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Results for "Pharoah Sanders"
Natural Information Society: Since Time is Gravity
by Danen Jobe
The concept of trance is one of the oldest in the world. Many older music forms embraced trance for their rituals. One is the Gnawa musical tradition originating in Kano, Nigeria and Morocco, which uses double and triple notes repeated sometimes for hours to induce a religious state while the singer sings stories of spirits. It ...
Lonnie Liston Smith: Jazz Is Dead 17
by Chris May
Having kicked off 2023 with one of the strongest albums in its catalogue--Phil Ranelin and Wendell Harrison's Jazz Is Dead 16--Ali Shaheed Muhammad and Adrian Younge's label continues on a roll. Jazz Is Dead 17 finds the two producers in their funked-up comfort zone and relishing it. Strange but true, Jazz Is Dead ...
Mammal Hands: Gift from the Trees
by Neil Duggan
At first glance, Mammal Hands may seem a traditional jazz trio, but their perspectives on the jazz landscape offer enticing and engrossing new directions. Gift from the Trees is their fifth album and shows a new maturity in sound and feel. It draws on influences from folk, electronica, modern classical and ambient to produce a fresh ...
Billy Valentine: Billy Valentine And The Universal Truth
by Angelo Leonardi
Dopo quarant'anni d'assenza dal mercato, l'etichetta Flying Dutchman torna con una produzione intensa e avvincente, che ci riporta ai suoi anni migliori. Protagonista è Billy Valentine, soul singer degli anni settanta tornato alla ribalta cinque anni fa (col sorprendente quanto ignorato Brit Eyed Soul) e qui accompagnato da formazioni che includono Jeff Parker, ...
Kahil El'Zabar: Quiet Shaman of Spiritual Jazz
by Chris May
Percussionist, kit drummer and composer Kahil El'Zabar founded the Ethnic Heritage Ensemble back in 1977. The group's sixteenth album, the gritty, groovecentric and exquisitely lyrical Spirit Gatherer: Tribute To Don Cherry (Spiritmusic), will be released on April 21, 2023. The Ethnic Heritage Ensemble has seen relatively few personnel changes during its long history. ...
Camilla Battaglia, Mark de Clive-Lowe, Ben Wendel, Brad Allen Williams & More
by Ludovico Granvassu
Los Angeles and New York are the two poles of this playlist documenting the vibrancy of these two scenes, and their cross-pollination, including through a sample from the iconic Wattstax Benefit Concert, a dive into new releases by Colorfield Records, a jazz look at the Erykah Badu's and Kendrick Lamar's songbook, and the reimagining of Pharoah ...
Mark de Clive-Lowe, Melanie Charles, Shigeto: Hotel San Claudio
by Chris May
Lovers of Pharoah Sanders' fundamentally acoustic spiritual-jazz may experience something of a road-to-Damascus moment listening to Hotel San Claudio: the realisation that high-tech, digital-era excursions can, in the right hands, bring more than just novelty to the music. Almost half of Hotel San Claudio--a collaboration between keyboardist Mark de Clive-Lowe, vocalist and flautist ...
Kahil El'Zabar's Ethnic Heritage Ensemble: Spirit Gatherer
by Chris May
Anyone who was chair of the Association for the Advancement of Creative Musicians for a decade knows a thing or two about keeping a group of independently minded artists focused on a common goal. Drummer and percussionist Kahil El'Zabar continues to demonstrate that with his Ethnic Heritage Ensemble, an acoustic, improvising trio with an African foundation ...
Hanna Paulsberg Concept: Daughter Of The Sun
by Chris May
Ever since Jan Garbarek put Norwegian jazz on the map in the late 1980s, and even more so after the international success of his singularly ascetic Officium (ECM) in 1994, the music has acquired a reputation for being, if not entirely lacking in passion, then at least emotionally detached. Since the millennium, with the emergence of ...
Ivo Perelman / Ray Anderson / Joe Morris / Reggie Nicholson: Molten Gold
by Chris May
Lovingly described by one critic as “a leather-lunged monster," reviews of saxophonist Ivo Perelman's albums typically attract words such as honking, squawking, squealing and apocalyptic. Perelman is not interested in the current vogue for creating safe spaces. He is not the sort of free-improv player one would, in the normal course of things, recommend to AAJers ...
