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Ilya Dynov: Bridges
by Richard J Salvucci
Is there a distinctive NewYork post-bop sound? If there is, does it owe its existence to some common ancestry? To the revolving cast of players who have populated a number of clubs and bands on a rotating basis since the 1990s? To licks, formulaic harmonies, or just a kind of jazz version of the median voter ...
Various Artists: The Birth of Bop
by Richard J Salvucci
Someone famously called jazz the sound of surprise, but all too often, what is on offer is the dull hum of routine. Or something like that. This historic reissue is, however, anything but routine. This is not the first time that Teddy Reig's Savoy sides have been reissued (was he also the mysterious Buck ...
Solid. Life and Death of a Jazz Genius: Scott LaFaro
by Richard J Salvucci
Solid. Life and Death of a Jazz Genius: Scott LaFaro Vincenzo Staiano 180 Pages ISBN: 9781470 LuLu2023 It may be an exaggeration to claim there was double bass before Scott LaFaro, and double bass after Scott LaFaro. A modern jazz bassist may say, well, not exactly. Yet reading ...
Enrico Rava: The Song Is You
by Richard J Salvucci
There are times when the reason for listening is that something is beautiful. What exactly qualifies as beautiful is one of the long-running controversies in Western philosophy, not a matter for amateur debate when the contributors include people such as Hume, Kant, or Hegel. Surely, above the pay grade of the average critic. Not ...
Jimmy Zito: Young Man With a Horn
by Richard J Salvucci
So, we can start with a question? Name me another musician who played with both Ted Fio Rito and (maybe) Frank Zappa? Aside from Jimmy Zito. Time's up. No, it's not some kind of trick question. I doubt there was another. But wait a second, Jimmy Who? Even if you're a trumpet devotee, Zito's name is ...
Vince Mendoza Metropole Orkest: Olympians
by Richard J Salvucci
Many years ago Dizzy Gillespie recorded an album called The New Continent (Limelight, 1965). Whether it was commercially successful is hard to say, but it featured an all-star cast of Los Angeles session players. The recording made a deep impression on some listeners because it was creative, dynamic, exotic and simply enjoyable. Good compositions (by Lalo ...
The Easy Way
by Richard J Salvucci
It is fair to wonder how Jimmy Giuffre would be remembered had he not gone off on to the wilder shores of atonality, collective improvisation, and free jazz with Paul Bley and Steve Swallow in the early 1960s. It is easy to forget that Giuffre was regarded as a rising star, both as a multi-instrumentalist (he ...
Ann Hampton Callaway: Fever: A Peggy Lee Celebration
by Richard J Salvucci
Peggy Lee was a remarkable singer and songwriter, but to some listeners, deeply enigmatic. Her time, often well behind the beat, conveyed a subtle sense of irony. “Are you getting this?" she sometimes seemed to say, “or am I going too fast for you?" She could be exuberant and world weary almost in the same breath. ...
Jazz À La Creole: French Creole Music and the Birth of Jazz
by Richard J Salvucci
Jazz À La Creole: French Creole Music and the Birth of Jazz Caroline Vézina 236 Pages ISBN: #9781496842428 University Press of Mississippi 2022 The term “creole" is one of those protean things whose meaning hinges on the context in which it is used. At the very least, it ...
Paul Marinaro: Not Quite Yet
by Richard J Salvucci
The cover of the album is vaguely noir, with the urban greenish cast of tungsten film. A sole figure leans slightly against a building, downcast, staring into his soul, and waiting out a lit cigarette when it was still hip to smoke. The guy is Frank Sinatra and the album was In The Wee Small Hours. ...
