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Results for "Philip Glass"
Ballrogg: Insomnia
by John Kelman
Contrasting his role in the remarkable Norwegian trio In the Country--responsible for the critically acclaimed debut This Was the Pace of My Heartbeat (Rune Grammofon, 2005) and even more ambitious Whiteout (Rune Grammofon, 2009)--bassist Roger Arntzen formed Ballrogg in 2006, with saxophonist Klaus Ellerhusen Holm; a more intimate duo that found its own dark nexus of ...
Sam Newsome: Blue Soliloquy
by C. Michael Bailey
The soprano saxophone is one mean mistress; temperamental, demanding, and unforgiving. Few have mastered her, with Sidney Bechet, John Coltrane, and Steve Lacy coming to mind. Saxophonist Sam Newsome,late of the Terence Blanchard Quintet, has stepped up to provide his Das Wohltemperierte Klavier of the instrument in Soliloquy--Solo Works for Soprano Saxophone. Strongly recalling Bobby Watson's ...
Jaga Jazzist: One-Armed Bandit
by John Kelman
After a five-year break from recording, Jaga Jazzist is back. The Norwegian group's Molde Jazz 2009 performance—its first in four years, barring a single 2007 date in Singapore—provided clear evidence that the touchstones defining this sibling-run group remain intact (multi-instrumentalist Lars Horntveth writes all the music; percussionist Martin Horntveth is the onstage spokesperson for the band; ...
Julius Vasylenko: Seeing Stars
by Gordon Marshall
Julius Vasylenko has earthy charisma. Because of his accent, people who come into his purlieu immediately assume an association with elite British improvisers. “Did he hang with Derek Bailey?" they wonder...I could say Vasylenko, a multi-reed and saxophonist now based in Boston, was John Butcher's and Evan Parker's kid brother. However, it ...
Ergo: Multitude, Solitude
by John Kelman
As jazz leans away from characteristics that so defined its earliest days, groups are emerging with unorthodox instrumental combinations, fleshed out by the vast potential of technological soundscaping. Ergo, at its core, seems as unconventional as they get--trombone, keyboards, drums--creating music that wouldn't have been possible before relatively recent innovations in sound processing and sampling/looping. Its ...
House Honors Miles Davis' "Kind of Blue"
WASHINGTON (AP) -- Fifty years after jazz legend Miles Davis recorded Kind of Blue, the House voted Tuesday to honor the landmark album's contribution to the genre. Davis collaborated on the record with saxophonists John Coltrane and Julian “Cannonball" Adderley, pianists Bill Evans and Wynton Kelly, bassist Paul Chambers and drummer Jimmy Cobb. Rep. John Conyers, ...
Daniel Bennett Group: The Legend Of Bear Thompson
by AAJ Staff
Daniel Bennett GroupThe Legend Of Bear ThompsonBennett Alliance2008Acoustic guitar and alto saxophone form a key part of Boston saxophonist Daniel Bennett's musical recipe, and the combination informs the pleasingly melodic The Legend Of Bear Thompson. The lineup is Bennett on alto saxophone and flute, Brant ...
Philip Glass to Perform Film, Opera Works at Hollywood Bowl
The musician made his name in, and shattered the mold of film music scores. By the 1980s, Philip Glass had earned a healthy reputation working in the concert hall, art films and the theater. That didn't mean he slid easily into Hollywood. “When I first started doing Hollywood films," Glass, 72, said by phone from his ...
Live Minimalism From New York: Shoko Nagai/Satoshi Takeishi, Signal, Rhys Chatham, Terry Riley & Glenn Branca
by Martin Longley
Shoko Nagai & Satoshi TakeishiThe StoneApril 21, 2009 These Japanese New Yorkers are giving the second performance of Abysm (there was a gig at Roulette in February), an ambitiously intense sequence that revolves around “a tale of a floating world (Ukiyo)," which appears to be the duo's own private land of sonic fantasy. ...
