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Results for "Philip Glass"
Javid Afsari Rad: Afarinesh
by John Kelman
Every festival has its sleeper hit, the show that leaves attendees talking long after it's over, and those who missed it wishing they hadn't. Iranian expat Javid Afsari Rad's Molde 2010 performance was, with perhaps 75 people crammed into the small wooden chapel of the Romsdal Museum, one of the festival's most unexpected gems--a gentle but ...
Jaga Jazzist: Bananfluer Overalt
by John Kelman
At a time when the amount of new music being released each and every month is at an all-time high, it's hard enough for artists to get their music heard, let alone maintain momentum between releases. For many, gigging is the only way to ensure their names remain on the radar, but for bands like Jaga ...
Jacám Manricks: Trigonometry
by Dan Bilawsky
This album, like the branch of math where it gets its names, deals with angles and relationships from different sides. Saxophonist/composer Jacám Manricks enjoys creating some rhythmic friction--using different combinations of instruments and musicians within his group--while also treating each piece like a fresh canvas, ready to be turned into high art. His pleasing and pure-toned ...
Ballrogg: Insomnia
by John Kelman
Contrasting his role in the remarkable Norwegian trio In the Country--responsible for the critically acclaimed debut This Was the Pace of My Heartbeat (Rune Grammofon, 2005) and even more ambitious Whiteout (Rune Grammofon, 2009)--bassist Roger Arntzen formed Ballrogg in 2006, with saxophonist Klaus Ellerhusen Holm; a more intimate duo that found its own dark nexus of ...
Sam Newsome: Blue Soliloquy
by C. Michael Bailey
The soprano saxophone is one mean mistress; temperamental, demanding, and unforgiving. Few have mastered her, with Sidney Bechet, John Coltrane, and Steve Lacy coming to mind. Saxophonist Sam Newsome,late of the Terence Blanchard Quintet, has stepped up to provide his Das Wohltemperierte Klavier of the instrument in Soliloquy--Solo Works for Soprano Saxophone. Strongly recalling Bobby Watson's ...
Jaga Jazzist: One-Armed Bandit
by John Kelman
After a five-year break from recording, Jaga Jazzist is back. The Norwegian group's Molde Jazz 2009 performance—its first in four years, barring a single 2007 date in Singapore—provided clear evidence that the touchstones defining this sibling-run group remain intact (multi-instrumentalist Lars Horntveth writes all the music; percussionist Martin Horntveth is the onstage spokesperson for the band; ...
Julius Vasylenko: Seeing Stars
by Gordon Marshall
Julius Vasylenko has earthy charisma. Because of his accent, people who come into his purlieu immediately assume an association with elite British improvisers. “Did he hang with Derek Bailey?" they wonder...I could say Vasylenko, a multi-reed and saxophonist now based in Boston, was John Butcher's and Evan Parker's kid brother. However, it ...
Ergo: Multitude, Solitude
by John Kelman
As jazz leans away from characteristics that so defined its earliest days, groups are emerging with unorthodox instrumental combinations, fleshed out by the vast potential of technological soundscaping. Ergo, at its core, seems as unconventional as they get--trombone, keyboards, drums--creating music that wouldn't have been possible before relatively recent innovations in sound processing and sampling/looping. Its ...
House Honors Miles Davis' "Kind of Blue"
WASHINGTON (AP) -- Fifty years after jazz legend Miles Davis recorded Kind of Blue, the House voted Tuesday to honor the landmark album's contribution to the genre. Davis collaborated on the record with saxophonists John Coltrane and Julian “Cannonball" Adderley, pianists Bill Evans and Wynton Kelly, bassist Paul Chambers and drummer Jimmy Cobb. Rep. John Conyers, ...
