Results for "piano"

Howard Miller

Charles Cornell

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Brad Podray

At the tail end of Winter Cycle, the stark and melancholy 2010 solo piano EP by My Shadow and I "a unique sonic concept developed by multi-talented musician and songwriter Brad Podray"there is a brief burst of sweeping orchestral optimism called “Bliss (End of the Winter Cycle).” This whimsical minute and a half piece is the perfect segue into the latest season of My Shadow and I: the melodic, richly textured, film score lush Summer Cycle, a full length recording released on Podray’s uniquely monikered independent label, Nonexistent Recordings. Podray penned the eclectic ten track collection as a chronicle of the powerful transitions and emotional breakthroughs that come months after the heartbreaking but necessary end of a relationship

Rob Pasternak

Rob Pasternak is a pianist, composer, singer, and lyricist born and raised (for the most part) in Baltimore, MD. Rob started studying classical piano at the age of eight. He then began studying at the renowned Peabody Institute's Preparatory Program at the age of nine, and was composing piano works by the age of thirteen. After a two-year stint in Cincinnati, during which he studied under Brad Caldwell (University of Miami, OH), Rob attended Williams College, from which he graduated in 2011 with a Bachelor's Degree in Philosophy and Music (with highest honors), having learned from and performed with such talented musicians and teachers as Andy Jaffe, Erik Lawrence, Freddie Bryant, Lew Tabackin, Don Braden, and Gary Smulyan, among others

Dino Fiumara

BIO D i n o F i u m a r a J a z z b o y Born and raised in Pittsburgh, PA Dino has been exposed to a rich environment of music, art and theater since he was a child. His Grandmother Susan Fiumara was an accomplished classical pianist, and opera singer studying 12 years at the Conservatory of Naples Italy, teaching all the way into her 80's, this is where Dino began his early piano instruction. Dino's Father was an excellent Jazz Bassist, who was an in demand player in Pittsburgh for over 30 yrs, owner of Fiumara's teaching studios for nearly 40 yrs. and the Manufacture and CEO of BSX BASS

Mamdouh Saif

Gabriele Faja

Born: January 11, 1980

Anglo-Italian pianist currently residing in Cambodia and playing with GTS Jazz Mesh.

Jisun Choi

Born: January 12, 1979

Pianist Jisun Choi came to the states after winning a scholarship from the world scholarship tour at Berklee College of Music in Boston, MA. While at Berklee College of Music, she performed numerous concerts leading her own band in the Boston area. After earning her bachelor’s degree in Professional Music from Berklee College of music in 2005, Jisun came to the University of North Texas to pursue her Master’s degree in the world renowned Jazz Studies program. While attending UNT, receiving a performance scholarship, she worked as a Teaching Fellow teaching Jazz Keyboard Fundamentals I and Jazz Piano Performance Fundamentals I

Juan Galiardo

Born: October 23, 1976

Juan was born in Seville, Spain in 1976. He graduated from Cadiz University in 1998 and from Berklee College of Music in 2004. Juan has worked with Jerry Bergonzi, Joe Magnarelli, Dave Santoro, Dick Oatts, Gregory Hutchinson, Ruben Rogers, Yosvany Terry, Mark Whitfield, Darren Barrett, Freddie Bryant, Donny McCaslin, Mark Ledford, Andrea Michelutti to name a few. He has performed in the USA, Japan, Phillippines, England, Ireland, Wales, France, Portugal and Spain. He organized the "Cádiz International Jazz Workshop" during 4 years.

Gregg Inhofer

Gregg Inhofer is an American singer-songwriter, pianist, and vocalist. His music combines a wide variety of influences, including rock, R'n'B, and jazz. He has played a significant role in the Minneapolis music scene throughout his career and is a member of the Minnesota Rock and Country Music Hall of Fame. Most notably he played keyboards on Bob Dylan’s album “Blood on the Tracks”, which ranked number 16 on Rolling Stone’s list of the 500 greatest albums of all time. “Music for the Upright Walking”, Gregg’s second solo album and his first studio record, traces back to how records used to be made: no click track or electronic synthetics imitating real instruments, with a focus on musicianship and live band energy