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Doug Webb: Fast Friends
by Mark Corroto
There is nothing as soul cleansing as bebop. Period. When you couple the music with the sunshine of Los Angeles (OK, when the smog has cleared) there is a medicinal, tonic effect to be had. Enter L.A. session saxophonist Doug Webb, a contributor to film and television, and member of big bands led by Bill Holman, ...
Tom Tallitsch: Wheelhouse
by David A. Orthmann
Tom Tallitsch's Wheelhouse is a recording in which something honest and genuine springs from the soil of a long established, familiar jazz style. Although pinning a hard bop label on the music is fairly accurate, ultimately it amounts to a quick, glib, descriptive fix that may distort or diminish the character of the record. The same ...
Theo Hill: Interstellar Adventures
by Mike Jurkovic
Hot on the heels of his heralded 2017 effort Promethean, the five covers and five originals on his latest Interstellar Adventures serve as rousing calling-cards for Theo Hill as he continues his steady, determined ascent into the contemporary ranks of vital and inspired jazz pianists. With the exciting, percussive talents of bassist Rashaan Carter ...
Lauren Sevian: Bliss
by Paul Rauch
Since joining the Mingus Big Band in 2003, baritone saxophonist Lauren Sevian has been opening eyes in the saxophone world, especially in the exclusive club that includes those dedicated primarily to the bari. Her style more resembles that of modern tenor players such as Donny McCaslin and Mark Turner, while retaining the pure sound and articulation ...
Nick Finzer: No Arrival
by Dan Bilawsky
To say a musician has arrived is to create the ultimate paradox. For in that notion is the suggestion of reaching the upper echelon in the art form, but also an indication of the end of a journey and the start of stagnation. With the true seeker and master musician, there is no arrival; there's merely ...
Josh Lawrence: Contrast
by Thad Aerts
On Contrast, Josh Lawrence and Color Theory's second recording for Posi-Tone, the group executes a classic framework held together with tight chemistry. Lawrence may be the leader, but the gist of the end product is a very democratic arrangement where no one musician or group of musicians takes precedence. Each shine at various times throughout Contrast. ...
David Ake: Humanities
by David A. Orthmann
The group that pianist/composer David Ake assembles for Humanities thrives on change and doesn't care all that much for boundaries, familiar stylistic references, or decorum. Distinctions between written material and improvisation, soloists and accompaniment, are subject to transformation, collapse, consolidation and mutation. Nothing stays on exactly the same course for very long. Featuring Ake, Ralph Alessi's ...
Josh Lawrence & Color Theory: Contrast
by David A. Orthmann
Josh Lawrence & Color Theory's Contrast features a host of varied, sturdy and invigorating compositions by the leader, an ensemble that plays them with élan, a number of arresting soloists, and a rhythm section that rapidly moves between sly and rambunctious. While all of these factors are important, they don't adequately capture the record's essence. Perhaps ...
David Ake: Humanities
by Dan Bilawsky
Pianist David Ake is a tough man to pin down. With Bridges (Posi-Tone, 2013) he took on the form of label outlier and pathfinder, breaking away from Posi-Tone's radio-friendly album format with a series of outward bound excursions; on Lake Effect (Posi-Tone, 2015) he offered a cooler alternative that proved ruminative in many of its pursuits; ...
Roxy Coss: The Future is Female
by Paul Rauch
Saxophonist/composer Roxy Coss migrated east ten years ago from her native Seattle, seeking a life and career in jazz in New York City. That time has seen her develop a strong and focused voice both as a musician and as an advocate and activist for female artists in America's quintessential art form. Coss gained ...
