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Jaco Pastorius: Jaco Pastorius

by Sacha O'Grady
For any serious fan of jazz fusion, the release of Jaco Pastorius' debut solo album should have come as no surprise. Largely self taught, by 22 he was already teaching bass at the University of Miami, where he forged a strong friendship with guitarist Pat Metheny, one which would lead to the two eventually recording together, ...
Ale Torriggino: Sureste

by Sacha O'Grady
When it comes to blues, folk-rock and Americana, one may not necessarily think of South America. Such is the stereotype many in the West can place upon other non English speaking countries who think that it is only in England and North America where musicians are truly qualified to add to the great American songbook. But ...
Jack Bruce: Things We Like

by Sacha O'Grady
Jack Bruce remains one of the most enduring and fascinating figures of late 20th century popular music. By the age of eleven, he had already written his own string quartet, before eventually attending the Royal Scottish Academy of Music, from which he left at the age of seventeen having become disenchanted with his tutors and also ...
John McLaughlin, Al DiMeola, Paco DeLucia: Friday Night in San Francisco

by Sacha O'Grady
On 5th December, 1980, Al Di Meola, John McLaughlin, and Paco De Lucia were two months into what had so far been an extremely successful and creative tour. Even just the concept itself was intriguing--three guitarists, and acoustic to boot! With not a drummer, percussionist, or bassist in sight. The sheer novelty of it all. Recorded ...
Gil Evans: The Gil Evans Orchestra Plays the Music of Jimi Hendrix

by Sacha O'Grady
Out of all the myriad of tribute albums dedicated to Jimi Hendrix, this would have to be the most authentic and genuine. Evans and Hendrix had spoken on numerous occasions about working together, Jimi having even asked the legendary jazz arranger to teach him how to read and write music, thus liberating the guitarist from the ...
The Dave Brubeck Quartet: Time Out

by Sacha O'Grady
Dave Brubeck emerged after the Second World War as a pianist whose eclectic style owed itself to several different schools of piano playing. Throughout the 1950's, Brubeck enjoyed as much commercial success as any jazz musician could have wished for, becoming one of the biggest acts in the business. Famous mostly for his experiments with rhythm, ...
Larry Coryell: Spaces

by Sacha O'Grady
The origin of Spaces can be traced back to when Larry Coryell saw John McLaughlin performing at Count Basie's nightclub with the Tony Williams Lifetime ensemble. Apparently he was so impressed with what he heard, that he invited McLaughlin to join him in the studio and record what would turn out to be arguably one of ...
John Coltrane: Meditations

by Sacha O'Grady
One man's meditation can be a migraine to another. By the early '60's, John Coltrane found himself moving ever further away from traditional forms of musical expression, and into what could be described as uncharted territory, even for jazz. So much so that the saxophonist's influence and ability to break down barriers not only within his ...
John Coltrane: Interstellar Space

by Sacha O'Grady
As the '60s dawned it would seem that John Coltrane was determined to permanently turn his back on being an accessible artist. Often considered as one of his most influential works, Interstellar Space is certainly not for everyone. Fans of My Favorite Things and Blue Train may struggle with its seemingly random and multidirectional" explorations. Also, ...
Little Feat: Dixie Chicken

by Sacha O'Grady
A lot has been written about Dixie Chicken over the last few decades, so there's perhaps not all that much more this listener can add to the discussion. Yes, it has another great album cover by the late Neon Parks, a painter whose name has become synonymous with the band itself. And yes, the LP found ...