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Doug Webb: Bright Side
by David A. Orthmann
From one perspective, Doug Webb's Bright Side is basically twelve tracks clothed in very recognizable forms --a few varieties of soul-jazz, a couple of heartfelt ballads, a taut bossa nova, and an array of middling and up tempo straight- ahead swingers. Although the material is thoroughly enjoyable, it's tempting to succumb to a nagging notion that ...
Peter Brendler: Message In Motion
by David A. Orthmann
Message In Motion is a recording that can be gainfully approached from a number of angles. You can choose to play it in a single sitting from start to finish, taking in an array of moods evoked by bassist Peter Brendler's seven compositions and a band worthy of his exemplary skills as a writer. (The record ...
Spike Wilner: Koan
by Mark Corroto
I have an idea that pianist Spike Wilner has read Kenny Werner's book Effortless Mastery: Liberating The Master Musician Within (1996), because Koan emulates Werner's lessons in surrendering one's self to music. Werner's teachings on enlightenment flow through this trio recording, Wilner's sixth as a leader. As a disciple of Harlem stride and ragtime, ...
Behn Gillece: Dare to Be
by C. Andrew Hovan
When it comes to jazz vibraphone, the names of Stefon Harris and Warren Wolf are most likely to be found on a list of contemporary leaders. Add to that now the name of Behn Gillece, a gentleman who has been honing his skills on the New York scene since 2006. His talents first came to the ...
Brian Charette: Once & Future
by Dan Bilawsky
Nobody who wields an instrument of any sort can truly escape the gravitational pull of history. There are many who try to fight it, but better to embrace what came before, acknowledge where a sound or concept originates, and use that knowledge as both a port of arrival and a point of departure. There are no ...
Will Bernard: Out & About
by Doug Collette
As if more proof was necessary Out & About confirms guitarist Will Bernard is as skilled a bandleader as he is an instrumentalist. And both roles require an artful approach as this album makes clear: it's one thing to find talented musicians--as Bernard most certainly does here--it's quite another to elicit that talent in such a ...
David Gibson: Inner Agent
by Dan Bilawsky
The idea of creating a safe space to allow for disregarding safety may be paradoxical in nature, but it makes perfect sense when contextualized or couched in jazz terms. There can be no resolution of faith in one's surroundings and colleagues without taking the trust fall, there can be no reward without risk, and there can ...
Michael Dease: Father Figure
by David A. Orthmann
Never underestimate a jazz musician's capacity for drawing on material from vastly different sources, deflating the ostensible dissimilarities, and producing vibrant sounds that don't hew to convention or expectations. From the music's early years, resourceful artists have been confounding audiences and critics alike by putting their stamp on anything that strikes their fancy, from gutbucket blues ...
Walt Weiskopf: The Way You Say It
by C. Andrew Hovan
For quite some time, saxophonist Walt Weiskopf had a forum for expressing his growth and development via his many albums for Criss Cross Jazz. While that fruitful partnership ended in 2010 with See the Pyramid, Weiskopf seems to have found a new home with Marc Free's Posi-Tone imprint. With three releases added to his already healthy ...
Ed Cherry: Soul Tree
by C. Andrew Hovan
If there were a reward given for the most consistently underappreciated guitarist with the longest staying power, it would have to go to Ed Cherry. Most known for his fifteen-year stint with Dizzy Gillespie back in the '80s and '90s, Cherry has been constantly active, but criminally undocumented as a leader throughout most of his career. ...
