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Bebop, Swing, and Bella Musica: Jazz and the Italian American Experience
by Bill Dal Cerro
The following is an excerpt from the “Lennie Tristano: The Passionate Intellectual" chapter of Bebop, Swing, and Bella Musica: Jazz and the Italian American Experience by Bill Dal Cerro and David Anthony Witter (Bella Musica Publishing, 2015). World War II and the atomic bomb changed not only the political landscape, but art, architecture ...
Bill Evans: Sublime Sideman
by Nathan Holaway
We already know what a tremendous voice Bill Evans has had in jazz history, and most of the major jazz pianists that he has influenced. Most jazz aficionados know most of the tunes Evans has composed and most of the tunes that were in his ever-changing repertoire. But, a subject that hardly gets enough attention concerning ...
Paul Chambers: Whims of Chambers – Blue Note 1534
by Marc Davis
At Blue Note Records in the 1950s, bassist Paul Chambers and drummer Philly Joe Jones were about as common as grits at a Southern diner. And about as noticeable, too--not flashy, just solid and reputable. Blue Note never had a “house band," but if it had, Chambers and Jones would have been the hard ...
Red Garland: Swingin’ on the Korner: Live at Keystone Korner
by C. Michael Bailey
Dismissed as a subpar “cocktail pianist" when he joined Miles Davis' first great quintet in 1955 when Davis had returned from chemical exile, William “Red" Garland would go on to define mainstream jazz piano on a series of recordings (as leader and sideman) taped between 1955 and 1962. Readily identifiable was his easy swing, supreme command ...
Joe Lovano: Miles Davis - 'Round About Midnight
by William Ellis
Joe Lovano: Birdland, NYC, 21st September 2014 “Well, I would have to say Miles Davis, 'Round About Midnight (Columbia, 1957). I grew up listening to this recording as a kid and the poetic expression -the ensemble playing between John Coltrane and Miles Davis, Red Garland, Paul Chambers and Philly Joe Jones just captured my ...
Red Garland Trio: Swingin' on the Korner
by Stefano Merighi
Il fiuto di Red Garland, a suo tempo, suggerì a Miles Davis di ingaggiare prima Philly Joe Jones e poi John Coltrane, per formare un simpatico quintetto. Solo per queste intuizioni Garland andrebbe posto su un piedistallo nel mondo del jazz. Ma William Red era anche un gran pianista, realizzatore di una sintesi mirabile tra l'eredità ...
New Red Garland, After All These Years
Red Garland, Swingin’ on the Korner: Live At Keystone Korner (Elemental) A new Red Garland album: a nice surprise from a time just after the pianist released himself from self-imposed isolation. Garland made his name as a member of the seminal 1950s Miles Davis Quintet that also included tenor saxophonist John Coltrane, bassist Paul Chambers and ...
Take Five with Jimmy Bennington
by AAJ Staff
Meet Jimmy Bennington: Jimmy Bennington was born May 22, 1970 in Columbus, OH. Mentored by late Coltrane drummer Elvin Jones, Bennington celebrates 25 years in the music field in 2015. Jimmy has performed and recorded with many artists including David Haney, Perry Robinson, Julian Priester, Steve Cohn, Ed Schuller, Daniel Carter, Ken Filiano, and Fred ...
Miles Davis: Olympia – Mar 20, 1960
by C. Michael Bailey
A Totally Subjective History of Jazz, 1945--1968 I am going to over-simplify the history of small-ensemble jazz between the heyday of bebop and the vestibule of fusion using a single catalyst--Miles Davis. Davis was instrumental in or the genesis of five major movements (not including fusion) in jazz where the hinges of these ...
Lee Morgan Indeed! – Blue Note 1538
by Marc Davis
The first time Lee Morgan entered a recording studio, he was just 18 years old and he was leading his own band. More impressive, that band included soon-to-be-legendary pianist Horace Silver and drummer Philly Joe Jones. This is the CD of that 1956 recording session. While the players were great, the music is merely ...
