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415

Article: Album Review

Johnny Griffin: Live At Ronnie Scott's

Read "Live At Ronnie Scott's" reviewed by Dan Bilawsky


Live At Ronnie Scott's is likely to draw in a lot of jazz listeners for two reasons. First, this album was the final recording that the late Johnny Griffin--known as a saxophone speed demon--made as a leader. While other unreleased material might make its way to the market at a later date, this is Grffin's last ...

431

Article: Multiple Reviews

Life After Rashied: Live at the Woodstock Playhouse 1965; Why Not?; Eddie Jefferson at Ali's Alley; Configurations--The Music of John Coltrane; Mystic Journey

Read "Life After Rashied: Live at the Woodstock Playhouse 1965; Why Not?; Eddie Jefferson at Ali's Alley; Configurations--The Music of John Coltrane; Mystic Journey" reviewed by Gordon Marshall


Burton GreeneLive at the Woodstock Playhouse 1965Porter2010 Marion BrownWhy Not?ESP2009 Rashied Ali QuintetFeaturing Eddie Jefferson at Ali's AlleyBlue Music Group2010 Rashied Ali with Prima ...

754

Article: Extended Analysis

Giuseppi Logan: The Giuseppi Logan Quintet

Read "Giuseppi Logan: The Giuseppi Logan Quintet" reviewed by Clifford Allen


Giuseppi Logan The Giuseppi Logan Quintet Tompkins Square 2010 In terms of surprising musical rediscoveries, 2010 has started off rather auspiciously with the first recording of reedman and composer Giuseppi Logan in over 40 years. Logan's appearances in the heady days of New York's fire music were scattered but strong ...

168

Article: Album Review

Marion Brown: Why Not?

Read "Why Not?" reviewed by Jerry D'Souza


Alto saxophonist Marion Brown came off playing with John Coltrane on Ascension (Impulse!, 1965) when he recorded two albums for ESP Disk. On the first, his eponymous 1966 release, the music was fiery and free-wheeling, underscoring Brown's presence as a potent improviser. His second, Why Not?, saw him take a more altruistic approach. He moved away ...

763

Article: Extended Analysis

Marion Brown: Why Not?

Read "Marion Brown: Why Not?" reviewed by Clifford Allen


Marion Brown Why Not? ESP-Disk 2009 (1966) While the term “fire music" has held sway as a descriptor of the music of post-John Coltrane/Albert Ayler saxophonists from the 1960s onward, it's long been an incomplete summation of the work of most of these musicians. Alto saxophonist Marion Brown ...


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