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Results for "Ruth Goller"
MOMO.: Gira
by Chris May
Gira is one of those exhilarating beyond-category albums which London produces uniquely well, if the gentle reader will excuse a little partisanship. It is part música popular brasileira (MPB) and part jazz, but never entirely one or the other, swinging between the two as the fancy takes it. Add to that splashes of West African highlife, ...
Südtirol Jazz Festival 2024
by Thomas Conrad
Südtirol Jazz Festival Various Sites Bolzano, Italy June 28-July 7, 2024 The Südtirol Jazz Festival started in 1982. Despite the fact that its lineups rarely include big-name artists, this annual event is neither small nor unambitious. Whereas most jazz festivals are located in one town and sometimes in ...
Südtirol Jazzfestival Altoadige 2024
by Libero Farnè
Südtirol Jazzfestival Altoadige 2024 Varie sedi Bolzano e provincia 28.6-7.7.2024 Sempre più il festival altoatesino si qualifica come una palestra di sperimentazione, tesa a favorire aggregazioni inedite fra improvvisatori prevalentemente giovani ed europei, ma non solo, proponendo alcuni dei musicisti in diversi contesti. Nei 54 concerti che si sono susseguiti in ...
Johanna Burnheart: Bär
by Chris May
German-born London-based violinist, singer and composer Johanna Burnheart made a big impact fast on the Britain's underground jazz scene. After graduating from Guildhall School of Music & Drama in 2018, and before the pandemic shut things down, she played on three significant albums: spiritual-jazz band Maisha's There Is A Place (Brownswood, 2018), trombonist Rosie Turton's 5ive ...
Nicole McCabe: Mosaic
by Chris May
Alto saxophonist Nicole McCabe's Mosaic is produced by guitarist Jeff Parker, among whose other plus points is his relationship with International Anthem (IA), the Chicago-based label which has brought us Makaya McCraven, Jaimie Branch, Irreversible Entanglements and Ruth Goller, among other artists of note. Parker has released two albums on the label and is heard on ...
Tomeka Reid Quartet: 3+3
by Chris May
Jazz cello has come a long way since Fred Katz's pioneering work with Chico Hamilton in the 1950s. Back then, the instrument was looked on as a novelty turn. In 2024, while still relatively avant-garde, its presence in a lineup is less exceptional. A pivotal point was American cellist Adbul Wadud's By Myself (Bishara, 1977), an ...
Shabaka Hutchings: Perceive Its Beauty, Acknowledge Its Grace
by Chris May
Ch-ch-ch-ch-changes ... Since signing with with Impulse! in 2018, Shabaka Hutchings has become best known for his incendiary work on tenor saxophone with Sons Of Kemet, The Comet Is Coming and Shabaka & The Ancestors. Perceive Its Beauty, Acknowledge Its Grace marks the start of a gentler, more instrospective phase in his music ...
Jan Garbarek, Keith Jarrett and Azimuth light up ECM Luminessence reissues
by Chris May
The spring 2024 iteration of ECM's audiophile vinyl reissue series, Luminessence, presents another trio of landmark albums: Jan Garbarek Quartet's Afric Pepperbird, from 1971, Keith Jarrett and Garbarek's Luminessence, from 1975, and Azimuth's Azimuth, from 1977. The combined scope of the music on the three discs (which come with new liner notes) is prairie wide, and ...
Awen Ensemble: Cadair Idris
by Chris May
Here in Britain, jazz and folk music intersections have a long history. Putting aside the US-centric fusions of the trad bands of the 1950s, as exemplified by the Chris Barber Band's blend of New Orleans jazz and Depression-era folksongs, the movement really kicked off in the late 1960s and early 1970s. Husband and wife team John ...
Cassie Kinoshi: Letting The Sunshine In
by Chris May
Cassie Kinoshi, the acclaimed British composer and alto saxophonist, made her name as a founder member of the Afrobeat-inspired band Kokoroko and with her own ten-piece Seed Ensemble. Her work pushes social change, interrogating inequality and injustice, mainly through instrumental music, occasionally with lyrics, and always with invention and singularity. Seed's sophomore album, gratitude (International Anthem, ...
