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Collegiate Jazz at Dizzy's Club Coca-Cola
by Nick Catalano
For the better part of a decade I've escorted my jazz class at Pace University on trips to Dizzy's to see the Manhattan School of Music Concert Jazz Band perform. The series was forged by veteran jazz academic Justin DiCioccio whose leadership and programming has prompted a rarely noticed success of Collegiate jazz bands across the ...
Arthur Blythe, 1940-2017: A Remembrance
by Todd S. Jenkins
The emotive power of Arthur Blythe's bracing alto saxophone tone and flighty phrasing set him apart from many of his generation. A poet, a muezzin, an angry activist, a lamenting lover: Blythe conjured a broad array of sonic images through his nonpareil approach to music. The beloved altoist, who had battled Parkinson's disease for the past ...
The MUH Trio: The MUH Trio – Prague After Dark
by Karl Ackermann
Dating back to the 1980s, Italian jazz pianist Roberto Magris had been working with jazz luminaries such as Kai Winding and Eddie Lockjaw Davis while also performing extensively with Eastern and Central European artists. Late in that decade he recorded three albums with his quartet/quintet formation on they performed across that same region. In the 1990s ...
Greg Abate with the Tim Ray Trio: Road to Forever
by Jack Bowers
Greg Abate's name isn't often broached when debating the merits of contemporary jazz saxophonists. It should be. While perhaps best known for his work on alto, the Rhode Island-based swinger proves on Road to Forever, recorded with his regular working trio, not only that his talents on soprano, tenor sax and flute are exemplary, but that ...
Jay Thomas / Gary Smulyan: Lowdown Hoedown
by Paul Rauch
Sometimes the most joyous and satisfying things in life occur in the light of pure happenstance. Such was the case when New York based baritone saxophone master Gary Smulyan ventured west in the 90's to perform and teach at the Jazz Port Townsend Festival in Washington state, in those days directed by veteran saxman, Bud Shank. ...
Nat Hentoff: The Never-Ending Ball
by Ian Patterson
This interview was first published at All About Jazz on June 23, 2010. Nat Hentoff was eleven years old when, walking down the road one day in Boston, he heard music so exciting that he shouted with pleasure and ran into the shop to learn that the music was of clarinetist Artie Shaw. In ...
Take Five with Adam Schneit
by AAJ Staff
Meet Adam Schneit: Saxophonist, clarinetist, and composer Adam Schneit grew up in Portland, Maine, and has made Brooklyn his home since 2006. He earned a Master's degree in Jazz Performance from the New England Conservatory of Music, where he studied with esteemed artists including Steve Lacy and Bob Brookmeyer. Since moving to New York, ...
The World's First International Online Contest by 7 Virtual Jazz Club
by Hrayr Attarian
On December 19th 2016, the first international online jazz contest ended with the announcement of the three winners. Organized by Valerio Pappi the artistic director of “7 Virtual Jazz Club" the inaugural edition of this innovative competition was dedicated to cornetist Nick La Rocca. Born of Sicilian parents in New Orleans, La Rocca, despite the controversies ...
Jack Wilkins: Playing What He's Preaching
by Rob Rosenblum
Some time in 1975 a box of records from the Mainstream label was dropped by my front door. I picked it up and began to open it with a mix of excitement and dread of having to face writing more record reviews. I saw an LP titled Windows with an unfamiliar cast of characters and put ...
Tim Ray Trio: Windows
by Dan McClenaghan
The Tim Ray Trio supplied the spirited accompaniment on Kindred Spirits (Whaling City Sound, 2016), behind saxophonists Greg Abate and the legendary Phil Woods. But they got the chance to step out--sax men taking a break--with a peppery take on Kurt Weill's classic “Speak Low," which serves as a preview of sorts for the Tim Ray ...
