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Matt Mitchell: Fiction
by AAJ Staff
Chi abbia avuto modo di verificare, anche dal vivo oltre che su disco, le doti di Matt Mitchell (nel quintetto di Dave Douglas o soprattutto negli Snakeoil di Tim Berne) sa bene con quale intelligenza e originalità il pianista collabori nella costruzione delle architetture musicali in cui è coinvolto. Per questo suo lavoro d'esordio ...
Steve Lehman: Mise en Abîme
by Luca Canini
È successo tutto piuttosto in fretta: da giovane promessa a venerato maestro. Un'ascesa irresistibile quella di Steve Lehman, un'esplosione assordante. Qualche anno e una manciata di dischi sono bastati per farlo entrare nel novero dei grandissimi del jazz che conta (quello che guardando al passato si proietta verso il futuro: il resto è tempo più o ...
Steve Lehman: Mise en Abîme
by Karl Ackermann
Composer/saxophonist Steve Lehman's credentials are as unique as his music. A Fulbright scholar with a PhD in composition, his on the job training has been at the hands of a diverse group of teachers including saxophone legends Jackie McLean and Anthony Braxton. A New York native, Lehman garnered widespread praise with the groundbreaking Travail, Transformation and ...
Marc Ribot Trio: Live at the Village Vanguard
by Troy Collins
Renowned Downtown guitarist Marc Ribot has performed with everyone from famed roots producer T Bone Burnett to avant-garde legend John Zorn. Ribot's own efforts as a bandleader have been equally eclectic, ranging from the freewheeling Latin jazz excursions of Los Cubanos Postizos to the Albert Ayler-inspired no wave assault of Shrek. In 2004 Ribot formed Spiritual ...
Dan Weiss: Fourteen
by Hrayr Attarian
Intrepid drummer Dan Weiss' multi segment Fourteen is not a suite in the classical sense of the word. Although spread out over seven sections the vibrant and fluid composition flows seamlessly throughout the entire album without, distinct traditional movements. “Part 5" for instance takes off with trombonists' Jacob Garchik and Ben Gerstein's baroque refrains ...
Marc Ribot Trio: Live At The Village Vanguard
by Dan Bilawsky
Playing and recording at New York's Village Vanguard is often seen as a sign of ascendancy in the jazz world. For some, the honor is bestowed early on; for others, it comes at a more mature stage; and for a third group, it comes even further down the road. Guitarist Marc Ribot is part of that ...
Marc Ribot Trio: Live At The Village Vanguard
by Mark Corroto
It had been 16,631 days since bassist Henry Grimes had last played music at New York's infamous Village Vanguard. His performance, with saxophonist Albert Ayler, on December 18, 1966 was recorded and released as In Greenwich Village (Impulse!, 1967). Back after 45 years, 6 months, and 12 days, the bassist, now part of guitarist Marc Ribot's ...
Dan Weiss: Fourteen
by Dan Bilawsky
While the ear essentially functions the same way for everybody, all people don't process sound in the same fashion. Experiences shape the way each and every person takes in what they hear. Some tend to focus in on a single sound, others key in on conversational concepts, and then there are those who are big picture ...
Vijay Iyer / Mike ladd: Holding It Down: The Veterans’ Dreams Project
by AAJ Staff
Devo confessare che--pur nel rispetto delle opinione di tutti e ben consapevole che il percorso artistico di Vijay Iyer possa anche non piacere--ho trovato estremamente ingenerosi, talvolta ai limiti della stupidità, molti commenti negativi e invidiosi che si sono susseguiti nei social networks all'indomani della vittoria del pianista della prestigiosa [e soprattutto pecuniariamente corposa] MacArthur Grant. ...
Vijay Iyer: Mutations
by John Kelman
There are times when it's possible to chart an artist's success through his association with record labels. Vijay Iyer--who, over the past 20 years, has built a reputation for genre-defying, forward-reaching music--spent the early part of his career on independent US labels including the highly regarded Pi Recordings, Savoy Jazz and Sunnyside Records. But it was ...
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