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15

News: Award / Grant

60th GRAMMY Awards: Jazz Winners

60th GRAMMY Awards: Jazz Winners

And the winners of the 2018 GRAMMY Awards are... 31. Best Improvised Jazz Solo (For an instrumental jazz solo performance. Two equal performers on one recording may be eligible as one entry. If the soloist listed appears on a recording billed to another artist, the latter's name is in parenthesis for identification. Singles or Tracks only.) ...

4

News: Award / Grant

60th GRAMMY Awards: Jazz List

60th GRAMMY Awards: Jazz List

31. Best Improvised Jazz Solo (For an instrumental jazz solo performance. Two equal performers on one recording may be eligible as one entry. If the soloist listed appears on a recording billed to another artist, the latter's name is in parenthesis for identification. Singles or Tracks only.) “Can't Remember Why" by Sara Caswell Track ...

8

Article: Album Review

Sari Kessler: Do Right

Read "Do Right" reviewed by Dan Bilawsky


In just under five minutes--the running time for producer/percussionist James Shipp's album-opening arrangement of “Walk On By"--Sari Kessler successfully makes the case that jazz singing is her real métier. That particular truth may not have materialized until recent times, as Kessler walked away from a career as a clinical psychologist to pursue a life in music ...

Album

Historia

Label: STEM
Released: 2014
Track listing: Shaw ‘Nuff; There is No Greater Love; What’s Comin’ Atcha; Historia de un Amor; It’s Gonna Be Okay; Turnaround; Look for the Silver Lining; Laura Lee; Shenandoah; I Concentrate on You; Silence of the Stars (O Silêncio das Estrelas); Some of that Sunshine.

4

Article: Extended Analysis

Suzi Stern: Romancing the Dark

Read "Suzi Stern: Romancing the Dark" reviewed by Geannine Reid


When a jazz singer is able to combine skills as a poet, composer, arranger and singer, what type of music is the result? Folk/Jazz/World; but of course! That is the underlying theme throughout Suzi Stern's CD, Romancing the Dark. The Austin based singer has a diverse history of collaborations, working with artist such as: Joe Henderson, ...

6

Article: Album Review

Cindy Scott: Historia

Read "Historia" reviewed by C. Michael Bailey


Stating the obvious right off, vocalist Cindy Scott is from New Orleans. This fact thoroughly and three-dimensionally informs the twelve selections on Historia, Scott's follow-up to Let The Devil Take Tomorrow (Catahoula Records, 2009), without making a burden of it. In subtle and not-so-subtle ways, the aural aroma of the Crescent City appears like an essence, ...

5

Article: Extended Analysis

Anya Malkiel: From the Heart

Read "Anya Malkiel: From the Heart" reviewed by Geannine Reid


Anya Malkiel is a Bay Area-based vocalist who grew up in a musical environment in the former Soviet Union. Jazz was taboo, but would nevertheless become a vital part of her life. Malkiel states, “It was always the human voice that drove my musical aspirations." After leaving for the United States in 1990, she shared a ...

2

Article: Album Review

Madeline Eastman + Randy Porter: A Quiet Thing

Read "A Quiet Thing" reviewed by Nicholas F. Mondello


Recently one of the sports channels delivered a segment about a deep sea diver who plummets into and ascends from ocean depths unaided by air tanks. He does it all on his own breath. In that documentary, the diver speaks about the peak life experience he encounters with each daredevil dive. The metaphors of adventure, heightened ...

2

Article: Album Review

Madeline Eastman + Randy Porter: A Quiet Thing

Read "A Quiet Thing" reviewed by Dan Bilawsky


When Bay Area vocalist Madeline Eastman released Bare: A Collection Of Ballads (Mad-Kat, 2001), it was a bit of a departure from her previous recorded work. By that point, she was a decade into a critically acclaimed recording career and she had established herself as an adventurous, risk-taking, creative artist with albums like Point Of Departure ...

2

Article: Album Review

Madeline Eastman + Randy Porter: A Quiet Thing: A Collection of Ballads

Read "A Quiet Thing: A Collection of Ballads" reviewed by C. Michael Bailey


The beauty of vocalist Madeline Eastman is that she is an undaunted improviser who remains conservative in her improvising. In this context, the word conservative harbors no negative connotations. Eastman has an abiding respect for the melody that is reflected in her thoughtful interpretations of the fourteen ballads making up A Quiet Thing. The piano-voice format ...


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