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Satoko Fujii Ma-Do: Desert Ship
by Raul d'Gama Rose
Satoko Fujii Ma-DoDesert ShipNot Two Records2010 Pianist Satoko Fujii's music on Desert Ship, for the quartet Ma-Do, sits in a phantasmagorical realm that is located artistically somewhere between composer Gustav Holst's Planets and film director Stanley Kubrick's 2001: A Space Odyssey. The sojourn begins in a down to ...
Evan Christopher's Django a la Creole: Finesse
by Raul d'Gama Rose
The epithet “flawless technique" does not even begin to describe Evan Christopher's manner of playing, perhaps, the most challenging reed instrument: the clarinet. His polished intonation is marked by the perfect annunciation of the notes that gush forth from his clarinet sometimes at great speed. His rhythmic attack is so full of surprise, especially when he ...
Laurie Antonioli: American Dreams
by Raul d'Gama Rose
The remarkable ingenuity of Laurie Antonioli's voice is owed, not just to the impossible range--some three octaves--but to vocalist's breathtaking ability to find the hidden quarter tones that sound between the so-called right ones. In suggesting that these notes she sings are “wrong," the idea of a Thelonious Monk-like reality emerges in Antonioli's singing. The elemental ...
Domenic Landolf: New Brighton
by Raul d'Gama Rose
The term, “Impressionism" has been bandied about with such regularity in recent times that it has all but ceased to mean anything, much less suggest the kind of music that came from the pen of Claude Debussy and, a short time later, from that equally famous French composer, Maurice Ravel. Every once in awhile, however, there ...
Anat Cohen: Clarinetwork Live at the Village Vanguard
by Raul d'Gama Rose
Anat CohenClarinetwork Live at the Village VanguardAnzic Records2010 Anat Cohen can make the clarinet sing--literally and figuratively. On Clarinetwork Live at the Village Vanguard her wonderful, flowing melodic lines swoop and soar like arias placating the most high. It is as if--in that spiritualised state of grace--Cohen, ...
The Black Butterflies: Primero de Mayo
by Raul d'Gama Rose
A delightful whimsy surrounds the room where 1 de Mayo descends like a diaphanous sheet of sound amid its celestial wail. So extraordinary is the musical ensemble fronted by the hypnotic sound of saxophonist Mercedes Figueras; doubly intriguing, when entwined with the ululations and caterwauling ablutions of Tony Larokko's horns. Figueras is one of the most ...
James Zollar: Zollar System
by Raul d'Gama Rose
It is an unfortunate fact that trumpeter James Zollar is nowhere near as well-known as he should be. But that may be about to change. Zollar Systems may be about to put Zollar in an orbit all his own. A genuine renaissance man of the horn, Zollar is a singular voice on the instrument that is ...
Yuganaut: Sharks
by Raul d'Gama Rose
It is somewhat easy to be fooled, by the playfulness of Yuganaut's musicians, into thinking that Sharks is a flippant album. So, as rapidly as the thought occurs let it perish. The music on this album is deep as the ocean of sound from where it comes, and the musicians do a fine job of exploring ...
Paul Dunmall: Identical Sunsets
by Raul d'Gama Rose
If history is to be served properly, saxophonist Paul Dunmall's Identical Sunsets reaches, with much nervous energy, that part of the sonic universe that John Coltrane reached in the last months of his playing career. In the stellar regions of that universe, the heart--and, therefore, Dunmall's instrument of choice (in this case, the tenor saxophone)--does not ...
Michael Gregory Jackson: Clarity
by Raul d'Gama Rose
Michael Gregory is the quintessential modern troubadour. He may not sing in a Romance language, but he turns his instruments of choice--guitar and voice--into a powerful language that enables him to recreate the sensuous, reverential and spiritual literature that, in turn, enormously enhances his songbook. Gregory turns on the charm on Clarity, a short, but memorable ...
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