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Portico Quartet: Memory Streams
by Geno Thackara
If it was possible to directly sublimate lucid dreams into sound, it isn't hard to imagine the results coming out somewhat like this. Music is made to simulate that kind of loose natural flow of thoughts often enough, but it's more rare for it to capture the experience as directly and vividly as Portico Quartet do ...
Fano Jazz by the Sea 2019
by Libero Farnè
Fano Jazz by the Sea 2019 Fano, varie sedi 18-28.7.2019 Il programma della ventisettesima edizione del festival marchigiano ha combinato con grande intelligenza proposte significative del panorama attuale, ha alternato esperienze e generi diversi, riuscendo a sollecitare la curiosità dello specialista come del grosso pubblico. Il clou del festival ha ...
Szun Waves: New Hymn To Freedom
by Gareth Thompson
Pythagoras had this notion that the Sun, Moon and planets all emit their own unique hum. Put simply, as these orbs travel through space they produce certain sound waves. Ever wondered what that might actually sound like? Wonder no more, for this second album from vanguard jazz trio Szun Waves is surely what Pythagoras had in ...
Art in the Age of Automation
Label: Gondwana Records
Released: 2017
Track listing: Endless; Objects to Place in a Tomb; Rushing; Art in the Age of Automation;
S/2000S5; A Luminous Beam; Beyond Dialogue; RGB; Current History; Mercury Eyes;
Lines Glow.
Geno Thackara's Best Releases of 2017
by Geno Thackara
My second year playing in the All About Jazz sandbox has been even more packed with great times and great musical discoveries than the first. I had the pleasure of reviewing plenty of terrific recordings just as strong or highly-rated as those on this list, not to mention some superb live shows, but these were the ...
Portico Quartet: Art in the Age of Automation
by Geno Thackara
It's an inevitable rule that pretty much any piece of automated technology, especially digital technology, gets criticized for replacing something natural. The synthesizer invited a backlash when it was used (and yes, often misused) as a substitute for 'real' instruments--ditto the computerized tones and robotic timekeeping of MIDI and digital programming. Nonetheless, it's just as inevitable ...
Festival International de Jazz de Montréal 2017: July 3-4
by Mark Sullivan
Festival International de Jazz de Montréal Montréal, Canada July 3-4, 2017 July 3-4 | July 5-6 | July 7-8 It is a pleasure to be back in Montreal for what many have called “the best jazz festival in the world" (saxophonist Joshua Redman said so last night on ...
Wingfield Reuter Stavi Sirkis: The Stone House
by John Kelman
At a 2009 ECM @ 40 celebration in Mannheim, Germany that was part of the ongoing Enjoy Jazz Festival, Italian trumpeter Enrico Rava spoke, in a public interview, about how free jazz, back in the day, wasn't really free. There were rules: no time and/or no changes, for example; with memorable melodies not impossible, but not ...
Mammal Hands: Animalia
by Bruce Lindsay
When is a trio with a piano not a piano trio? British outfit Mammal Hands offers one answer to that conundrum with debut album Animalia, released on Gondwana Records, the label run by discerning trumpeter and producer Matthew Halsall. Actually, given the varied nature of the tunes on display--co-written by the band members--it offers eight answers. ...
Jazzahead! 2014
by John Kelman
Jazzahead! 2014 Bremen, Germany April 24-27, 2014 It's hard to imagine, with diminishing music sales, the emergence of streaming services as the musical version of the antichrist for musicians and the increasing challenge of putting rear ends into seats at North American jazz festivals, but as it heads into its ninth year, ...
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