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Hal Galper Trio: Invitation To Openness
by Dan McClenaghan
Pianist Hall Galper turned away from the life of touring in 2000, and eased into “the shed," to work on some innovative ideas that would change the shape of the piano trio. Rubato is where he went--a style of playing that stretches time, making it flexible, unpredictable and free. It takes special trio mates to assist ...
Bill Charlap: Intellect And Emotion
by R.J. DeLuke
"I don't ever remember a time when I didn't play the piano," reflects pianist Bill Charlap, who has become one of the giants of his generation on his instrument of choice, as evidenced by the array of other great players with whom he has performed. With his deft and agile approach he can summon a fiery ...
Bill Goodwin: Not Less Than Everything
by Victor L. Schermer
Bill Goodwin is like a breath of fresh air blowing through jazz. From the time around 1954 when he was in Los Angeles and just learning the drums, and inspired by Shelly Manne, to today, around his 80th birthday, he has loved jazz and the musicians unconditionally. He has befriended and worked with so many of ...
2021: The Year in Jazz
by Ken Franckling
The jazz world continued grappling and adjusting in year two of the COVID-19 pandemic. International Jazz Day again went virtual for the most part. Singer Tony Bennett put the final stamp on his touring--and likely recording--career after his Alzheimer's disclosure. Trumpeter Irvin Mayfield was headed to federal prison. The National Endowment for the Arts welcomed four ...
Amos Gillespie: Unstructured Time for Jazz Septet
by Jack Bowers
Chicago-based composer/educator/alto saxophonist Amos Gillespie's CD, Unstructured Time, employs a variety of time signatures but is anything but unstructured--in fact, the opposite may reasonably be opined, as taut structure is clearly front and center on the album's four instrumental and five vocal numbers. In other words, “unstructured" in Gillespie's lexicon bears absolutely no resemblance to “free" ...
Barry Harris: Iconic Jazz Pianist and Keeper of the Flame
by Victor L. Schermer
In memory of Barry Harris. This article was first published at All About Jazz on October 29, 2015. At the ripe age of 85, pianist Barry Harris has been on the jazz scene for seventy years, and throughout that time, he has remained loyal to and consistent with his bebop roots. Even though his ...
Brian Lynch: Songbook Vol. 1: Bus Stop Serenade
by Angelo Leonardi
Con Bus Stop Serenade Brian Lynch inaugura una serie di album che raccolgono il suo intero songbook, scritto in quarant'anni di carriera e disseminato in numerose incisioni. Da alcuni anni il trombettista ha varato una propria etichetta (la Hollistic MusicWorks) e iniziato a reinterpretare le sue vecchie composizioni: “Ho sentito che avrebbero beneficiato di un po' ...
When Jazz Pops, Part 2
by Ludovico Granvassu
Ornette Coleman playing for Lou Reed? Or the Sun Ra Arkestra together with Steven Bernstein's Sexmob Orchestra backing U2 courtesy of Hal Willner? And Kenny Wheeler collaborating with both David Sylvian and Joni Mitchell? This and many more fascinating collaborations between jazz masters and pop and rock musicians in this playlist.Happy listening!Playlist ...
Gulda: Classic Bad Boy
by Alan Bryson
It's a good bet that most of us have heard people say they don't like jazz, or even worse, drop the H-bomb, “I hate jazz." If you choose to engage, the key is to tread lightly and tailor an approach that considers the tastes and sensibilities of the other person. The “So You Don't Like Jazz" ...
Adam Nolan Trio: Prim and Primal
by Jim Worsley
Prim and Primal is a cool name for a record. It does, however, take some balls to put out a record with such a title. It leaves listeners with deep expectations. To paraphrase the old saying, though, “It's okay to talk the talk if you can walk the walk." Alto saxophonist Adam Nolan has a pair ...
