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1

Article: Liner Notes

David Hazeltine: Blues Quarters, Vol.2

Read "David Hazeltine: Blues Quarters, Vol.2" reviewed by C. Andrew Hovan

by C. Andrew Hovan

A lot of water has passed under the proverbial bridge since the last time that David Hazeltine got together with Eric Alexander for the initial 1998 session billed as Blues Quarters Vol.1 (Criss 1188). As strong a showing as the pianist and his cohorts made on that initial release, I think all would agree this latest ...

11

Article: Multiple Reviews

Kurt Rosenwinkel & Bill Charlap: Higher Standards

Read "Kurt Rosenwinkel & Bill Charlap: Higher Standards" reviewed by Chris May

by Chris May

On March 23, 2023, in the run up to Record Store Day, Elemental Records released on vinyl two Criss Cross albums from 1998 which have previously been available only as CDs. Guitarist Kurt Rosenwinkel's 2-LP Intuit and pianist Bill Charlap's All Through The Night come in sturdy gatefold sleeves and are pressed on 180-gram audiophile vinyl. ...

32

Article: Album Review

Jim Snidero: Far Far Away

Read "Far Far Away" reviewed by Jack Bowers

by Jack Bowers

There are many reasons for recording a jazz album, from “let's get together and create something fresh and exciting" to “well, it's about time we recorded another album." With all due respect, alto saxophonist Jim Snidero's latest recording, Far Far Away, seems to lean more toward the latter. That is not to suggest that it is ...

8

Article: Liner Notes

Mike DiRubbo: Human Spirit

Read "Mike DiRubbo: Human Spirit" reviewed by C. Andrew Hovan

by C. Andrew Hovan

In an era that seems to more fully embrace the idea of the 'tough young tenor,' alto saxophonist Mike DiRubbo puts forth a singular voice that stands apart from the crowd. With exceptions such as Kenny Garrett, Steve Wilson, and Vincent Herring, DiRubbo is one of the few musicians of this generation to choose the alto ...

6

Article: Liner Notes

Steve Davis: Systems Blue

Read "Steve Davis: Systems Blue" reviewed by C. Andrew Hovan

by C. Andrew Hovan

From Kid Ory to Roswell Rudd, the role of the trombone has changed dramatically over the brief span of jazz history, as we know it. Whether it be keeping a beat via the style of “tailgating," exploring a multitude of textural possibilities through the challenges of the avant-garde, or working somewhere in that middle ground that ...

2

Article: Album Review

Mike LeDonne: The Heavy Hitters

Read "The Heavy Hitters" reviewed by Mike Jurkovic

by Mike Jurkovic

Homing in on the electric, ancestral vibe of Rudy Van Gelder's house of musical myth and magic in Englewood Cliffs, New Jersey, the Heavy Hitters, spearheaded by journeyman pianist Mike LeDonne and well-traveled saxophonist, Eric Alexander, approach this eponymous debut with a ballsy, brassy, big sounding blueprint which carries through the entire recording. In ...

5

Article: Album Review

Mike LeDonne: The Heavy Hitters

Read "The Heavy Hitters" reviewed by Pierre Giroux

by Pierre Giroux

There was a period back in the middle years of the 20th Century and beyond when All-Star Groups were quite common, including the Buck Clayton All-Stars, Howard Rumsey's Lighthouse All-Stars, and Gene Harris and the Phillip Morris Superband among several other similar aggregations. In today's musical environment, this kind of coming together of high profile musicians ...

9

Article: Liner Notes

Jim Snidero: Far Far Away

Read "Jim Snidero: Far Far Away" reviewed by Dan Bilawsky

by Dan Bilawsky

Far Far Away brings us ever so close to the genius of Jim Snidero. An incandescent affair built upon the pillars of new partnership and continuing collaboration, it showcases a marked consistency in craftsmanship and inventiveness that leaves no doubt as to this artist's place in the jazz firmament. Of course, seasoned listeners need no reminders ...

6

Article: Album Review

The Heavy Hitters: Heavy Hitters

Read "Heavy Hitters" reviewed by Troy Dostert

by Troy Dostert

The self-titled debut from the Heavy Hitters, pianist Mike LeDonne's latest sextet, has the feel of a tribute album. However, unlike most recordings of that nature, there is no classic repertoire present, as all nine tracks are penned either by LeDonne or his colleague, tenor saxophonist Eric Alexander. Instead, it is a tribute to a sound ...

42

Article: Album Review

Jesse Davis: Live at Smalls Jazz Club

Read "Live at Smalls Jazz Club" reviewed by Jack Bowers

by Jack Bowers

Alto saxophone master Sonny Stitt always chafed when he was called “little Bird," a reference to the greatest alto of them all, Charlie Parker. “I'm not a little Bird," he would say, “I'm me; Sonny Stitt." In similar fashion, Jesse Davis would probably shrug off any comparison to another of the instrument's esteemed patriarchs, the late ...


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