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Musician

Pedro Giraudo

These two ensembles, lead by Pedro Giraudo, have captivated listeners around the world with its unique blend of South American grooves, Argentine folk songs, the passion of tango and jazz improvisation. Pedro Giraudo, in the tradition of such composers as Duke Ellington and Charles Mingus, highlights the unique talents of each band member, masterfully weaving together pre-composed and improvised elements. Originally from Cordoba Argentina, Pedro Giraudo moved to New York City in 1996. Since then he has become an in-demand bass player and arranger working in a great variety of musical projects

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News: Crowdfunding Campaign

Support the LINER NOTES indiegogo fundraising campaign

Support the LINER NOTES indiegogo fundraising campaign

As LINER NOTES enters its fourth season in July, I am making an appeal for funding in order to keep it going. I ask you to click here to watch a short video explaining the situation and the motivation for this appeal. I am passionate about LINER NOTES, a podcast that I started in 2018. ...

Album

Urban(e)

Label: Greenleaf Music
Released: 2020
Track listing: Prélude, Op. 28 no. 20; "Nessun Dorma" from Turandot; Excerpts from ; La fille aux cheveux de lin from Préludes, Book 1; String Quartet No. 1, III. Allegro vivace; Symphony No. 6, II. congrazia; "Seufzer, Tränen, Kummer, Not" from Cantata, BWV 21.

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Article: Year in Review

2018: The Year in Jazz

Read "2018: The Year in Jazz" reviewed by Ken Franckling


The year 2018 was a busy one for the jazz world. The genre's version of the #MeToo movement resulted in a new Code of Conduct and other efforts to make the music workplace more equitable. International Jazz Day brought its biggest stage to St. Petersburg, Russia. The Thelonious Monk Institute of Jazz, which ran a high-profile ...

Article: Album Review

Bohemian Trio: Okònkolo

Read "Okònkolo" reviewed by Neri Pollastri


Raffinata formazione in equilibrio tra camerismo e jazz, musica cubana ed europea, questo trio nasce per iniziativa del pianista Orlando Alonso e del sassofonista Yosvany Terry, entrambi cubani diplomati al conservatorio e con studi alla Juilliard, quando nel 2012 sentono l'esigenza di mettere a punto un progetto che fosse la sintesi dei molti stimoli e interessi ...

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Article: Live Review

Buenos Aires International Jazz Festival 2017

Read "Buenos Aires International Jazz Festival 2017" reviewed by Mark Holston


Buenos Aires International Jazz Festival Buenos Aires, Argentina November 15-20, 2017 Mid November in Buenos Aires is a special time of the year. True to the meaning of the city's name, the air is crisp and fresh and blossoming jacaranda trees bathe the greater metropolitan area in a dazzling shower of purple ...

Article: Album Review

Ryan Keberle & Catharsis: Azul Infinito

Read "Azul Infinito" reviewed by Angelo Leonardi


Dopo i due interessanti lavori realizzati con questo gruppo (Music Is Emotion, Alternate Side 2013 e Into the Zone, Greenleaf Music 2014) Ryan Keberle firma oggi il suo album più riuscito in veste di leader. L'organico è quasi lo stesso del precedente ma uno degli ospiti -la cantante Camila Meza-è entrata nella formazione in pianta stabile, ...

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Article: Extended Analysis

Ryan Keberle & Catharsis: Azul Infinito

Read "Ryan Keberle & Catharsis: Azul Infinito" reviewed by Dan Bilawsky


While the blues is a distinctly American creation, formed, fueled, and furthered by the African diaspora, the United States holds no ownership on blue-streaked sounds. They exist beyond our borders, and Azul Infinito makes that case in artful fashion by simultaneously tapping into various South American musical forms and cultures, reshaping them, and highlighting the color ...

Album

Cuentos

Label: Zoho Music
Released: 2015
Track listing: Muneca; Angela Suite (Overture / Ojos Que Non Ven / La Rabiosa / Coda); La Ley Primera; El Cuento Que Te Cuento; Push Gift; Nube.

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Article: Album Review

The Global Jazz Orchestra: Global Warming / Globarhythm

Read "Global Warming / Globarhythm" reviewed by Jack Bowers


One day, about a dozen or so years ago, a slender, unassuming Japanese man stood at a booth at the far end of an exhibit hall at an annual conference of the (now-defunct) International Association of Jazz Educators (IAJE). Answering a question posed by a writer looking for big-band CDs to review, he said, in halting ...


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