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8

Article: Album Review

Rich Brown: Abeng

Read "Abeng" reviewed by Dave Wayne


In jazz, it's all about the company you keep. The press accompanying bass virtuoso Rich Brown's third album, Abeng, specifically calls out Roy Ayers and Weather Report as musical reference points. And while there's a breath of Ayers' silky R&B feel to the slinky “Promessa," and though Brown's use of his fretless electric bass as a ...

7

Article: Interview

Rudresh Mahanthappa: Integrity

Read "Rudresh Mahanthappa: Integrity" reviewed by George Colligan


[ Editor's Note: The following interview is reprinted from George Colligan's blog, Jazztruth] I had only met Rudresh Mahanthappa once briefly; we played with different bands at a gig at the Library of Congress in Washington, D.C. I was subbing with Miguel Zenon [while] he was performing with Vijay Iyer's quartet. I always found ...

78

Article: Live Review

NYC Winter Jazzfest, Day 1: January 6, 2012

Read "NYC Winter Jazzfest, Day 1: January 6, 2012" reviewed by Daniel Lehner


Day 1 | Day 22012 NYC Winter Jazzfest, Day 1New York, NYJanuary 6, 2012 No one could argue that jazz didn't have a tumultuous 2011. For the better, bassist/vocalist Esperanza Spalding's Grammy for Best New Artist marked the first time a jazz musician was awarded that honor, and veteran tenor ...

163

Article: Live Review

Vijay Iyer Trio y Rudresh Mahanthappa Samdhi en el 43 Voll-Damm Festival Internacional de Jazz de Barcelona

Read "Vijay Iyer Trio y Rudresh Mahanthappa Samdhi en el 43 Voll-Damm Festival Internacional de Jazz de Barcelona" reviewed by Joan Fargas


Vijay Iyer Trio43 Voll-Damm Festival Internacional de Jazz de BarcelonaLuz de Gas24 de octubre de 2011 Tres años después de la primera gira europea de esta formación, que también pasó por el festival de Barcelona, el trío de Vijay Iyer ofreció en Luz de Gas una brillante actuación que fue seguida ...

192

Article: Album Review

Rudresh Mahanthappa: Samdhi

Read "Samdhi" reviewed by Mark F. Turner


About halfway through the aptly named “Killer," it becomes apparent that saxophonist Rudresh Mahanthappa's Samdhi is up to something just a little different. Amid the track's impossible changes and blistering tempo, the saxophonist's alto undergoes acoustic-electric alterations that are processed through a laptop. Not that it was ever needed, but this embracing of technology, and other ...

154

Article: Album Review

Jeff King: Catalyst

Read "Catalyst" reviewed by Jerry D'Souza


Saxophonist/woodwind multi-instrumentalist Jeff King has made Toronto his home from the time he came to the city to study jazz, after graduating in classical saxophone, flute and clarinet. Over the years, he has formed his own band and performed with several jazz musicians including a host of Canadians, some of whom are his accomplices on Catalyst. ...

250

Article: Album Review

Barry Romberg's Random Access: The Gods Must Be Smiling

Read "The Gods Must Be Smiling" reviewed by Jerry D'Souza


Over the last 10 years, Random Access has seen changes in its lineup. The concept of the band came from drummer Barry Romberg, who began with home experiments in 2001. His object was to play music spontaneously and, with that idea in mind, the first incarnation of the band came into being. The seven-piece unit consisted ...

317

Article: Album Review

Random Access: was, shall, why, because

Read "was, shall, why, because" reviewed by Jerry D'Souza


Multi-instrumentalist Barry Romberg brings his band of fellow adventurers, Random Access, on another musical journey that is filled with generous dollops of invention, surprise and just plain old darn good music. Romberg retains his trademark sense of humor, a trait that washes into his fellow cohorts. The underlining feature, however, is the way in which they ...


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