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Spring 2020
by Doug Collette
Jazz Journal is a regular column comprised of pithy takes on recent jazz releases of note, spotlighting titles that might otherwise go unnoticed. Jaromír Honzák Hard To Understand Animal Music 2020 The airy warm tones of “Francoise Truffaut" constitute an apt commencement for Czech double bassist Jaromír Honzák ...
Results for pages tagged "Sam Minaie"...
Sam Minaie
Iranian-American bassist, Sam Minaie, was born in Reno, Nevada and started piano lessons at age 8. At age 14, he switched to electric and upright bass and was granted numerous command performances in classical bass performance while beginning to also work professionally in all styles of music around the Reno/Tahoe area. Sam was granted a full scholarship and received a Bachelor of Arts in Classical and Jazz Performance at the University of Nevada, Reno. He then moved to Los Angeles where, under scholarship, he received a Masters of Fine Arts in Jazz Studies at California Institute of the Arts. At CalArts, Sam studied with Charlie Haden and African Ewe master, Alfred Ladzekpo as well as a broad range of other world music masters.While in Los Angeles, Sam quickly made a name for himself as one of the most sought-after bassists on the scene and moved to New York in May of 2009. He has toured extensively throughout several countries around the world and has been recorded on dozens of albums with artists including Peter Epstein, Ralph Alessi, Ravi Coltrane, Tigran Hamasyan, Peter Apfelbaum, John Ellis, David Ake, Mark Ferber, Gary Versace, Joe LaBarbera, Roy McCurdy, Bob Sheppard, Brian Lynch, John Beasley, Tootie Heath, Sara Gazarek, Larry Koonse, Patti Austin, Butch Morris, Vinny Golia, Adam Benjamin, Ben Wendel, Tim Ries, Tim Hagans, Kenny Werner, Vince Mendoza, Patrick Williams, New Century Players Ensemble, Alfred Ladzekpo’s Ewe Ensemble, Lian Ensemble (Persian Classical Music), Bill Holman Orchestra, and the Clayton/Hamilton Orchestra. As well as being a bassist, Sam has produced and mixed several albums, and is active as a session cellist. He has also played tuba in Charlie Haden’s Liberation Orchestra.
Troy Dostert's Best Releases of 2019
by Troy Dostert
Is it jazz? Perhaps not in the narrowest sense, but each of the releases below arguably retains enough of a foothold in the tradition to justify that description. Maybe we've finally reached the point where the question no longer matters. In any case, what these artists have in common is a commitment to venturing outward in ...
Andrew Munsey: High Tide
by Mike Jurkovic
Known equally for his unconventional timing as well as his audio design and production, drummer/composer/producer Andrew Munsey takes charge of his equally unconventional, decade-long Brooklyn quintet and delivers the assertive and ambitious High Tide. Munsey's nine compositions, alive with sparse grooves and slippery time passages morphing from one odd equation to the next collective ...
Stephanie Richards: Take The Neon Lights
by Mike Jurkovic
Trumpeter/composer Steph Richards kicks ass and she wants you to know it from the very first cutting, fluttering evocations of Take The Neon Lights' title tune/opener to the near “Taps"-like silence that closes things out, “All the Years of Our Lives." With a colorful CV of playing alongside such boundary-busting, risk-taking players as David ...
Gavin Templeton: In Series
by Luigi Sforza
Tenerezza e vigore, delicatezza e fermezza sostanziano la natura di In Series. Affrontando sistematicamente l'ascolto dell'album del sassofonista Gavin Templeton affiorano episodi autenticamente ispirati che, pur non prescindendo dai consolidati precetti che normano il jazz moderno, consegnano al fruitore momenti di indubbia raffinatezza musicale. “Karina," ad esempio, ha la sinuosità intrigante di una ballad tradizionale; ...
Ochion Jewell Quartet: Volk
by Alberto Bazzurro
Volk, in tedesco popolo, come tutti sappiamo. Il fatto è che i popoli rappresentati in questo album sono diversi (e nessuno ha a che fare con la Germania): Appalachi per il leader del quartetto, il sassofonista Ochion Jewell, marocchino per il pianista Amino Belyamani, iraniano per il bassista Sam Minaie, pakistano per il batterista Qasim Naqvi, ...
Ochion Jewell Quartet: Volk
by Budd Kopman
From the opening notes of its introductory overture, “At the End of the World, Where the Lion Weep" which leads to the improvisatory “Pathos/Logos," Volk feels like an important record with a seriousness of intent, precision of execution combined with emotional depth and breadth. A vast sound scape is opened into which we peer, quickly followed ...
Ochion Jewell Quartet: Volk
by Hrayr Attarian
Saxophonist Ochion Jewell melds folk influences from around the world into an intimately personal and globally resonant work with his second release Volk. Created in the aftermath of his traumatic experience with mistaken identity and brutal police treatment, Volk is a tribute to the integrality of musical expression Jewell and his band interpret his ...
Kat Reinhert: Spark
by Dan Bilawsky
Vocalist Kat Reinhert's Spark is a musical treatise on navigating the bends and sharp turns on the road of life. It's a journey of self discovery, personal expression, and empowerment, bravely put on display for all to hear. Reinhert, a New York-based vocalist who splits her time between teaching and performing, delivers thirteen ...
