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George Hoar: Soul Sojourn
by Mark Sullivan
Bassist/pianist George Hoar has had extensive training and playing experience in jazz with Rufus Reid, Dave Samuels, Harold Mabern, Harvie S and Art Resnick. But his stylistic influences also include world music and Western concert music from the Renaissance and the Baroque, which are very much in evidence here. Hoar leads off the program on piano, ...
Joanne Brackeen Receives BNY Mellon Jazz 2014 Living Legacy Award
Jazz pianist, educator, and composer Joanne Brackeen was honored with the BNY Mellon Jazz 2014 Living Legacy Award in a special ceremony at the John F. Kennedy Center for the Performing Arts on Friday, October 10, 2014. The Living Legacy Award honors jazz masters from the mid-Atlantic region who have achieved distinction in jazz performance and ...
Jason Jackson: Inspiration
by Jack Bowers
After recording his first CD as leader in 2001, New York-based trombonist Jason Jackson took his time before releasing a second--thirteen years, to be exact. To say it was worth the wait would clearly be an understatement. Inspiration, on which Jackson employs horn, rhythm and string sections to emblazon his musical scenario, is a superb anthology ...
John Handy at Yoshi's San Francisco
by Harry S. Pariser
John Handy Yoshi's San Francisco San Francisco, California August 31, 2014 If one thinks of iconic Bay Area musicians, saxophonist John Handy immediately comes to mind. Born in 1933 in Dallas, Texas, Handy is an accomplished horn player who, while best known for his work on alto, also plays ...
Jason Jackson: Inspiration
by Victor L. Schermer
Jason Jackson is an outstanding versatile and well-heeled New York-based trombonist. Somehow, you don't hear his name mentioned along with peers like Robin Eubanks, Steve Turre, Steve Davis, John Fedchock, and Conrad Herwig. Perhaps that's because Jackson plays first chair in big bands, studio work, and Broadway musicals. He doesn't often link up with small groups ...
Michael Dease: Relentless
by Dan Bilawsky
While rising star trombonist Michael Dease's previous albums have all been small group affairs, much of his sideman work has marked him as something of a large ensemble specialist. He's put his slide to good use in numerous big bands and jazz orchestras, including those led by Christian McBride, Charles Tolliver, Roy Hargrove, Rufus Reid, and ...
Tim Hegarty: Tribute
by Dan Bilawsky
Tim Hegarty's Tribute is an audible panegyric on the great saxophonist-composers. It's a well-crafted, straightforward date that highlights Hegarty's love for those who've come before and the work that they've done on paper and on record. The list of saxophonists that Hegarty has studied includes George Coleman, Jimmy Heath, Frank Foster, Joe Henderson, ...
Frank Wess: Magic 201
by Jack Bowers
The cover of the late Frank Wess' final album, Magic 201, closely resembles that of its predecessor, Magic 101--so much so that a reviewer who didn't look closely enough might assume he'd been sent a second copy of the earlier album by mistake. (Oops!) Wess recorded Magic 201 in September 2011, two months after Magic 101 ...
Mark Sherman: Truth Of Who I Am
by DanMichael Reyes
Vibraphonist Mark Sherman likes using the term consummate to describe musicians and colleagues that he's played with. While it would be difficult to speak to every notable musician that Sherman's played for and ask about their opinion about Juilliard graduate and professor, it is safe to assume that they would also describe Sherman as a consummate ...
Rufus Reid: Quiet Pride
by Dan Bilawsky
The beauty of art is often in the taking rather than the making. The art may come to life in the mind of the artist but it often flourishes when the ink dries, the chisel is withdrawn, the dust has settled, or the final brushstrokes have been applied. At that point, the preparation ends and the ...
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