynch, John Beasley, Tootie Heath, Sara Gazarek, Larry Koonse, Patti Austin, Butch Morris, Vinny Golia, Adam Benjamin, Ben Wendel, Tim Ries, Tim Hagans, Kenny Werner, Vince Mendoza, Patrick Williams, New Century Players Ensemble, Alfred Ladzekpo’s Ewe Ensemble, Lian Ensemble (Persian Classical Music), Bill Holman Orchestra, and the Clayton/Hamilton Orchestra. As well as being a bassist, Sam has produced and mixed several albums, and is active as a session cellist. He has also played tuba in Charlie Haden’s Liberation Orchestra.

Troy Dostert's Best Releases of 2019

by Troy Dostert
December 18, 2019

Is it jazz? Perhaps not in the narrowest sense, but each of the releases below arguably retains enough of a foothold in the tradition to justify that description. Maybe we've finally reached the point where the question no longer matters. In any case, what these artists have in common is a commitment to venturing outward in ...

Andrew Munsey: High Tide

by Mike Jurkovic
September 2, 2019

Known equally for his unconventional timing as well as his audio design and production, drummer/composer/producer Andrew Munsey takes charge of his equally unconventional, decade-long Brooklyn quintet and delivers the assertive and ambitious High Tide. Munsey's nine compositions, alive with sparse grooves and slippery time passages morphing from one odd equation to the next collective ...

Stephanie Richards: Take The Neon Lights

by Mike Jurkovic
March 1, 2019

Trumpeter/composer Steph Richards kicks ass and she wants you to know it from the very first cutting, fluttering evocations of Take The Neon Lights' title tune/opener to the near “Taps"-like silence that closes things out, “All the Years of Our Lives." With a colorful CV of playing alongside such boundary-busting, risk-taking players as David ...

Gavin Templeton: In Series

by Luigi Sforza
November 2, 2016

Tenerezza e vigore, delicatezza e fermezza sostanziano la natura di In Series. Affrontando sistematicamente l'ascolto dell'album del sassofonista Gavin Templeton affiorano episodi autenticamente ispirati che, pur non prescindendo dai consolidati precetti che normano il jazz moderno, consegnano al fruitore momenti di indubbia raffinatezza musicale. “Karina," ad esempio, ha la sinuosità intrigante di una ballad tradizionale; ...

Ochion Jewell Quartet: Volk

by Alberto Bazzurro
January 14, 2016

Volk, in tedesco popolo, come tutti sappiamo. Il fatto è che i popoli rappresentati in questo album sono diversi (e nessuno ha a che fare con la Germania): Appalachi per il leader del quartetto, il sassofonista Ochion Jewell, marocchino per il pianista Amino Belyamani, iraniano per il bassista Sam Minaie, pakistano per il batterista Qasim Naqvi, ...