Results for "Peter Rubie"

Peter Rubie

“Guitarist Peter Rubie . . . a fine player, [lays] down subtle lines in his solos and clear comping,” JazzWise Magazine Guitarist Peter Rubie has been on the jazz scene in Europe and the U.S., since the mid-1970s. He was the leader of the house band at the original 606 Club (www.606Club.com) in London, before moving to the U.S., in 1981. He has studied and played with Warne Marsh, George Coleman, Peter Ind, Peter Bernstein and Larry Koonse. “You [sound] excellent,” Peter Bernstein Among the many notable jazz musicians he’s played with are John Stowell, Kenny Wessell, Mike LeDonne, Eric Alexander, John Raymond, Jay Leonhart, Mike Clark, Jack Wilkins, Junior Cook, Paul Meyers, Martin Taylor, Claude “Fiddler” Williams, Bobby Wellins, Slide Hampton, Dave Binney, Dave Cliff, and Emily Remler

My Early Years With Bill Evans, Part 3

By CHUCK ISRAELS

Bassist and composer, Chuck Israels was raised in a musical family. Paul Robeson, Pete Seeger and The Weavers were visitors to his home and the appearance of Louis Armstrong's All Stars in a concert series produced by his parents in 1948 gave Chuck his first opportunity to meet and hear jazz musicians. Chuck studied the cello ...

My Early Years with Bill Evans, Part 2

By CHUCK ISRAELS

Bassist and composer Chuck Israels was raised in a musical family. He studied the cello and played guitar in junior high school. Later musical training took place at Indian Hill, a summer workshop in the arts directed by his parents, and at the High School of Performing Arts in New York City. A year at Massachusetts ...

My Early Years With Bill Evans, Part 1

By CHUCK ISRAELS

Bassist and composer, Chuck Israels was raised in a musical family. Paul Robeson, Pete Seeger and The Weavers were visitors to his home and the appearance of Louis Armstrong's All Stars in a concert series produced by his parents in 1948 gave Chuck his first opportunity to meet and hear jazz musicians. Chuck studied the cello ...

Making Friends with a Giant: How I first met Michael Brecker

By BOB REYNOLDS

Bob Reynolds is one of those great tenor saxophone players and teachers you should know but perhaps don't. He's in that class of great musicians like drummer Anwar Marshall, tenor player Tivon Pennicott, and Scottish guitarist Kevin Mackenzie who work steadily, gigging and releasing an increasingly excellent body of work you should definitely check out if ...

How to Play a Tin Whistle Like Michael Brecker

By PETER RUBIE

I was talking to a musician friend of mine the other day, asking her how her move from Brooklyn to Forrest Hills was going. She said, “I love it! I love the neighborhood and best of all, musically, I'm not running any more jam sessions at the moment, just doing gigs—and practicing! It's great."

Scenes From a Life in Jazz, Part 2: Life on the Road

By DUNCAN LAMONT

Part 1 | Part 2 Duncan Lamont was one of the UK's musical treasures. He passed away unexpectedly, a couple of days before his upcoming 88th birthday on July 4th, 2019, having done a gig at the 606 Club in London the night before. I'd known and admired who he was for years and ...

Scenes From The Life Of A Young Jazz Musician

By JACK WILKINS

Foreword Jack Wilkins is an iconic jazz guitarists of the 1970s who is still playing his ass off today, after a career leading and accompanying a host of groups with musicians such as Stan Getz, Buddy Rich, Dizzy Gillespie, Lionel Hampton, Jimmy McGriff, Zoot Sims, Sonny Stitt, Eddie Gomez, Jack DeJohnette, Phil Woods, and the Brecker ...

To Dream the Impossible Dream: the quest for a music education

By PETER RUBIE

I've been thinking a lot about how jazz is taught recently. I realize now, my search for a real musical education was not a simple thing, but a series of life changing moments. My son, on the other hand, is planning to study music in college after he finishes high school. Though it would fill his ...

A Professional Jazz Musician? Really? What's That?

By PETER RUBIE

I've been around as a musician long enough to understand when a promoter or booker ghosts me. “Yeah, sure, send me an email," they say in that sincere way that sounds like someone saying, “Of course I love you" just to shut you up. It comes with the territory, and a musician has to be Zen ...