Results for "Roots"
by Kyle Simpler
Since 2003, Vivian Buczek has established herself as a powerful force in the contemporary jazz scene. Her voice is soulful and powerful. She can be sensitive and emotional on a ballad, but then turn around and sing blues songs as if she's been doing it all her life, which she actually has been. With Roots, she ...
The project emerges from Tahina’s need to highlight the varieties of influences acquired throughout his musical activity, both in music writing and his guitar technique. It took some years of experimentation, study, research and all the persistence to get the desired results. And it all comes together in the form of the Malagasy Roots, which in its deepest essence aims to merge all the ingredients of many musical styles - having Malagasy music and its peculiar rhythm and melodies as the fundamental basis, going through Portuguese music and Jazz, which is one of the main influences on Tahina training as a musician.
Raised a classical pianist, Kurt Leege learned to read music at the same time he learned to read. By the time he was in high school he developed a desire to write music, but found himself trapped in his classical training. As a means to express the music in his head, he taught himself to play guitar and he's been doing that ever since. At Swarthmore College, he studied jazz with John Alston and later played in his jazz ensemble, among other more pop music projects. During this time he also developed an affinity for skronk guitar from listening to the likes of Sonic Youth, MBV and Robert Quine
Born in Eastern Europe, brought up in the wilderness of the Great White North, and later thrust into the urban Jungle of New York City, it is no surprise that Petr Cancura’s musical pallet is as wide as it is. A saxophonist with a vast knowledge of Jazz, Balkan, African and American folk traditions, Petr performs on banjo and mandolin as well as on the medium format black & white camera… all of which influences each other into a Roots Song & Improvising music machine with a visual sensibility. Petr, now based in Ottawa, Canada, is the Program Director of the Ottawa Jazz Festival, two-time Artist-In- Residence of Carleton University, and was the Musical Director of the National Arts Center’s Crossroads Series, reimagining the songs of current Canadian Songwriters for an all-star jazz cast
Dahlia Dumont, leader of The Blue Dahlia: vocals, ukulele-player, singer-songwriter. Brooklyn-girl, but a nomad at heart, Dahlia Dumont traveled the world from an early age, always absorbing the cultural and musical influences in her path. Her Eastern European heritage and her years as an anthropology student and teacher in France and Senegal shaped her musical palette, and in 2012 she created her project The Blue Dahlia. The Blue Dahlia: Lyrics in English and French, French and Mexican accordion, klezmer violin, warm and joyous rhythms of reggae, ska and Latin America, the sensual voice of jazz and French chanson
Wendy Waller’s unique and creative approach to melody and lyric embodies the vast rich landscape of American Roots Music. She tells her story with her dynamic multi-ranged voice. There is no compromise with Wendy. She is unyielding in her quest to take the listener on a musical journey. Every performance is a new and provocative experience. Born into an artistic family of musicians, painters, and writers, Wendy spent her young years cultivating her multiple abilities, singing, acting and dancing in musical theater. As a multi-instrumentalist Wendy studied piano, guitar, french horn, trumpet, trombone and flugelhorn