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560

Article: Interview

Jay Anderson: Driving the Bus

Read "Jay Anderson: Driving the Bus" reviewed by Ian Patterson

by Ian Patterson

The term “sideman" really doesn't do justice to bassist Jay Anderson, as his beautifully melodic, lyrical lines and in-the-pocket-grooves lift and shape any music that he is a part of. And while the term “journeyman" holds some truth--Anderson has played with a huge number of people--one glance at his extensive discography reveals that most of the ...

159

Article: Take Five With...

Take Five With Scott Lee

Read "Take Five With Scott Lee" reviewed by AAJ Staff

by AAJ Staff

Meet Scott Lee:Scott Lee switched from a career in tennis at UNC-CH to jazz, after hearing the Bill Evans Trio. Arriving in NY in the '70s, he worked with Chet Baker, Lee Konitz, Al Cohn, Red Rodney, Freddie Hubbard, Joe Lovano, Kenny Werner, Andy Statman, Chris Conner, Morgana King, Helen Merrill, Betty Buckley, and ...

998

Article: Interview

Luis Bonilla: I Talking Now

Read "Luis Bonilla: I Talking Now" reviewed by Franz A. Matzner

by Franz A. Matzner

Trombonist, composer, bandleader and professor Luis Bonilla is not a tortured artist. One cannot imagine him careening from one imbalanced extreme of self- reflection to the other or participating in anything particularly self-indulgent, whatsoever. He is a loving husband and a father who seems to inhale and exhale commitment to his two-year-old daughter. The middle son ...

941

Article: Interview

"Chaography": A New Kind of Jazz Film To Be Made

Read ""Chaography": A New Kind of Jazz Film To Be Made" reviewed by R.J. DeLuke

by R.J. DeLuke

Who wants to see a movie about jazz musicians that tells a good story, accurately portrays the lives of musicians and contains good, happening music? Show of hands not necessary. Skepticism understood, based on past history. Yet that's exactly the lofty goal of young filmmaker Doug Chang, a jazz fan who is ...

914

Article: In the Artist's Own Words

Bill Dixon: Excerpts from Vade Mecum

Read "Bill Dixon: Excerpts from Vade Mecum" reviewed by AAJ Staff

by AAJ Staff

Introduction by AAJ Contributor Clifford Allen. It is rare in the climate of this music to be presented with a view of an artist that is truly multifaceted, even though the collected works of most artists operate at a number of levels and, on occasion, in a number of media. Bill Dixon is probably best known ...

Album

1957

By Red Rodney

Label: Continuum Records
Released: 2009

2,181

Article: Interview

Christian McBride: Getting the Inside Straight

Read "Christian McBride: Getting the Inside Straight" reviewed by Esther Berlanga-Ryan

by Esther Berlanga-Ryan

If we think about it for a little while, it's possible to believe that there is something almost mystic and undeniably powerful about jazz. The way it developed through the years and its constant ignition-like energy; the creativity of those who lead the way and those who continue the journey today; the improvisation that takes over ...

1,297

Article: Interview

Chris Potter: Way Above Ground with Underground

Read "Chris Potter: Way Above Ground with Underground" reviewed by R.J. DeLuke

by R.J. DeLuke

Saxophonist Chris Potter, at age 38, has long been fast-tracked to the head of his class to become regarded as one of the strongest players on the scene. It doesn't seem that long ago that he was first making waves on recordings, and then became part of the superb Dave Holland quintet, where his strengths were ...

Album

The Quintets

By Red Rodney

Label: Fantasy Jazz
Released: 2001
Track listing: Taking a Chance On Love/ Dig This/ Red Is Blue/ Clap Hands, Here Comes Charlie/ On Mike/ The Song Is You/ You and the Night and the Music/ Laura/ Hail to Dale/ Jeffie/ I Love The Rhythm In a Riff/ Daddy-O/ Red Wig/ The Baron/ Smoke Gets In Your Eyes/ Coogan

124

Article: Album Review

Red Rodney: The Quintets

Read "The Quintets" reviewed by Derek Taylor

by Derek Taylor

There’s scene in Clint Eastwood’s biopic Bird that immediately springs to mind hearing these seminal Red Rodney sides. In the scene Rodney is forced to sing in front of an audience of rural Southerners under the dubious alias of blues singer in order to substantiate a ruse devised by Charlie Parker to camouflage his quintet’s racially-integrated ...


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