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John Escreet: Departure No. 1
by John Chacona
When you first listen to “Departure No. 1," from John Escreet's The epicenter of your dreams (Blue Room Music, 2024), you might well ask, Who wrote that? At once familiar but tantalizingly hard to pin down, the composition sounds like a Bud Powell tune or maybe an undiscovered Herbie Nichols gem, perhaps in an edition by ...
Angela Bofill: Tonight I Give In
by Scott Lichtman
Angela Bofill was a majestic soul/jazz/pop vocalist starting in the '70s and '80s. Slightly older than the more well-known Anita Baker, Bofill recorded stunning ballads that highlighted her impeccably sweet tone and emotional interpretations. “Tonight I Give In" epitomized the “Quiet Storm" genre. Bofill passed away on June 13, 2024, but for her fans, her tracks ...
The Bad Plus: Flim
by Scott Lichtman
The 2001 first album from The Bad Plus was a shot across the bow for redefining the piano trio genre. Covering bands from ABBA to Nirvana and offering original compositions that swung, whispered and pounded, pianist Ethan Iverson, upright bassist Reid Anderson and drummer David King drew new audiences to jazz. The second album, These are ...
Daniel Bennett Group: The Hills of Beijing
by Scott Lichtman
Daniel Bennett has carved out a unique jazz sound, recognized via numerous reviews and awards for the Daniel Bennett Group. Compositions change keys and meter quickly, sometimes from bar-to-bar-to-bar, yet the melody and improvisations follow a smooth, logical path. The arrangements are compact, with instrumentations that can hint at folk or soundtrack music. Bennett's tone across ...
Hill Collective: Tonal Prophecy
by Adam Nolan
Improvisation meets The Wizard of Oz. Sun Ra meets a community choir vibe. Saxophone, trombone, and trumpet shake the ceiling, and the electric bass takes us into some kind of rhumba. Hill Collective from Brighton, UK, has something to tell us. There is a hip vibe to this. Accessibility is visible, as is the accuracy of ...
Başak Yavuz: Promised Lands
by Scott Lichtman
Vocalist and composer Başak Yavuz is intense. The lyrics of “Promised Lands" state that “someone told me to release the animal," which is exactly she and her band do. Drums and electric bass propel a free jazz-like feel with tinges of James Brown, while the guitar and voice open by harmonizing a tight, descending harmony that ...
Angelique Kidjo: Crosseyed and Painless
by Geno Thackara
How to tackle a high-energy classic packed with layers of overlapping rhythms? Perhaps by giving it some unexpected breathing space. Angelique Kidjo's Afro-chant treatment (much like the Talking Heads whole-album cover from which it comes) is just as intense as the source, but interestingly smolders more than burns, in a way rather more moody and bewitching. ...
World Saxophone Quartet: Take The 'A' Train
by Scott Lichtman
The World Saxophone Quartet has always created a buzz... literally. Pioneers in jazz woodwinds, WSO combined instrumental prowess with sophisticated orchestrations and a wide repertoire encompassing jazz standards, free jazz, blues, world rhythms, and politicized songs. The original group from the '70s and '80s featured Julius Hemphill and Oliver Lake on alto and soprano saxophones, David ...
Sun Ra Arkestra Directed By Marshall Allen: Marshall's Groove
by Ian Patterson
To celebrate the great Marshall Allen's 100th birthday, what better way than to immerse oneself in the all-enveloping, swinging, soaring, saxophone-singing, ensemble- roaring wonder that is “Marshall's Groove." After sixty-seven years in the Sun Ra Arkestra, and nearly thirty steering the ship since taking over the leadership role from John Gilmore, this occasion is not just ...
