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199

Article: Album Review

Tarbaby: The End Of Fear

Read "The End Of Fear" reviewed by Dan Bilawsky


Virtually every musician deals with fear at one time or another. Perhaps it comes with a first opportunity to perform in an ensemble, or maybe it arrives when first taking flight and leaving the relative comforts of written music, searching for an elusive sound through an improvised medium. Regardless of when it happens, performers have to ...

285

Article: Album Review

Tarbaby: The End Of Fear

Read "The End Of Fear" reviewed by Bruce Lindsay


A band name that some might see as confrontational--although the band denies this--an album title that could be wildly optimistic, a statement of faith or simply ironic; some of the fieriest jazz players on the scene and a scary Hieronymus Bosch-style cover design. What kind of music might emanate from such a combination? Free form, loud, ...

177

Article: Album Review

Steve Davis: Images

Read "Images" reviewed by Raul d'Gama Rose


It is easy to mistake trombonist Steve Davis for an aesthete--which he is, possessing an undying sense of lyricism to show for it. But he is a deeper musician than one who merely subscribes to the aesthetical philosophy. Each of Images' ten compositions far transcends warmth and lyrical beauty, standing out as astute forms of modal ...

139

Article: Album Review

Jared Gold: Out Of Line

Read "Out Of Line" reviewed by Bruce Lindsay


If a single word is needed to describe Out Of Line, organist Jared Gold's third album as leader, then that word is cool. If two words are required, they're laid back, for this is a late-night groove sort of a record, where the band seldom tries to break sweat--with the notable exception of Hank Mobley's “An ...

229

Article: Album Review

Jared Gold: Out Of Line

Read "Out Of Line" reviewed by Dan Bilawsky


Despite the implications that live within a title like Out Of Line, organist Jared Gold's third Posi-Tone release is rather in tune with the history and vibe of organ groups and all that goes with them. Gold is joined by some top notch east coast talent, in the form of guitarist Dave Stryker, drummer Mark Ferber ...

243

Article: Album Review

Ken Fowser & Behn Gillece: Little Echo

Read "Little Echo" reviewed by Raul d'Gama Rose


If Marc Free, Nick O'Toole and the team at Posi-Tone Records continue producing albums in the same manner as they have been since the inception of the label in 1994, they will surely be further along the path to emulating the legacy of the Blue Note label, which has produced some of the finest music of ...

177

Article: Album Review

Doug Webb: Midnight

Read "Midnight" reviewed by Dan Bilawsky


If one is truly judged by the company they keep, then saxophonist Doug Webb is immediately well thought of, even before hearing his music. While Midnight marks his recorded debut as a leader, he's performed and/or recorded with a long list of jazz greats, including Horace Silver, Freddie Hubbard and Billy Higgins, and appeared on over ...

136

Article: Album Review

Jacam Manricks: Trigonometry

Read "Trigonometry" reviewed by Raul d'Gama Rose


The reason that there is seldom a wrong note played by Jacám Manricks on Trigonometry is that notes, phrases and the spiraling flow of seemingly unending lines appear to be so extremely well thought-out that nothing could possibly sound out of place. To hear the saxophonist play in soft, dulcet tones that occupy the paler colors ...

255

Article: Album Review

Doug Webb: Midnight

Read "Midnight" reviewed by Bruce Lindsay


Saxophonist Doug Webb leads a superb quartet on Midnight, creating a late-night atmosphere with a hint of nostalgia on a range of classic tunes. Webb's career stretches back for 30 years and includes work with some of the finest jazz musicians, including Bud Shanks, Horace Silver and Freddie Hubbard, as well as leading ...

293

Article: Album Review

Jared Gold: Out of Line

Read "Out of Line" reviewed by C. Michael Bailey


The age of the classic chitlin' circuit organ combo passed away with Jimmy Smith in 2005. Regardless, greasy-spoon organ jazz is still frequently summoned, if only in approximate form, beating the alternative of no new mainstream B3 music at all. New Yorker Jared Gold tore things up on his Supersonic (Posi-Tone, 2009) and Dan Pratt's Toe ...


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