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Billy Jones: 3's a Crowd
by Troy Dostert
Duo records involving drummers aren't that common in the world of straight-ahead jazz. While it's never been an infrequent option for avant-gardists (and there are some truly legendary examples, not the least of which are John Coltrane and Rashied Ali's Interstellar Space, Max Roach and Cecil Taylor's Historic Concerts, and Peter Brötzmann and Hamid Drake's Dried ...
Rich Halley/Carson Halley: The Wild
by Dan McClenaghan
Saxophonist Rich Halley, home-based in Portland, Oregon, is a relentless creator of fine and oftimes fiery free jazz, averaging, since 2010, about two CD releases per year, including Creating Structure (2015); Eleven (2016); and Outlier, (2016), all on his Pine Eagle Records label. These were quartet outings, featuring like-minded free-jazzers--trombonist Michael Vlatkovich, bass man Clyde Reed ...
Insufficient Funs: Insufficient Funs
by Ian Patterson
An original name, if not quite such an original concept. Saxophone and drum duets used to be as rare as the proverbial hen's teeth, with John Coltrane and Rashied Ali's 1960s collaboration always the benchmark. In recent years, however, this striking duo combination has seen something of a boom. Charles Lloyd and Billy Higgins; Dave Rempis ...
2016: An Ivo Perelman Marathon
by Mark Corroto
The original marathoner, Pheidippides in 490 BC, is believed to have run from Marathon, where a battle was being fought, to Athens to inform an assembly that the Persians had been defeated. It certainly was quite the achievement, taking into account the sorry state of footwear at the time and lack of prepackaged gels and energy ...
Improvised Music Company@25, Various Artists At Sugar Club
by Ian Patterson
Improvised Music Company@25 Sugar Club Dublin, Ireland November 26, 2016 It was an appropriately festive atmosphere in the Sugar Club to mark Improvised Music Company's twenty fifth birthday celebrations. Older musicians, perhaps just starting out a quarter of a century ago, rubbed shoulders with the current generation of aspiring ...
Tisziji Munoz: Alpha Nebula Expanded: The Monster Peace
by Dave Wayne
The visionary guitarist Tisziji Munoz was introduced to the listening public in the late 1970s as a sideman on a now impossibly rare Pharoah Sanders album (Pharoah, India Navigation, 1977). This was followed by his debut as a leader, Rendezvous With Now (India Navigation, 1978). After a decade-long gap in recording activity, Munoz began releasing albums ...
Andrew Cyrille Quartet: The Declaration of Musical Independence
by Mark Sullivan
Drummer Andrew Cyrille is probably best known for his long association with the avant-garde pianist Cecil Taylor. He has previously appeared on ECM and Watt albums by saxophonist Marion Brown (Afternoon of a Georgia Faun, 1970), Carla Bley (European Tour 1977, 1978), The Jazz Composer's Orchestra (originally on JCOA, 1968), and most recently on Ben Monder's ...
Live Trane: Never Before, Never After
by David Liebman
NEA Jazz Master and much celebrated saxophonist, composer, bandleader, educator and author Dave Liebman recounts the life-changing experiences of witnessing live performances by John Coltrane as told to Dave Kaufman. I always say my epiphany was the first time I saw Coltrane in February of 1962 at Birdland. The fact that I even knew ...
John Coltrane: My Favorite Things (Not Including “My Favorite Things”)
by Matt J. Popham
John Coltrane died on July 17, 1967 at the age of forty. Had he lived, he would have turned 90 on September 23rd of this year. When one considers the profound effect he had--not just on jazz, but on music as a whole--in the brief two decades of his career, it's not only daunting, but depressing, ...
Miguel Crozzoli / Pablo Díaz: Tierra
by Jakob Baekgaard
There is a poem by the Swedish poet Gunnar Ekelöf (1907-1968) called “Den svarte bilden" (The black image) in which he tells about an icon whose image is kissed away. It is a spiritual act of love where the image of representation is transgressed. Interestingly, Ekelöf's poem could be an illustration of what ...
