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Steve Davis: Gettin' It Done
by Dan Bilawsky
Trombonist Steve Davis has never had a problem getting things done. He instantly joined the slide-wielding elite when he graduated from the Hartt School's Jackie McLean Institute in 1989 and joined up with drummer Art Blakey's Jazz Messengers. That gig jump-started his career and he's never looked back. Stints with McLean and pianist Chick Corea followed, ...
Steve Davis: Gettin' It Done
by Bruce Lindsay
Calling trombonist Steve Davis a veteran is probably inappropriate--after all, he was a mere 44 year-old when he recorded Gettin' It Done in October, 2011. However, he has such a wealth of experience, such a command of his instrument and such a rich back catalog of recordings that based on his body of work rather than ...
Orrin Evans: Flip The Script
by Dan Bilawsky
Pianist Orrin Evans' last three outings for the Posi-Tone label have been vastly different from one another. He forged new, edgy frontiers as part of the collectively formulated Tarbaby on The End Of Fear (Posi-Tone, 2010), put his own unique stamp on the big band format with the bold Captain Black Big Band (Posi-Tone, 2011), and ...
Tom Tallitsch: Heads Or Tales
by Bruce Lindsay
Tenor saxophonist Tom Tallitsch makes his Posi-Tone debut with Heads Or Tales, a welcome addition to that label's impressively strong roster of straight-ahead and swinging musicians. Tallitsch has a warm tone, a lyrical and flowing style and an ability to craft solos that add to the narrative of his compositions: qualities that make the tunes--all but ...
Brandon Wright: Journeyman
by Glenn Astarita
Posi-Tone Records is known for showcasing nascent talent, often aligned with proven jazz warriors. With his sophomore release for the label, young tenor saxophonist Brandon Wright garners sympathetic and dynamic support from his ensemble, comprising time-honored vets, such as pianist David Kikoski and bassist Boris Kozlov. Drummer Donald Edwards transmits a holistic rhythmic stance with his ...
Orrin Evans: Flip The Script
by Bruce Lindsay
In the wrong hands, the contemporary piano trio can sound like a retread of piano trios since the dawn of popular music. In the right hands it remains a potent force: exciting, engaging, full of imagination and capable of flights of invention. The hands of Orrin Evans are the right hands. The Philadelphia-born pianist is approaching ...
Spike Wilner: La Tendresse
by Dan Bilawsky
There are few greater champions of the old and new in jazz than pianist/club owner/musical antiquarian Spike Wilner. His role in resuscitating and running one of the most important night spots for jazz in New York--Smalls Jazz Club--has made him a hero to those who frequent that bastion of musical integrity, but he's also revered as ...
Brandon Wright: Journeyman
by Dan Bilawsky
Saxophonist Brandon Wright sells himself a little short with the title he selected for his sophomore release. While he has been honing his skills while working in the employ of artists like trombonist John Fedchock, E Street Band drummer Max Weinberg and trumpet legend Doc Severinsen, he's hardly an apprentice at this point. Wright's debut--Boiling Point ...
Brandon Wright: Journeyman
by Bruce Lindsay
Beware of album titles that seem to damn with faint praise. Although saxophonist Brandon Wright takes inspiration for the title of his second album from the words of novelist Cormac McCarthy, Journeyman is a term that usually conjures up an image of a reliable, hard-working, solid but uninspiring type of person. All admirable qualities, of course, ...
Tom Tallitsch: Heads Or Tales
by Dan Bilawsky
Jazz musicians are often lauded for how different they are from one another, but all of the most notable musicians who wear the jazz label actually have one thing in common: expertise in telling a story. When theory, technique and stylistic divisiveness are all removed from the equation, musicians are left with the not-so-simple task of ...
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