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Orchestre National de Jazz: Shut Up And Dance
by Jeff Dayton-Johnson
Orchestre National de JazzShut Up And DanceBee Jazz2010 Daniel Yvinec's first foray as artistic director of France's National Jazz Orchestra, a tribute to English rock oddball Robert Wyatt (Around Robert Wyatt, Bee Jazz, 2009) drew well-deserved critical praise. To some, however, it sounded more like a pop ...
Joan Jeanrenaud & PC Munoz: Pop-Pop
by Glenn Astarita
The Kronos Quartet integrated chamber environs with free-jazz, minimalist composers like Philip Glass, Steve Reich, and other groundbreaking artists or genres that traversed the roads less travelled. Cellist Joan Jeanrenaud was a vital player during the unit's 1978-1999 run, leaving behind a treasure trove of important work as the band became proprietor of a cutting edge ...
Mike Pride’s From Bacteria to Boys: Betweenwhile
by Mark Corroto
Certainly, any attempt to pigeonhole this drummer is a lesson in failure; priding himself in his diverse interests, whether recording a duet album of free improvisation with Jon Irabagon, on I Don”t Hear Nothin' But The Blues (Loyal Label, 2009), or playing with punk band Millions Of Dead Cops, Mike Pride he has also distinguished himself ...
Mick Rossi: Songs From The Broken Land
by Budd Kopman
Pianist Mick Rossi is an exemplar of the cross-fertilization between jazz and classical music worlds. While closely collaborating with Philip Glass for the last ten years, he is also very active in the downtown New York City jazz scene. Songs From The Broken Land is a much reworked, official release version of a ...
From Tuva to America, Huun Huur Tu Calls to Their Ancestors
The whistling of the high-mountain wind creates eerie overtones and postmodern statement. The repeated thrum of a string against wood and hide turns into a meditative, evocative figure straight from the avant-garde. The descendents of isolated Siberian herdsmen make serious, strangely universal music out of some of the planet's quirkiest acoustics. The Tuvan acoustic quartet Huun ...
Javid Afsari Rad: Afarinesh
by John Kelman
Every festival has its sleeper hit, the show that leaves attendees talking long after it's over, and those who missed it wishing they hadn't. Iranian expat Javid Afsari Rad's Molde 2010 performance was, with perhaps 75 people crammed into the small wooden chapel of the Romsdal Museum, one of the festival's most unexpected gems--a gentle but ...
Jaga Jazzist: Bananfluer Overalt
by John Kelman
At a time when the amount of new music being released each and every month is at an all-time high, it's hard enough for artists to get their music heard, let alone maintain momentum between releases. For many, gigging is the only way to ensure their names remain on the radar, but for bands like Jaga ...
Jacám Manricks: Trigonometry
by Dan Bilawsky
This album, like the branch of math where it gets its names, deals with angles and relationships from different sides. Saxophonist/composer Jacám Manricks enjoys creating some rhythmic friction--using different combinations of instruments and musicians within his group--while also treating each piece like a fresh canvas, ready to be turned into high art. His pleasing and pure-toned ...
Ballrogg: Insomnia
by John Kelman
Contrasting his role in the remarkable Norwegian trio In the Country--responsible for the critically acclaimed debut This Was the Pace of My Heartbeat (Rune Grammofon, 2005) and even more ambitious Whiteout (Rune Grammofon, 2009)--bassist Roger Arntzen formed Ballrogg in 2006, with saxophonist Klaus Ellerhusen Holm; a more intimate duo that found its own dark nexus of ...
Sam Newsome: Blue Soliloquy
by C. Michael Bailey
The soprano saxophone is one mean mistress; temperamental, demanding, and unforgiving. Few have mastered her, with Sidney Bechet, John Coltrane, and Steve Lacy coming to mind. Saxophonist Sam Newsome,late of the Terence Blanchard Quintet, has stepped up to provide his Das Wohltemperierte Klavier of the instrument in Soliloquy--Solo Works for Soprano Saxophone. Strongly recalling Bobby Watson's ...
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