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Fall 2020
by Doug Collette
Jazz Journal is a regular column comprised of pithy takes on recent releases of note, spotlighting titles that might otherwise go unnoticed or that deserve special attention. The Claire Daly Band RAH! RAH! Ride Symbol 2020 To credibly conceive and execute homage to the late Rahsaan Roland Kirk ...
Eric Revis: Slipknots Through a Looking Glass
by John Sharpe
On Slipknots Through a Looking Glass, bassist Eric Revis helms a five strong unit to experimental ends juxtaposing emotionally ambiguous abstraction with gut punch drive. To cover the bases he unites saxophonists Bill McHenry and Darius Jones from the quartet which waxed In Memory Of Things Yet Seen (Clean Feed, 2014), with the pianist Kris Davis ...
Nate Wooley: Seven Storey Mountain VI
by Jerome Wilson
Since 2007 trumpeter Nate Wooley has been producing compositions in a song cycle collectively called “Seven Storey Mountain." The first one was performed by a trio and each succeeding version has included a greater number of musicians. The newest one, the sixth of an eventual seven iterations, is performed here by fourteen players including three vocalists. ...
Junk Magic: Compass Confusion
by Franz A. Matzner
Density. Shifting ground. Textural discord. Sharpness like glass. Resonant emptiness. Explorative improvisation, electronica sound spaces and electric beats. Released by the Craig Taborn project Junk Magic, Compass Confusion moves the fusion of live performance with electronica to the next level, making the division between the two often difficult to discern. The album incorporates a ...
Nate Wooley: Seven Storey Mountain VI
by Karl Ackermann
From 2010 onwards, composer-trumpeter Nate Wooley has explored creative music as a solo artist and through a spectrum of collaborators such as Ingebrigt Håker Flaten, Mary Halvorson, Ken Vandermark, and Matthew Shipp. These projects have been offset by Wooley's Seven Storey Mountain succession of releases; Seven Storey Mountain VI is a masterwork of expressionist passion and ...
The Volcanic World Of Pyroclastic Records
by Mark Corroto
As listeners we so often typecast musicians and music labels. Artists are pigeonholed into silos: classical, jazz, rock, blues, pop, etc.. Go into any record store (if you can find a brick & mortar one) and this segregation, a forced separation, is also evident. Even streaming services are divided in this manner. Maybe it is just ...
Nate Wooley: Seven Storey Mountain VI
by Troy Dostert
Long considered one of the most innovative and idiosyncratic trumpeters in the improvised music community, Nate Wooley has for many years astonished listeners with his formidable technique and broad-minded vision. Nowhere is this more evident than in his Seven Storey Mountain series, a sequence of recordings going back to 2007 that is now in its sixth ...
Northern Cities Vowel Shift
Album: Accelerate Every Voice
By Cory Smythe
Label: Pyroclastic Records
Released: 2020
Duration: 2:34
Eric Revis: Slipknots Through a Looking Glass
by Vincenzo Roggero
Eccola la nuova formazione del contrabbassista Eric Revis, un incontro di storici collaboratori che promette meraviglie. Al quartetto che licenziò nel 2014 In the Memory of Things Yet Seen si aggiunge la pianista Kris Davis già presente nel precedente City of Asylum e nel successivo Sing Me Some Cry (tutti per Clean Feed) e il cerchio ...
Angelica Sanchez & Marilyn Crispell: How To turn the Moon
by Dan McClenaghan
Fans of piano jazz might have a preference for the trio format—piano/bass/drums. Or they might like their piano straight, no chaser, with solo piano sets. There is no shortage of trio and solo recordings floating around for our listening enjoyment. But two pianos? Rare, though not unheard of. Brad Mehldau and Kevin Hays offered up the ...
