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Brandon Wright: Journeyman
by Bruce Lindsay
Beware of album titles that seem to damn with faint praise. Although saxophonist Brandon Wright takes inspiration for the title of his second album from the words of novelist Cormac McCarthy, Journeyman is a term that usually conjures up an image of a reliable, hard-working, solid but uninspiring type of person. All admirable qualities, of course, ...
Tom Tallitsch: Heads Or Tales
by Dan Bilawsky
Jazz musicians are often lauded for how different they are from one another, but all of the most notable musicians who wear the jazz label actually have one thing in common: expertise in telling a story. When theory, technique and stylistic divisiveness are all removed from the equation, musicians are left with the not-so-simple task of ...
Spike Wilner: La Tendresse
by Mark Corroto
Joy.But having been told that one word reviews aren't sufficient, how about this: Pianist Spike Wilner's disc La Tendresse is pure joy.Wilner can probably best be described as an old soul occupying a modernist corpus. His foundations in ragtime and stride piano inform the music heard here, but like Thelonious Monk, he ...
Jared Gold: Golden Child
by Dan Bilawsky
A string of enjoyable leader dates and some high profile work in guitarist Dave Stryker's organ-centric groups can be credited for the steady rise in organist Jared Gold's profile. His ability to live within the tradition while simultaneously building upon it has made him one to watch, and his constant and steady growth as a musician/composer ...
Jared Gold: Golden Child
by Mark F. Turner
Jazz organist Jared Gold continues to make his presence known, both in name and sonically. Energizing and free yet possessed of a comprehensive knowledge of the Hammond B3 organ, he communicates with the language of giants such as Don Patterson and Chris Foreman of the Deep Blue Organ Trio. It's been said that “either you have ...
Steve Horowitz: New Monsters
by Bruce Lindsay
Old monsters? They were frightening, gargantuan, mythical beasts: fire-breathing, blood-lusting and not at all willing to put together anything close to a danceable riff. New Monsters, at least as envisioned by bassist Steve Horowitz on this Posi-Tone album, are a much more engaging bunch. There's still some fire-breathing in evidence, but the blood lust is kept ...
Steve Horowitz: New Monsters
by Raul d'Gama Rose
Despite the suggestion of the title, New Monsters is not actually crawling with legions of denizens from the netherworld. The promise of monsters has more to do with the unleashing of musical forces as diverse as klezmer and Erik Satie. Moreover, far from being a quaint experiment, the album takes a radical road--one that was travelled ...
Ehud Asherie with Harry Allen: Upper West Side
by Raul d'Gama Rose
Upper West Side is as fine a duet album as has been made by a pianist with another instrumentalist. This declaration may very possibly include the albums made by Hank Jones with Tommy Flanagan and Oscar Peterson with Dizzy Gillespie. It is a credit to pianist Ehud Asherie that he made this album at such a ...
Steve Horowitz: New Monsters
by Dan Bilawsky
The Posi-Tone label has positioned itself as a distinguished dealer in modern jazz and classy throwback sounds, demonstrating catholic tastes and a willingness to invest in artists of the established and unknown variety. New Monsters, however, doesn't fall firmly into either category. San Francisco bassist Steve Horowitz oversees this outing that features free blowing fantasias and ...
Ehud Asherie with Harry Allen: Upper West Side
by C. Michael Bailey
Wherever tenor saxophonist Harry Allen shows up, there is sure to be a major outbreak of Old School. Along with Scott Hamilton, Allen is a keeper of the flame encompassing saxophone practice from Frankie Trumbauer to Lester Young. Pianist Ehud Asherie is cut from the same bolt as Ralph Sutton and Dick Hyman. His previous Posi-Tone ...
