Results for "piano"

Ethan Mitchel Stern

Born: August 28, 1991

Ethan Stern was born and raised on the sounds of Klezmer, Latin Jazz, and RnB in sunny San Diego starting in 1991. After being introduced to the piano at a very early age, Ethan developed a natural talent for the instrument, growing as a classical and pop music pianist. At the age of 14, he acquired a deep love for jazz after learning from Jimmy Heath and Mulgrew Miller at the Stanford Jazz Workshop. Discovering that the music yielded endless potential for growth, he became very deeply involved in the collection and practice of Jazz. Only through being offered a scholarship through Tulane University did Ethan consider moving to New Orleans

Michal Wierba

Chris Lomheim

Born: August 27, 1964

Chris Lomheim began playing music at age seven, studying organ until his teens where he switched from organ to piano studying with legendary Minneapolis instructor Herb Wigley. In his later teens Chris studied with mentor Brazilian pianist / composer Manfredo Fest. At age seventeen Chris was selected by the Twin Cities Jazz Society as an up and coming artist and was awarded a citation from the National Association of Jazz Educators for exemplary achievements in jazz performance. As part of the selection Chris was interviewed by legendary jazz radio host Leigh Kamman on his radio show "The Jazz Image" on Minnesota Public Radio. In 1991 Chris won the West Bank School of Music composers forum which featured his quartet, playing all original compositions in a live performance at Augsburg College in Minneapolis

Marina Albero

Born: July 9, 1979

Marina Albero was born in Barcelona in 1979 and since her early childhood she has been involved in the world of music. She played traditional and early music with the family band Grallers de Banyoles-Estampida Medieval. At the age of eight she enrolled at the public School of Music where she studied theory and piano. Four years later, she studied jazz drums with César Martínez and jazz piano with Lluís Escuadra at Taller de Música de Banyoles and kept on working with the family project, which took them several times to Japan and the US. Marina studied music theory at the Conservatori Isaac Albéniz (Girona), symphonic percussion at the Conservatorio Municipal de Barcelona and took private piano lessons with C.Julià

Bob Henschen

Born: September 27, 1947

Bob Henschen is one of Houston's finest jazz pianists. He played in the famed University of North Texas One O' Clock Lab Band in the 1960's and toured with the Buddy Rich Big Band in the 1970's.

Returning to Houston, he has backed up some of the best names in jazz, including Dizzy Gillespie, Freddie Hubbard, Joe Williams, Anita O' Day, Billy Harper, Carlos Garnett and Eddie Harris, as well as Houston greats, Arnett Cobb, Don Wilkerson, Jimmy Ford, Tex Allen, Tony Campise, Roseanna Vitro, Horace Grigsby and Mickey Moseley. In 1998, he performed in Switzerland at the Ascona Jazz Festival with vocalist Jewel Brown. He has also appeared at the Corpus Christi Jazz Festival and Trinity Church Jazz Festival, and at the Kemah Boardwalk Jazz Fest, where he was the recipient of the 2009 Kemah Boardwalk Jazz Achievement Award. In 2019 Bob toured Japan with vocalists Emi Takada and Marion Cowings.

Tim Peck

Born: November 13, 1981

Tim Peck is a noted composer and performer hailing from the Quiet Corner of Connecticut. Tim has composed over sixty original works, ranging from solo themes for improvisation to full ensemble scores. He has also created over 400 arrangements. His current project, Rivulets, contains ten new original jazz compositions performed by the Tim Peck Trio. This new album is in production and has an expected release in the fall of 2015. He released Ms. Matched, a collection of original music for jazz piano trio, in 2007. Tim has also been featured as a guest artist on numerous recordings, including Dave Maswick’s The News From Here in 2013, Joel Brown’s Places in 2011, and Planting Seeds with Maria Sangiolo in 2011. Tim is an original founding member of several performance ensembles

Joey Alexander

Born: June 25, 2003

Born on the island of Bali in the city of Denpasar on June 25th, 2003, Joey Alexander first encountered a piano at the age of six, and was immediately able to pick out the melody of Thelonious Monk’s “Well, You Needn’t” and other jazz standards from his father’s record collection by ear. His father, an amateur musician, nurtured Joey’s gift for swing and improvisation by introducing him to classic jazz recordings and taking him to jam sessions with seasoned musicians in Bali and Jakarta. From there, his musical intuition flourished, as did his love of playing jazz. Learning by listening, Joey’s early influences include Duke Ellington, Thelonious Monk, Bill Evans and John Coltrane, and he has a special affinity for trumpet players including Clifford Brown, Lee Morgan, Miles Davis and Wynton Marsalis

Monzell Dunlap

Born: May 26, 1969

"The medium of music offers a beautiful range of storytelling to both the artist and listener through a collaborative spirit. The idea of creating sounds that move minds to travel; to remember; to appreciate and to aspire is what I love the most about what I do. Music is simply the medium… the art belongs to us all as we share our energies and explore our individual gifts to bring music to life." Born in Wadesboro, North Carolina on May 26, 1969 to Alonzo W. Dunlap, Jr. (Gospel recording artist) and Milveta Dunlap (visual artist and educator), Monzell first started playing saxophone at age 11 and from there developed his skills on the drums

Jamie Alexander Smith

Born: May 4, 1981

Jamie started playing classical piano at age 6. Such a rigid musical environment quickly frustrated him and he started experimenting with improvising and composing his own music. He played a concert of his own piano compositions in school aged 11, and found that challenging himself not to rely on someone else to write the music for him was exciting and satisfying. Improvising is a key element of Jamie’s 'musical conception'. Knowing exactly what you’re going to play when you go on stage or hit the recording studio is, for him, uninticing. Nothing can compare with the exhilaration of making music up on the spot. Over the years Jamie has played in a variety of ensembles, from rock bands and jazz and funk ensembles to brass bands and an orchestra or two

Jiyoung Lee