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Results for "Peter Brotzmann"
Br: Berlin Djungle
by Jerry D'Souza
Peter Brötzmann has that unique gift of getting together musicians who are compatriots in his mission to forge unusual permutations and sounds and continuously revitalise free music. His is an ongoing adventure that gets him to explore unusual avenues and, even where it seems that the path has been trodden in the past, he leaves behind ...
Frode Gjerstad and Peter Br: Soria Boria
by Rex Butters
European wind wonders and frequent collaborators Frode Gjerstad and Peter Brötzmann bring their glacier-melting intensity to this intimate collection of clarinet duos. These two know their instruments and each other so well that they stick like shadows. Although usually associated with an A-bomb approach to playing, Brötzmann often indulges a rich melodicism on these tracks. The ...
Br: Medicina
by AAJ Staff
Peter Brötzmann delivers strong medicine. It took me a while to properly appreciate that after having been Machine Gun ned nearly to death back in the day by the German reed player's 1968 octet recording on FMP, an experience I earnestly recommend to newbies but not at all to the faint of heart. Brötzmann taught me ...
Peter Br
by Clifford Allen
History is a process, a cyclical movement through time that, rather than an abstract concept, one experiences on an innate, firsthand level. For someone growing up and coming up artistically in a shattered postwar Europe, and especially postwar Germany, the complex nature of this experience and the desire to rid oneself of excess baggage while simultaneously ...
Peter Brotzmann: Der Kaput Play
by Nic Jones
The cultural life of post-war West Germany was always subject to significant American influence, and though this may seem surprising on the surface it says a lot about American hegemony in this period and the means through which it was acheived. Julian Cope has quite rightly highlighted the presence of American service personnel as a agent ...
Br: Tales Out Of Time
by Mark Corroto
I always liked but never quite understood Neil Young's lyric that went something like this: “...are you ready for the country, 'cause it is time to go..." To call someone “country" is to say they are simple or at the very least not urbane. But I think Neil Young was speaking more of organics and getting ...
Peter Brotzmann Tentet at Kraftbrau Brewery
by Lazaro Vega
Peter Brotzmann Tentet Kraftbrau Brewery Kalamazoo, MI June 16, 2002 Not being a musician I can only surmise what musical challenges composing for and performing with a mid-sized jazz ensemble pose. Everyone knows how Miles Davis dealt with some of those musical issues in the nonet as he, ...
FMP130
Label: Atavistic Records
Released: 2003
Track listing: For Donauschingen Ever; Konzert Fur 2 Klarinetten; Nr. 7; Wir Haben Uns Folgendes
Uberlegt; Paukenhandschen Im Blaubeerenwald; Nr. 9; Gere Bij; Nr. 4; Nr. 6;
Donaueschingen For Ever.
FMP 130
Label: Atavistic Records
Released: 2003
Track listing: For Donauschingen Ever; Konzert Fur 2 Klarinetten; Nr. 7; Wir Haben Uns Folgendes
Uberlegt; Paukenhandschen Im Blaubeerenwald; Nr. 9; Gere Bij; Nr. 4; Nr. 6;
Donaueschingen For Ever.
The Ink is Gone
Label: Eremite Records
Released: 2003
Track listing: Side 1: Boot the Bastards Out - The Ink is Gone - The Beast-filled Dark and a
Beautiful Forest. Side
2: Permanent Migration - Grass Flowers the Wind
