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Article: Play This!

Leléka: Ruzha

Read "Leléka: Ruzha" reviewed by Geno Thackara


While this Berlin-based quartet is half steeped in the modern European jazz world, the other half of their sound comes from namesake Viktoria Leléka's roots in Ukrainian folk. The blend can be classy, dramatic, thoughtful, quietly hopeful... or in the case of this little romp, bright as sunrise. Some jaunty rolling piano hooks the ear and ...

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Article: Play This!

Wayne Shorter Quartet: Aung San Suu Kyi

Read "Wayne Shorter Quartet: Aung San Suu Kyi" reviewed by Ian Patterson


Any day is a good day to listen to Wayne Shorter. “Aung San Suu Kyi," from the 2003 Montreal Jazz Festival, captures Shorter's celebrated quartet of Danilo Perez, Brian Blade and John Patitucci in scintillating form. From its birth in 2000 until Shorter's retirement from the stage in 2018, this line-up took improvised small ensemble playing ...

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Article: Play This!

Shakti: Joy

Read "Shakti: Joy" reviewed by Ian Patterson


Nobody had seen anything quite like it before. Thrilling virtuosity from fusion pioneers Shakti at the 1976 Montreux Jazz Festival. In bringing both Carnatic and Hindustani traditions together with jazz, John McLaughlin, Zakir Hussain, L. Shankar and T.H. “Vikku" Vinayakram broke new musical ground. Shakti marked 50 years in 2023 with This Moment (Abstract Logix), its ...

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Article: Play This!

Ben Wendel High Heart: Drawn Away

Read "Ben Wendel High Heart: Drawn Away" reviewed by Mike Jacobs


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Article: Play This!

Jon Herington: City Of Lights

Read "Jon Herington: City Of Lights" reviewed by Mike Jacobs


"City of Lights" has a bit of lineage. From Jon Herington's Pulse And Cadence (ESC, 2008)--which itself is a reissue/repackage of his Japan-only debut album The Complete Rhyming Dictionary (Glass House, 1993)--the song was originally titled “Paris On Mine" and is a musical retort/homage to the John McLaughlin classic “New York On My Mind" [from Electric ...

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Article: Play This!

Wayne Krantz: One Of Two

Read "Wayne Krantz: One Of Two" reviewed by Mike Jacobs


While the whole of Wayne Krantz's Signals (Enja, 1990) is a bit too impressive a debut to be called prototypical, the origins for what would become the meat of the guitarist's stylistic identity lie in “One Of Two." Along with its companion piece (the cleverly-titled “Two Of Two"), this solo performance is arguably the first recorded ...

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Article: Profile

Sexteto Bernardo Moreira: Entre Paredes

Read "Sexteto Bernardo Moreira: Entre Paredes" reviewed by Pedro Keul


Very few outside the Portuguese-speaking world are familiar with the music of Carlos Paredes. The guitar virtuoso, born in 1925, started learning to play the Portuguese guitar when he was four years old, with his father, Artur Paredes, who was a master of the instrument. But throughout the years he developed a unique style, very different ...

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Article: Play This!

Chris Dahlgren: Cherubs Contemplating Tacky Bass Figurines In Heaven

Read "Chris Dahlgren: Cherubs Contemplating Tacky Bass Figurines In Heaven" reviewed by Mike Jacobs


This sublime track from bassist Chris Dahlgren is really a quasi-classical chamber miniature given the meterless/free treatment by some great jazz-minded musicians. And while the buzz-bassed, noise-meditative mid-section may be enough to throw off a few less-than-committed passengers, it also may be the perfect--if unlikely--foil that turns the whole 9+ minutes into something transcendent. Featuring Tim ...

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Article: Play This!

Chris Potter Underground: The Wheel

Read "Chris Potter Underground: The Wheel" reviewed by Mike Jacobs


Saxophonist Chris Potter has struck gold with many of his lineups but his Underground was indeed a special one, as this 2009 clip shows. With drummer Nate Smith, keyboardist Craig Taborn and guitarist Adam Rogers joining in, “The Wheel" turns and burns so, it may take a minute to notice the absence of a bassist but ...

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Article: Play This!

Luke Sellick and Andrew Renfroe: Wichita Lineman

Read "Luke Sellick and Andrew Renfroe: Wichita Lineman" reviewed by Geno Thackara


While Jimmy Webb's classic is particularly eloquent as crooning tunes go, it makes a pretty and expressive piece of work even without the words. Luke Sellick and Andrew Renfroe fit it to their smooth-flowing down-home style (and vice versa), galloping at a brisk clip yet still keeping sight of the earnest wistfulness underneath. ...


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