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Mark Lockheart and Roger Sayer: Salvator Mundi
by Roger Farbey
Hot on the heels of Mark Lockheart's highly acclaimed Days On Earth (Edition, 2019), comes this liturgically-based duo recording. The saxophonist is accompanied here by virtuoso organist Roger Sayer, director of music at London's Temple Church. Sayer was a student at the Royal College of Music where he won multiple prizes for organ recital and was ...
Rob Cope: Gods Of Apollo
by Roger Farbey
Rob Cope's debut album, the first of a trilogy of space-inspired recordings, celebrates the 50th anniversary of man first setting foot on the Moon on July 20th 1969. It traces the history of spaceflight from the first satellites to the last crewed Moon landing in 1972. Cope began playing saxophone at the age of eight and ...
Zhenya Strigalev and Federico Dannemann: The Change
by Roger Farbey
Zhenya Strigalev and Federico Danneman previously recorded together on Strigalev's Blues For Maggie (Whirlwind, 2018), but with the possible exception of that album's penultimate track ,"Little Struggle," the fare offered there differed a little from what's on offer here. The Change unequivocally oozes rock-infused take-no-prisoners jazz. Perhaps the nearest comparison to this band, and this is ...
Daryl Runswick / Tony Hymas: Runswick Hymas Big Bands 1974-78
by Roger Farbey
British bassist, composer and conductor Daryl Runswick was born in 1946 and in 2019 is retired. His archival recordings have had something of a renaissance, at least as far as CD releases are concerned. Following in the wake of 2017's double album of previously unreleased tracks entitled Daryl Runswick: The Jazz Years and 2018's live quartet ...
Jonny Mansfield: Elftet
by Roger Farbey
Even within the relatively short time span of his burgeoning career, vibraphonist and composer Jonny Mansfield has amassed an impressive array of music prizes. These include the prestigious Kenny Wheeler Jazz Prize from the Royal Academy of Music which made this recording possible. But far from resting on his laurels, Mansfield has been busy gigging throughout ...
Liam Noble: The Long Game
by Roger Farbey
For a quarter of a century, Liam Noble has been an essential participant in the British jazz scene. Educated in music at Oxford University and jazz at London's Guildhall School of Music and Drama, Noble released his first solo album Close Your Eyes (FMR Records) in 1994. Since then he's played in bands led by Stan ...
Fleur Stevenson: Follow Me
by Roger Farbey
There are plenty of standards adorning Fleur Stevenson's debut album. This comes in the wake of her career-launching salvo, an EP entitled Introducing Fleur Stevenson, released in 2016. Stevenson possesses an appealing voice and, on the breezy opener “Beautiful Love," proves she can scat as deftly as she can sing Haven Gillespie's memorable words. While the ...
Avishai Cohen: Arvoles
by Roger Farbey
In the late 1990s, bassist Avishai Cohen was living and working in New York, having arrived a few years earlier from Israel. Out of the blue he received a phone call from Chick Corea which effectively changed his life. Not only did Corea offer Cohen a recording contract on the pianist's Stretch label, he also invited ...
Alex Hitchcock: All Good Things
by Roger Farbey
The Alex Hitchcock Quintet's first record, Live at the London and Cambridge Jazz Festivals, was released in 2018 as an EP on Mondo Tunes. But at around 40 minutes this could easily have passed muster as a pukka LP. It was also a very impressive debut indeed, captured live from gigs performed in 2016 and 2017 ...
Tori Freestone Trio: El Mar De Nubes
by Roger Farbey
The third album by Tori Freestone's trio, following her debut In The Chop House (Whirlwind Recordings, 2014) and follow-up El Barranco (Whirlwind Recordings, 2016) is no less intriguing than its two predecessors. As with El Barranco, she takes her inspiration for El Mar De Nubes from her visits to the Canary Islands and, specifically, from Tenerife's ...
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