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Robert Dick

Born:
Robert Dick was born and raised in New York City. He began playing the flute as a child, having heard it (well, the piccolo actually) on the radio in the Top 40 hit Rockin’ Robin. HIs parent’s responded to his incessant campaigning for a flute by surprising him with a flute and flute teacher after school in fourth grade. Robert gave his first concert that very day! Setting up chairs for his parents as soon as his father came home from work, he excitedly playing page 1 of the Rubank Elementary Flute Method — and he’s never looked back. Robert’s main flute teachers were Henry Zlotnik, James Pappoutsakis, Julius Baker and Thomas Nyfenger
The 1,400th Edition Of One Man’s Jazz

by Maurice Hogue
When you're older than dirt like I am, each show completed is a milestone, and happily, I'm still around to arrive at 1,400 in the life of this show. For some of these milestones, I try to do something a little different. I always say this show is about the music and the people who make ...
Jimi Hendrix - A Jazz Experience, Part 3

by Ludovico Granvassu
Yes, Jimi Hendrix was a rock guitar god, but he inspired scores of jazz players, and fans. After all, he is the first non-jazz musician to enter the DownBeat Hall of Fame, back in 1970 (the year of his passing). Enjoy our third and final segment of this week's tribute to Jimi Hendrix, and yet more ...
Massimo De Mattia: la libera ricerca musicale

by Angelo Leonardi
Tra i flautisti italiani dediti alle musiche extracolte, Massimo De Mattia si distingue non solo per l'alta qualità artistica ma per la scelta di operare stabilmente nell'universo della libera improvvisazione. Una definizione che De Mattia trova impropria e che preferisce sostituire semplicemente con «musica contemporanea». Come dice in quest'intervista è una musica: che si rivela, si ...
Vision Festival 2017

by Frank Rubolino
New York's Vision Festival of innovative music marked its 22nd anniversary last month with another stellar lineup boasting pioneers of the avant-garde playing alongside a premier cadre of younger musicians. Presented at the historic Judson Memorial Church in the heart of Greenwich Village by Arts for Art, the festival featured six nights of challenging music, much ...
SLM Ensemble: Source

by Eyal Hareuveni
SLM is an acronym for Source Liminal Music as well as a tri-consonantal root of of the Hebrew and Arabic words for peace, shalom and salam. It is also the name of a composition of master double bassist Mark Dresser and composer-conductor Sarah Weaver, written for the Deep Tones for Peace" event in April 2009, a ...
The SLM Ensemble Album Release Concert at Roulette on October 8th

Program: “Spectral Syn” by Mark Dresser and Sarah Weaver “Cycles of Awakening” by Sarah Weaver “SubTeleToning” by Mark Dresser “Multidimensional Tunings” by Sarah Weaver Jen Shyu, voice, Robert Dick, flute, Julie Ferrara, oboe, Rebekah Heller, bassoon, Jane Ira Bloom, soprano saxophone, Oliver Lake, alto saxophone, Ned Rothenberg, bass clarinet, shakuhachi, ...
Experience University of the Streets March 4-6th
Come celebrate the richness and diversity of the University of the Streets' vibrant 42-year past by being a vital part of its bright future. Tickets are available for this three-day festival and fundraiser inviting all to EXPERIENCE UOTS. Proceeds will benefit the UOTS maintaining its 130 E 7th Street campus. Diverse performances and workshops by Barry ...
Ralph Bowen: Due Reverence

by John Patten
Saxophonist Ralph Bowen's Due Reverence is a too-short set of tributes to horn players who've made an impression on Bowen. The five tunes were written in the styles of players Ted Dunbar, Bob Mintzer, James Scott, Phil Nimmons and Robert Dick.Bowen gets backing from a strong quartet--Sean Jones on trumpet, Adam Rogers on guitar, ...