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Jon Davis: One Up Front
by Dan Bilawsky
It's tempting to say that pianist Jon Davis has been hiding in plain sight for the past few decades, but he hasn't really been hiding at all. He's actually been playing all over the place with a lot of top-tier musicians; he just doesn't put himself up front very often. Davis, who's worked with saxophonist Stan ...
David Ake: Bridges
by Dan Bilawsky
Experimentalist composer Gavin Bryars once proclaimed that “music history has flowed under the bridges for many years." That particular quote adorns the inside flap of pianist David Ake's Bridges which, like Bryars' statement itself, contains many a mystery about music, bridges and history. The pieces that Ake presents herein are modernistic, wide-ranging and wholly original. Melodic ...
Doug Webb: Swing Shift
by Jack Bowers
Doug Webb is one of a large number of accomplished saxophonists on the West Coast who have largely flown under the radar because... well, basically because they are on the West Coast. That's not to imply that Webb or his cohorts are penniless or not working steadily; that is not the case at all. Besides fronting ...
Jared Gold: Intuition
by Dan Bilawsky
Intuition is organist Jared Gold's sixth outing for the Posi-Tone label in as many years. He walks a similar path on all of his prior dates for this imprint, extending the organ group tradition(s) while fronting trios and quartets and working his way through catchy originals and diverse covers, but no two albums are really the ...
Noah Haidu: Momentum
by Bruce Lindsay
A quick glance at the monochrome photo that adorns the cover of Momentum could lead to the impression that the pianist is George Gershwin. It isn't, of course, it's Noah Haidu and this is his second album as leader. Any similarities between Haidu and Gershwin end with the shadowy cover shot--Haidu most definitely looks to more ...
Ken Fowser/Behn Gillece: Top Shelf
by Dan Bilawsky
The team of tenor saxophonist Ken Fowser and vibraphonist Behn Gillece has been steadily releasing music of a similar nature on the Posi-Tone label since its 2009 debut, Full View, hit the shelves. With this, the duo's fourth album, Fowser and Gillece continue along the same path with nary a stylistic sharp turn, yet this one ...
Sean Nowell: The Kung-Fu Masters
by Glenn Astarita
New York City-based saxophonist Sean Nowell has found a home with the increasingly prominent West Coast modern jazz record label, Posi-Tone Records. His fourth release highlights the turbo-powered acoustic-electric band, The Kung-Fu Masters. Word has it that the ensemble has been creating a buzz in The Big Apple, and in recent times has acted like a ...
David Weiss & Point Of Departure: Venture Inward
by Dan Bilawsky
Fans of trumpeter David Weiss may be a bit confused when they take a look at this album. At quick glance, it reads like a re-tread of Weiss' Snuck In (Sunnyside, 2010), which has a near-identical line-up playing a near-identical program, but there's a good reason for that: both albums were actually recorded a day apart ...
Ehud Asherie with Harry Allen: Lower East Side
by Dan Bilawsky
In this day and age, when shock-and-awe maneuvers and new-thing sounds tend to get all the plaudits and press in jazz, it says a lot when a throwback duo date is widely admired by critics and fans alike. Such was the case with pianist Ehud Asherie's Upper West Side (Posi-Tone, 2012), which brought him into contact ...
Sean Nowell: The Kung-Fu Masters
by Dan Bilawsky
The Kung-Fu Masters isn't simply another album for tenor saxophonist Sean Nowell; it's the recorded coming out party for a band and concept that he's been tweaking and promoting for years. Nowell has been field testing this project in New York jazz spots like 55 Bar, and his website contains various recorded performances of the group ...
