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137

Article: Album Review

David Gibson: End Of The Tunnel

Read "End Of The Tunnel" reviewed by Bruce Lindsay


Words like “funky" and “groovy" are often bandied about by musicians, reviewers and fans alike. Once upon a time they represented the heights of popular musical achievement; today, they're a little anachronistic, their use more ironic than laudatory. Then something comes along that epitomizes both terms, and reclaims them as badges of honor. Trombonist David Gibson's ...

108

Article: Album Review

David Gibson: End Of The Tunnel

Read "End Of The Tunnel" reviewed by Dan Bilawsky


David Gibson's A Little Somethin' (Posi-Tone, 2009) had a lot to offer, the trombonist garnering attention for its vibrant swing, soul and funk-laced jazz, but it wasn't a one-man show. He had some help from a stellar support crew, and the same musicians that assisted in fleshing out his vision there return for another go-round on ...

101

Article: Album Review

David Gibson: End Of The Tunnel

Read "End Of The Tunnel" reviewed by Mark Corroto


The second release for trombonist David Gibson's quartet, End Of The Tunnel, is a return to the ever popular soul-jazz genre. As with his previous disc, A Little Somethin' (Posi-Tone, 2009), Gibson and organist Jared Gold share a love for that infectious 1960s organ combo sound. This disc also continues with the same lineup, ...

218

Article: Album Review

Benjamin Drazen: Inner Flights

Read "Inner Flights" reviewed by David A. Orthmann


Alto and soprano saxophonist Benjamin Drazen's smashing debut recording as a leader contains all of the essential ingredients for a meaningful mainstream jazz record. The leader's seven original compositions are a diverse, substantial, and pleasantly familiar lot. Drazen and pianist Jon Davis, the disc's primary soloists, play in the moment and think their way through improvisations ...

57

Song of the Day

Jamia's Dance

Album:
By
Label: Posi-Tone Records
Released: 2011
Duration: 5:47

189

Article: Album Review

Travis Sullivan: New Directions

Read "New Directions" reviewed by Dan Bilawsky


Saxophonist Travis Sullivan has received lots of coverage for the music he creates with his Björkestra, but the success of that band is a double-edged sword. While following the musical pathways set forth by his Icelandic muse has helped the saxophonist expand his audience, it also temporarily suppressed his own musical personality. With New Directions, Sullivan ...

173

Article: Album Review

Art Hirahara: Noble Path

Read "Noble Path" reviewed by Dan Bilawsky


Art Hirahara has gained the most notice for his work on saxophonist Fred Ho's adventurous outings, but the pianist's own music, while occasionally outward bound, often has a more immediately accessible sound to it. Featuring eight pieces from Hirahara's pen and four newly arranged classics, Noble Path is a piano trio record that's both commonplace and ...

201

Article: Album Review

Dave Juarez: Round Red Light

Read "Round Red Light" reviewed by Dan Bilawsky


The quintet that came together to record Round Red Light is a unique conglomeration of established talent, rising-star scene-stealers, and artists who are only starting their ascent and journey upward in the world of jazz. While guitarist Dave Juarez falls into the last category, his debut album should go a long way in creating a buzz ...

130

Article: Album Review

Jared Gold: All Wrapped Up

Read "All Wrapped Up" reviewed by Bruce Lindsay


Jared Gold's fourth album as leader, All Wrapped Up, finds fresh faces joining the organist as he releases his first recording without a guitarist. This is also Gold's first all-originals album--although he shares the writing credits with his band mates, who each contribute a tune. The new lineup and new tunes ensure that this album, and ...

243

Article: Album Review

Jared Gold: All Wrapped Up

Read "All Wrapped Up" reviewed by Dan Bilawsky


There's a noticeable change in organist Jared Gold's sonic template of choice, before All Wrapped Up even begins. While two out of Gold's three prior releases were quartet outings that used saxophone as the lone horn voice, all three releases were rooted in the traditional organ trio instrumental format. A different guitarist graced each one of ...


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