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967

Article: Music and the Creative Spirit

Paal Nilssen-Love: Transforming the Boundaries of Creative Music

Read "Paal Nilssen-Love: Transforming the Boundaries of Creative Music" reviewed by Lloyd N. Peterson Jr.


He learned to play the drums before he could walk, battled cancer before the age of thirty, and is a driving force behind several of today's most innovative and progressive bands (Atomic, The Thing, Ken Vandermark, Frode Gjerstad and the Peter Brotzmann Tentet) just to name a few. He has taken the drums to new creative ...

1,268

Article: Extended Analysis

Anthony Braxton: The Complete Arista Recordings

Read "Anthony Braxton: The Complete Arista Recordings" reviewed by Clifford Allen


Anthony BraxtonThe Complete Arista RecordingsMosaic2008 Few artists in the realm of improvised music can claim as important or varied a series of recordings as reedman-composer Anthony Braxton did during his contract to Arista Records in the 1970s. With the financial backing provided by what was then an upstart ...

352

Article: Live Review

Sonore: Ukrainian Debut

Read "Sonore: Ukrainian Debut" reviewed by Alex Martynov


SonoreMaria Zankovetska Drama TheatreLviv, UkraineDecember 14, 2008This year Jazz Bez, one of the biggest jazz festivals in Ukraine, had a final episode that was a performance by one of the most radical jazz projects--Sonore: three saxophonists, each representing his own generation, his own country, his own musical ethos. The ...

314

Article: Album Review

Adam Niewood & His Rabble Rousers: Epic Journey, Volumes I & II

Read "Epic Journey, Volumes I & II" reviewed by Jeff Dayton-Johnson


Adam Niewood's Epic Journey, Volumes I & II is the third vertex in an isosceles triangle of recent releases, the other two points being Noah Preminger's Dry Bridge Road (Nowt, 2008) and Chris Potter's Follow the Red Line: Live at the Village Vanguard (Sunnyside, 2007)--records by saxophonist-leaders ranging from reasonably to very young, with similar instrumentation--notably ...

Album

Head On

Label: Idiolect
Released: 2008
Track listing: Red kites, Head On; The Man In The Raincoat.

Album

Born Broke

Label: Atavistic Records
Released: 2008
Track listing: CD1: Born Broke; Beautiful But Stupid; Ain't Got The Money. CD2: Dead and Useless.

323

Article: Live Review

Mopomoso featuring Evan Parker Trio at The Vortex in London

Read "Mopomoso featuring Evan Parker Trio at The Vortex in London" reviewed by Marcus O'Dair


Evan Parker TrioThe Vortex Jazz clubLondon, EnglandNovember 16, 2008 Fair enough, it's billed as “Mopomoso featuring Evan Parker Trio." But still, a five-hour bill culminating in less than twenty minutes from the man himself would try the stamina of all but the most committed free improv devotees. Thankfully, with ...

344

Article: Live Review

Peter Brotzmann at the London Jazz Festival 2008

Read "Peter Brotzmann at the London Jazz Festival 2008" reviewed by Marcus O'Dair


Peter BrotzmannLondon Jazz Festival 2008Purcell RoomLondon, EnglandNovember 15, 2008 Peter Brotzmann must have one of the most undeviatingly linear careers in modern jazz. A full 40 years after his landmark Machine Gun album and fast approaching 70 years of age, the German multi- reedist is still best known for ...

420

Article: Album Review

Brotzmann/Michiyo Yagi/Nilseen-Love: Head On

Read "Head On" reviewed by Eyal Hareuveni


A collaboration between the loud saxophones of German legend Peter Brotzmann, Japanese koto master Michiyo Yagi and great Norwegian drummer Paal Nilssen-Love may not sound an obvious to those who still consider the ancient stringed koto to be an exotic instrument. The short YouTube clip of Yagi playing with this trio at the 2006 Kongsberg Jazz ...

191

News: Performance / Tour

Peter Brotzmann / Han Bennink Duo USA Tour April 16-28

Peter Brotzmann / Han Bennink Duo USA Tour April 16-28

Legendary Free Music Duo in a rare US Tour “Few modern saxophonists can sound as powerfully abrasive as Mr. Brotzmann, and few drummers can seem as convincingly unhinged as Mr. Bennink. Each is a pillar of the European free-improvising scene, and a touchstone for the rambunctious wing of the contemporary avant-garde." -New York Times 2006 16 ...


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