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Article: Radio & Podcasts

Camilla Battaglia, Mark de Clive-Lowe, Ben Wendel, Brad Allen Williams & More

Read "Camilla Battaglia, Mark de Clive-Lowe, Ben Wendel, Brad Allen Williams & More" reviewed by Ludovico Granvassu


Los Angeles and New York are the two poles of this playlist documenting the vibrancy of these two scenes, and their cross-pollination, including through a sample from the iconic Wattstax Benefit Concert, a dive into new releases by Colorfield Records, a jazz look at the Erykah Badu's and Kendrick Lamar's songbook, and the reimagining of Pharoah ...

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Article: Album Review

Mark de Clive-Lowe, Melanie Charles, Shigeto: Hotel San Claudio

Read "Hotel San Claudio" reviewed by Chris May


Lovers of Pharoah Sanders' fundamentally acoustic spiritual-jazz may experience something of a road-to-Damascus moment listening to Hotel San Claudio: the realisation that high-tech, digital-era excursions can, in the right hands, bring more than just novelty to the music. Almost half of Hotel San Claudio--a collaboration between keyboardist Mark de Clive-Lowe, vocalist and flautist ...

12

Article: Album Review

Kahil El'Zabar's Ethnic Heritage Ensemble: Spirit Gatherer

Read "Spirit Gatherer" reviewed by Chris May


Anyone who was chair of the Association for the Advancement of Creative Musicians for a decade knows a thing or two about keeping a group of independently minded artists focused on a common goal. Drummer and percussionist Kahil El'Zabar continues to demonstrate that with his Ethnic Heritage Ensemble, an acoustic, improvising trio with an African foundation ...

2

Article: Liner Notes

Hanna Paulsberg Concept: Daughter Of The Sun

Read "Hanna Paulsberg Concept: Daughter Of The Sun" reviewed by Chris May


Ever since Jan Garbarek put Norwegian jazz on the map in the late 1980s, and even more so after the international success of his singularly ascetic Officium (ECM) in 1994, the music has acquired a reputation for being, if not entirely lacking in passion, then at least emotionally detached. Since the millennium, with the emergence of ...

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Article: Album Review

Ivo Perelman / Ray Anderson / Joe Morris / Reggie Nicholson: Molten Gold

Read "Molten Gold" reviewed by Chris May


Lovingly described by one critic as “a leather-lunged monster," reviews of saxophonist Ivo Perelman's albums typically attract words such as honking, squawking, squealing and apocalyptic. Perelman is not interested in the current vogue for creating safe spaces. He is not the sort of free-improv player one would, in the normal course of things, recommend to AAJers ...

3

Article: Take Five With...

Take Five with Guitarist Grant Gordy

Read "Take Five with Guitarist Grant Gordy" reviewed by AAJ Staff


Meet Grant Gordy For many guitarists, landing a gig with bluegrass mandolinist David Grisman's groundbreaking bluegrass/jazz quintet would be the culmination of a career in music. But for Grant Gordy, it was more of a beginning, an apprenticeship in combining bluegrass and jazz that served as a launchpad for his own music. How far he has ...

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Article: Album Review

JuJu: Message From Mozambique

Read "Message From Mozambique" reviewed by Chris May


There are many historic albums among the fifty or so titles released by the Strata-East label in the 1970s. But few have acquired the quasi-mythological stature of 1973's politically charged spiritual-jazz masterpiece Message From Mozambique by Bay Area tenor saxophonist Plunk Nkabinde and his band JuJu. The only disc to come close is Gil Scott-Heron and ...

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Article: Book Excerpts

A Life In Music

Read "A Life In Music" reviewed by Wulf Muller


The following is an excerpt from the Chapter “1996," from Wulf Müllers illustrated chronicle A Life In Music (Amazon Direct Publishing, 2022) Dee Dee Bridgewater performed three sold out nights at the glamorous and legendary Paris venue L'Olympia, with new signing to Verve France, singer Jeffery Smith, opening for her. Dee Dee's show ...

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Article: Album Review

Pharoah Sanders Quartet: Live At Fabrik

Read "Live At Fabrik" reviewed by Chris May


One reason Pharoah Sanders was such a special artist was the prismatic nature of his music. When Sanders lit on to a new avenue of investigation, he did not in the process reject what he had been doing up until that moment. Instead, he wove the new perspective into the existing structure, enriching rather than replacing ...

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Article: Album Review

Dwight Trible: Ancient Future

Read "Ancient Future" reviewed by Chris May


This adventurous album takes spiritual jazz's premier vocalist out of his comfort zone and into the deep blue yonder. It is a work of extremes, beginning with a storm of avant-rock, funk and electronics and ending by spinning off into abstract space accompanied by a virtual headful of Stanley Owsley's finest. In short, Ancient Future will ...


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