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Nick Hempton: The Business
by Bruce Lindsay
Saxophonist Nick Hempton's decision to call his second album The Business might be a comment on the commercial nature of jazz, or it might be a rather hubristic statement about the nature of his own music. Big, fat grooves, a real sense of swing, strong melodies and even stronger rhythms suggest that Hempton is right to ...
Sean Nowell: Stockholm Swingin'
by Dan Bilawsky
Tenor saxophonist Sean Nowell's third CD is an engaging set of music that was recorded live at the Glen Miller Café in Stockholm at the end of a fourteen-day tour through Sweden. Nowell's band mate in Travis Sullivan's Björkestra, drummer Joe Abba, and a solid crew of Swedish musicians help to flesh out this riveting set ...
Brent Canter: Urgency Of Now
by Dan Bilawsky
Red flags usually pop up the minute an organ is spotted on the personnel list of a record. Regardless of the quality of the music, the direction is often set in stone, with bluesy Jimmy Smith-style swing dominating the proceedings, but that doesn't always prove to be true. In fact, guitarist Brent Canter's Urgency Of Now ...
Nick Hempton: The Business
by Dan Bilawsky
The workaday details of the business world don't really relate to jazz very much. Boring meetings, piles of paperwork, and endless conference calls have little to do with the in-the-moment magic that surrounds this music, but that doesn't mean that jazz musicians don't know how to get down to business when the tape is rolling.
Orrin Evans: Freedom
by Dan Bilawsky
Philadelphia was a symbol of freedom long before Elton John ever penned his well-known tribute to tennis legend Billy Jean King. The city was a hotspot for American revolutionaries when the British were running the show, and Philadelphia played host to the First Continental Congress and the Second Continental Congress, which signed the Declaration of Independence. ...
Orrin Evans: Freedom
by Bruce Lindsay
Orrin Evans' first three Posi-Tone releases formed a diverse but high-quality trilogy: the piano trio (Faith In Action, 2010); the freer, more left-field small band (Tarbaby's End Of Fear, 2010); and the hard-blowing and exciting big band (Captain Black Big Band, 2011). Hot on their heels comes Freedom, Evans' fourth album in less than two years. ...
Travis Sullivan: New Directions
by Glenn Astarita
New Directions could signify a paradigm shift for alto saxophonist Travis Sullivan's eighteen-piece Björkestra, a unit dedicated to performing arrangements of Icelandic pop vocalist Björk. Sullivan goes back to his fundamental mainstream jazz roots on the lyrically rich New Directions, assembled with memorable comps and sterling interplay from his quartet. Sullivan's vocal-like tonalities and muscular alto ...
Travis Sullivan: New Directions
by Bruce Lindsay
Travis Sullivan's New Directions, his Posi-Tone debut, is a rewarding trip through a mix of strong, self-penned, tunes and an unusual combination of covers. The saxophonist leads his quartet with style, emphasizing musicality and emotional engagement over displays of technique, and creating a sparkly collection that emphatically establishes his talents as a composer as well as ...
David Gibson: End Of The Tunnel
by Bruce Lindsay
Words like “funky" and “groovy" are often bandied about by musicians, reviewers and fans alike. Once upon a time they represented the heights of popular musical achievement; today, they're a little anachronistic, their use more ironic than laudatory. Then something comes along that epitomizes both terms, and reclaims them as badges of honor. Trombonist David Gibson's ...
David Gibson: End Of The Tunnel
by Dan Bilawsky
David Gibson's A Little Somethin' (Posi-Tone, 2009) had a lot to offer, the trombonist garnering attention for its vibrant swing, soul and funk-laced jazz, but it wasn't a one-man show. He had some help from a stellar support crew, and the same musicians that assisted in fleshing out his vision there return for another go-round on ...
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